2013 Oscar Preview: Best Animated Feature, Best Adapted and Original Screenplay, and Technical Category Quick Picks

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We’re continuing on with our weeklong preview of the upcoming 85th Academy Awards, and after running down both acting categories it’s time to take look at some of the other races.  Today we’ll be looking at the Best Animated Feature, Best Adapted Screenplay, and Best Original Screenplay categories in depth, and I’ll also make some way-too-early quick picks in the technical categories.  The fun begins after the jump.

In case you missed them, click here to read our preview for Best Supporting Actor and Best Supporting Actress, and click here to read our preview for Best Actor and Best Actress.

Best Animated Feature 

Frontrunners:

None

Likely to Be Nominated: 

  • Brave
  • Frankenweenie
  • Wreck-It Ralph 

Other Contenders: 

  • Rise of the Guardians
  • ParaNorman
  • Madagascar 3: Europe’s Most Wanted 

The Best Animated Feature race is a little all over the place at the moment.  Many were expecting a frontrunner to emerge in the way of DreamWorks Animation’s Rise of the Guardians, but that film has received a much more mixed reception that most were expecting.  The film is still likely to nab a nomination, though, as is Pixar’s Brave even though most agree the fairy tale isn’t exactly in the same league as many of the studio’s other films.  It’s still leagues better than Cars 2, but that’s not really saying much.

frankenweenieSurprisingly, the closest thing we have to a frontrunner right now may be Tim Burton’s Frankenweenie.  Though the film’s box office isn’t spectacular, it was warmly received by critics and generally liked overall by most who saw it.  For my money, Laika’s ParaNorman is the best of the bunch, but it may be edged out by Frankenweeenie if voters are remiss to include two “Halloween” movies on their ballots.

Disney’s Wreck-It Ralph is a safe bet for a nomination as well, and also has a decent shot at the win.  It nabbed quite a few high marks from critics and a hefty box office total of $159 million.  Also in the mix is DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted, which netted the best reviews and highest box office of any film in the franchise thus far. 

Best Adapted Screenplay 

lincoln-daniel-day-lewis-david-strathairnFrontrunners:

  • Tony KushnerLincoln

Likely to Be Nominated: 

  • Chris TerrioArgo
  • David O. RussellSilver Linings Playbook
  • Behn Zeitlin and Lucy AlibarBeasts of the Southern Wild

Other Contenders: 

  • David MageeLife of Pi
  • William NicholsonLes Miserables
  • Ben LewinThe Sessions
  • Peter Jackson, Fran Walsh, and Phillipa BoyensThe Hobbit: An Unexpected Journey
  • Judd ApatowThis Is 40 

john-goodman-ben-affleck-argoFor Your Consideration: 

  • Steven ChboskyThe Perks of Being a Wallflower 

As many are expecting a big Oscar night for Lincoln, screenwriter/playwright Tony Kushner’s script for the Steven Spielberg film is undoubtedly a major contender here.  The language in Lincoln is splendid, and much of the pic’s success is owed to Kushner’s magnificent screenplay given that the film is an incredibly talky drama that mostly takes place in rooms full of people.  Kushner manages to make a story about political process wildly engaging, funny, and even thrilling, so I expect him to be this category’s primary frontrunner once nominations are announced.

Chris Terrio’s nail-biting script for Argo is also a big player in this category, and I imagine he’ll be singled out for skillfully blending the film’s lighter, Hollywood side with the dramatic hostage crisis. David O. Russell also looks poised to land another screenwriting nomination for Best Picture hopeful Silver Linings Playbook, but one of the more interesting contenders here is Behn Zeitlin and Lucy Alibar’s wonderful screenplay for Beasts of the Southern Wild.  The tiny-budget drama is a magnificent piece of filmmaking due in large part to Zeitlin and Alibar’s fascinatingly original script, and it has a very good shot at netting a Best Screenplay nom.

the-perks-of-being-a-wallflower-emma-watson-logan-lermanThe adaptation of Life of Pi could draw notice for its script given that the source novel was considered “unfilmable,” and it’s wise to consider Peter Jackson, Fran Walsh, and Phillipa Boyens for The Hobbit given that they were previously nominated for penning The Fellowship of the Ring and The Return of the King, winning the award for the latter.  It’s also smart to keep an eye on Judd Apatow for This Is 40.  The Academy recognized Bridesmaids in the Original Screenplay category last year, and Apatow was previously nominated by the Writers Guild of America for his The 40-Year-Old Virgin and Knocked Up screenplays.

For my For Your Consideration pick, I’d like to single out Stephen Chbosky’s adaptation of his own novel The Perks of Being a Wallflower.  Adapting a book as beloved as this was a hard enough task as is, but Chbosky made it that much more difficult by tackling the screenplay himself.  He brilliantly translated the essence of the novel to the screen, making some pleasantly surprising alterations and additions that enhanced the book’s themes and even enriched a few characters in the feature film version.  We’ve seen countless uninspired “translations” of books to screen in the past few years (ahem, Twilight), and I applaud Chbosky for recognizing the need to make changes when turning a book into a movie.  Chbosky crafted not only one of the best films of the year, but he also turned in one of the best book-to-film adaptations in a long, long time.

Best Original Screenplay 

kara-hayward-jared-gilman-moonrise-kingdom-imageFrontrunners:

  • Wes Anderson and Roman CoppolaMoonrise Kingdom
  • Michael HanekeAmour

Likely to Be Nominated: 

  • Quentin TarantinoDjango Unchained
  • Paul Thomas AndersonThe Master 

Other Contenders: 

  • Mark BoalZero Dark Thirty
  • John GatinsFlight
  • Ava DuVernayMiddle of Nowhere
  • Rian JohnsonLooper

Jean-Louis-Trintignant-amourFor Your Consideration: 

  • Drew Goddard and Joss WhedonThe Cabin in the Woods 

The Original Screenplay category is a bit tougher to parse out at the moment, but there are a few clear major contenders that stand out from the rest of the pack.  Wes Anderson made one of the best films of his career with this year’s delightfully charming Moonrise Kingdom, and the film’s crackerjack screenplay by Anderson and Roman Coppola will undoubtedly be one of this year’s nominees in the category.

Also at the top of the pile is Michael Heneke’s script for his devastating drama Amour.  The film is an incredibly tough watch, but it’s been hailed as one of the best films of 2012 for quite some time now (it won the Cannes Palm d’Or back in May), so look for it to be a major contender in the Original Screenplay category.

Sight unseen, it’s pretty safe to say that Quentin Tarantino will find himself among the nominees for Django Unchained.  The guy just doesn’t make bad movies, and depending on how things shake out he might pull off his first Oscar win since taking home the Best Original Screenplay trophy in 1995 for Pulp Fiction.

django-unchained-movie-image-christoph-waltz-jamie-foxxAnother living legend, Paul Thomas Anderson, should also land among the nominees for his The Master screenplay.  Even though the film has gathered a rather polarizing response, Anderson’s talent is unlikely to be overlooked.  It’s shocking to think that the guy behind Boogie Nights and There Will Be Blood has yet to win an Academy Award, but it’s entirely possible that he could find himself standing at the podium come Oscar night.

The last time Mark Boal wrote a screenplay he won an Oscar, and he’s reteamed with his The Hurt Locker director Kathryn Bigelow for Zero Dark Thirty so look for him to be a major player in this category as well.  We’ll have a better idea of his chances of winning once the film screens for critics, but he’s already talked extensively about the lengths to which he and Bigelow went to maintain accuracy when dramatizing the hunt for Osama bin Laden.  I also don’t think it’s out of the realm of possibility for Rian Johnson to nab a nomination for his refreshingly original sci-fi film Looper.  The pic was incredibly well-received by critics, and I’m really hoping it picks up some steam this awards season.

cabin-in-the-woods-movie-image-1When I see the words Best Original Screenplay, one of the first 2012 films that comes to mind is my For Your Consideration pick for this category: Drew Goddard and Joss Whedon’s The Cabin in the Woods.  The duo turned the horror genre entirely on its head with a brilliantly fresh genre film that was packed to the brim with humor and smarts.  I know it’s a very long shot for a nomination, but when running down the best original screenplays of the year, I don’t see how it’s possible to leave this one out.

The technical categories are tricky enough to predict just before Oscar night, so in lieu of running down each category by frontrunners, likely nominations, and other contenders, I’ve simply listed four or five picks that are currently a part of the conversation.  A lot can change between now and when the nominations are announced, so don’t be surprised if the end result is a tad different.

Many of the categories will be easier to parse out once the official list of eligible contenders is released.  The Original Score category is particularly difficult to weigh in on as there are many strange rules that keep some worthy scores from being eligible to compete.  Nevertheless, here’s a look at some of the contenders:

Editing 

  • daniel-craig-skyfallMichael KahnLincoln
  • William GoldenbergArgo
  • Jay CassidySilver Linings Playbook
  • Peter McNultyThe Master

Cinematography 

  • Cloudio MirandaLife of Pi
  • Roger DeakinsSkyfall
  • Robert RichardsonDjango Unchained
  • Mihai Malaimare Jr.The Master

Production Design

  • martin-freeman-ian-mckellan-the-hobbitLincoln
  • Anna Karenina
  • Les Miserables
  • The Hobbit: An Unexpected Journey

Sound Mixing 

  • Les Miserables
  • Skyfall
  • The Dark Knight Rises

Sound Editing 

  • Skyfall
  • The Dark Knight Rises
  • The Avengers 

Costume Design 

  • mirror-mirror-julia-roberts-nathan-laneAnna Karenina
  • Lincoln
  • Mirror Mirror

Original Score 

  • Dario MarianelliAnna Karenina
  • Tom Tykwer, Reinhold Heil, Johnny KlimekCloud Atlas
  • Behn Zeitlin, Dan RomerBeasts of the Southern Wild
  • John WilliamsLincoln

Makeup 

  • Lincoln
  • Cloud Atlas
  • the-avengers-hulk-imageHitchcock
  • The Hobbit: An Unexpected Journey 

Visual Effects

  • Life of Pi
  • Cloud Atlas
  • The Avengers
  • The Hobbit: An Unexpected Journey

Foreign Language Film

  • Amour – Austria
  • The Intouchables France
  • No – Chile
  • A Royal Affair – Denmark

Documentary Feature 

  • The House I Live In
  • The Central Park Five
  • West of Memphis

That’s it for today’s run of Oscar categories.  Check back tomorrow for our final installment of Oscar Preview 2013 when we take a look at the big ones: Best Picture and Best Director.

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  • Austin

    The Perks of Being a Wallflower!!?? Are you kidding me? Hell no!!

    • Austin

      This website is for film enthusiasts if I’m not mistaken? The Perks of Being a Wallflower?

  • Austin

    Wait so, the Perks of Being a Wallflower? That’s the movie up for our consideration? That one? At the expense of such greats as Jack and Jill or Piranha 3DD?

    • Derek

      Why such the reaction? It’s just the opinion of the writer. He’s allowed to have an opinion, no? As you are. No need for the sarcasm. He made his points as to why he would nominate it as your justification is “Hell no!”. This is the Oscars, by the way. There’s no authority on them and even film enthusiasts such as yourself won’t agree on all their picks – let alone predictions about them. Calm down. We are infinite.

  • Riddick

    Why on Earth would Hobbit get nomination again for Production Design?? Its the same Shire, Rivendelle huh atleast 1st movie doesn’t deserve to be nominated.

    When does overload of CGI warrants a Visual effect Oscar??

    • justin K

      ummm are you serious?? You have obviously have not been watching the production videos. The Hobbit has a lot more production design work than any other film that has come out this year. This film looks like it will do a fantastic job with blending production sets with the CGI elements.

      And its not about the “overload” of visual effects, its about the high quality of the visual effects that a film can produce. Which in my opinion, The Hobbit looks like it can deliver.

  • Anonymous

    Wouldn’t Zero Dark Thirty be under the Best Adapted Screenplay category since it’s based on true events?

    • Austin

      Afraid not, it’s not based on a previously written work. By that standard Titanic was an adapted screenplay

  • Seriously?

    I’m beginning to think — with each new Oscar article — that Adam doesn’t have the first clue as to how the Academy thinks, and how it works.

  • Juan

    Perks was the best, I really hope it gets a nomination

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  • TheMegaMovieDude15

    Best Animated Feature Nominees

    Wreck It Ralph
    The Pirates! In An Adventure With Scientists
    Frankenweenie
    ParaNorman
    Rise Of The Guardians

  • TheMegaMovieDude15

    Best Visual Effects

    The Avengers
    The Dark Knight Rises
    Life Of Pi
    Skyfall
    The Hobbit

  • Drew

    What about John Carter for Best Visual Effects?

  • chris

    And Snow White and the Huntsman for Best Costume Design??? Much better than Mirror, Mirror! And Colleen Atwood has 3 Oscars!
    Best Foreing Lenguage Film I bet for Blancanieves (Snow White) the black and white silence Spanish film entry. I’ve seen it and it’s so beautiful! Better than The Artist

  • chris

    And Snow White and the Huntsman for Best Costume Design??? Much better than Mirror, Mirror! And Colleen Atwood has 3 Oscars!
    Best Foreing Lenguage Film I bet for Blancanieves (Snow White) the black and white silence Spanish film entry. I\’ve seen it and it\’s so beautiful! Better than The Artist

  • Albert

    The Hunger Games might have a shot too at the technical categories.

  • Armand

    Wreck it ralph is def the front runner for best animated, Brave and Frankenweenie dont hold a candle to it

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  • Derek

    Why such the reaction? It\’s just the opinion of the writer. He\’s allowed to have an opinion, no? As you are. No need for the sarcasm. He made his points as to why he would nominate it as your justification is \"Hell no!\". This is the Oscars, by the way. There\’s no authority on them and even film enthusiasts such as yourself won\’t agree on all their picks – let alone predictions about them. Calm down. We are infinite.

  • yreimm

    Best Adapted Screenplay: where’s Cloud Atlas?

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  • Michael Horne

    Isn’t Life of Pi a frontrunner for adapter screenplay? Just on the basis that people thought it was unfilmable?

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