
Why do people still get outraged about Star Wars? What’s the point? People get upset at the Blu-rays. They get upset when George Lucas opens his mouth. They get upset when the prequels are even acknowledged. They lose their freaking minds if you say “Greedo Shot First”. We’ve been having these discussions since 1997 when the special editions arrived. Now whenever the opportunity arises, we keep dredging up old controversies. It’s time to let them go.

This past week brought us a story that is near and dear to me. While I briefly give my own thoughts regarding DC Comics’ Watchmen prequel comic series after the jump, I want to use the “Top 5′s” opening paragraph space to invite readers to voice/type their own opinions on the announcement in the comments section. As a fervent fan of the series, I’m always interested to hear fellow fans’ take on Watchmen adaptations, prequels, and the like. So, with that said, what do you think? Does the creative talent involved interest you? Is it the best idea ever? The worst? Somewhere in between? Sound off in the comments.
In addition to DC’s Before Watchmen announcement, this installment of the “Top 5″ includes interviews with the cast and director of superhero/found-footage pic Chronicle, a “What If?” look at a 16-Bit Breaking Bad RPG, ten things to know about Dr. Seuss’ The Lorax, and Sundance 2012 video interviews with Bradley Cooper, Paul Dano and more. A brief recap and link to each follows after the jump.

So, after two weeks of talking about it, I finally caught Steven Soderbergh‘s Haywire. My thoughts? I was satisfied. Not blown away. Not shaking my head in disappointment. Satisfied. Soderbergh’s fight scenes were as beautifully executed as can be reasonably expected. In my opinion, though, there just weren’t enough of them. David Holmes’ score was fantastic when set behind said fight/chase/action sequences so, by default, there just wasn’t enough of it. The same could be said for much of the ensemble cast. In large part, their screen time was time well served. There just wasn’t enough of it to go around. So, do I recommend Haywire? Sure. As long as you go in with the expectation of seeing a slick action/thriller that is somewhat light on action and thrills. Now, onto business…
…After the jump, you’ll find that this week’s “Top 5″ is comprised of the 2012 Oscar nominations, interviews from our Chuck series finale set visit, a number of interviews for both The Grey and Man on a Ledge, and an ode to all of our 2012 Sundance coverage. A quick recap and link to each follows.

As I’ve been covering awards season pretty extensively here on the site over the past few months, I figured it would be appropriate to (foolishly) try to predict the upcoming Oscar nominations. It’s been a fairly tame year, as a few frontrunners were singled out early in the race and have held their ground throughout the grueling awards season. We haven’t been without a few surprises, as Steven Spielberg’s War Horse took a massive tumble following snubs from most of the major guilds, and David Fincher has surged back into the race bringing his adaptation of The Girl with the Dragon Tattoo with him.
Though there are plenty of safe bets when it comes to the 2012 Oscar nominations, there are still a few wildcards and tricky categories. I’ve put on my prognosticating cap (those interested can purchase one of these nifty hats at your local Target) and compiled a list of who and what I think will make the cut. Hit the jump to see how I think the nods will stack up when they’re announced on January 24th.

In last week’s “Top 5″ I spent the opening paragraph musing about my anticipation for Steven Soderbergh‘s Haywire. I also promised the readers a quick “Before & After” discussion this week which would address whether or not the pic lived up to my expectations. Well, I hate to be the bearer of bad news, but said discussion will have to be postponed. I know, I know, I’m disappointed too. Fear not, though, I’m slated to check out the film tonight which means that I’ll be able to deliver on my promise, albeit a week late. In the meantime…
…This week’s “Top 5″ installment brings you interviews with the cast of Underworld: Awakening and the aforementioned Haywire, a gallery of recent films in retro poster form, an ultra-disturbing Rugrats live-action trailer, and all of our Sundance 2012 coverage to date. Hit the jump for a brief recap and link to each.

I have to say that I can’t wait to check out Steven Soderbergh‘s actioner Haywire. Everything I’ve seen from it thus far has looked great and the positivity pouring out from early reviews only supports my belief that the entire pic will deliver. Whether it be the stellar cast, the proclaimed breakout performance from Gina Carano, or Soderbergh’s top-notch action sequences, I fully expect to be talking about Haywire right here again next week in a little “Before & After” discussion. In the meantime…
…This week’s “Top 5″ brings you some new details regarding the long-gestating Star Wars live-action television series, Contraband interviews with Mark Wahlberg, Giovanni Ribisi, and more, the first official images from Jonathan Levine‘s (50/50) Warm Bodies, a “Cinemath” feature that analyzes the 2011 box office, and all of our coverage from the 2011 Television Critics Association (TCA) Winter Press Tour. Hit the jump for brief recaps and links to each.

With awards-season upon us, I’ve been doing my best to catch up with any potential contenders that I may have missed up to this point. Without a doubt, the standout of late has been writer/director Tate Taylor‘s The Help. I had heard from several friends that the pic was solid but nothing special. After finally getting a chance to sit down with it myself, I have to say that I disagree. I think it’s better than that. Not only is it filled with great performances, but it also finds a way to be more than a story of how a caring white person can help those otherwise hopeless black people. If only 2009′s The Blind Side could go back in time and take note.
But enough of my own cinematic experiences, in this week’s “Top 5″ you’ll find a recap of our visit to the Romanian set of Ghost Rider Spirit of Vengeance, Benedict Cumberbatch talking about his villainous role in J.J. Abrams‘ Star Trek sequel, our interview with Mondo creative director Justin Ishmael, the possibility of a Bridesmaids world without Kristen Wiig, and video interviews with War Horse‘s Jeremy Irvine, Emily Watson, Tom Hiddleston and more. Hit the jump for a brief recap and link to each.

With 2011 coming to an end at the stroke of midnight, we thought it might be nice for our weekly “Top 5″ to celebrate the season. So, after months minutes of deliberation we decided that this, the “Top 5: End of the Year Edition”, is best suited for said task. After the jump, you’ll find the five stories covered in previous “Top 5″ iterations that we think withstand the test of time and best represent the spirit of what we hope “Top 5″ to be. I promise, there’s nothing from The Dark Knight Rises here…unfortunately.

Between festivals and theatrical releases, I saw over 100 new films this year. Some were awful, some were good, and some were mediocre. And then there were the movies that stayed with me, and more importantly, held up on repeat viewings. In past years, I’ve usually only had one chance to watch a movie and sometimes the initial positive impression was enough to land it on my annual Top 10 list. Then I looked back on the list six months later and realized some films shouldn’t have made the cut. This year, I got to attend major festivals and received “For Your Consideration screeners, which made it easier to double-check movies I enjoyed. If you’re wondering why movies that originally received an a high rating didn’t make the list, it’s because while I still liked them on a second viewing, their faults became more apparent. The movies on my Top Ten list became better on repeat viewings and I look forward to watching them again and again over the years.
Hit the jump to check out my picks for the Top 10 films of 2011.

Every year, I wonder why I feel the need to call out five films that were the worst of the worst. No studio exec is going to read this article think, “Matt Goldberg, that voice of sage wisdom, has spoken, and now we must cease production on all of our banal romantic comedies.” But I make myself sit through a lot of junk every year because I have the idiotic policy of finishing every movie I start. And these movies were not only a trial, but they managed to waste a potentially good aspect and be shockingly offensive at the same time. Don’t look for The Zookeeper or Jack and Jill on this list; I prefer not to shove toxic waste into my eye sockets. The five movies on this list had at least one enticing aspect: the talent involved, the premise, the success of previous entries in the franchise. And then that lure brought me into a grueling slog where my only solace was knowing the film’s running time and having a wristwatch. These films punched me for no reason. This is me hitting back with good cause.
Hit the jump to check out my picks for the worst five films of 2011.

“Top 10” lists are a dime a dozen this time of year, so I hope you’ll bear with me as I add one more. While many are busy debating the merits of Drive vs. The Artist, I thought it appropriate to take a look at the year in television. There’s no denying that the TV landscape has changed enormously over the past decade. Once a wasteland of disposable entertainment, the rise of original programming outside the network system has resulted in some of the best storytelling across any medium. This past year we were given more than a couple fantastic new shows to add to our weekly DVR list, and we saw a fair number of inventive and genuinely funny veteran comedy series get even better. Hit the jump to check out my picks for the best in television of 2011.

The best movie posters come from Mondo, other art-boutiques, and individual artists who take their passion for a film and turn it into something that every fan has to own. Studios don’t have that luxury. They need to sell a movie to an audience that has no idea what they’re in for. They need to find a way to appeal to everyone, or at least get their attention. Usually studios go for the dull route of floating movie star heads and/or blue-orange color schemes. My picks for the best studio-produced posters of 2011 were the posters that went beyond and tried to do something better.
Hit the jump to check out my choices for the Top 10 Posters of 2011.

I’m writing to you this afternoon in the late stages of a full-on nostalgia buzz. The reason? Last night, I had the pleasure of taking in a performance of the Beauty and the Beast musical at St. Louis’ beautiful The Fabulous Fox theatre. Thanks to Belle’s “Little Town”, “Something There”, and the Academy Award-winning title track, I’m still giddy and in complete tune with my five-year old self nearly 24 hours after the fact. Now, if I could just get my hands on that old Proton Pack I used to lug around at all times, my return trip to the ’90s would be complete…
…In this week’s “Top 5″ you’ll find a collection of items from The Dark Knight Rises, The Girl with the Dragon Tattoo interviews with David Fincher, Rooney Mara, and Daniel Craig, tidbits of news from J.J. Abrams‘ Star Trek sequel, director Brad Bird talking about Mission: Impossible – Ghost Protocol, The Incredibles sequel and more, and a recap of what has been yet another crazy week in trailers (Hint: there’s The Hobbit: An Unexpected Journey, Prometheus, and Wrath of the Titans). Hit the jump for a brief recap and link to each.

As 2011 comes to a close, it’s time to look forward to the movies set to open in 2012. While many are busy compiling their Top 10 lists from 2011, we thought it’d be a good time to run down the list of our 15 most anticipated blockbusters of the coming year. Will The Avengers deliver as the culmination of four years worth of Marvel movies? Just how much of a prequel to Alien is Prometheus? Will The Dark Knight Rises be the greatest movie ever made in the history of movies and awesomeness? There are a lot of unknowns, and we’ve learned that sometimes the best behind-the-scenes talent can still make a stinker (Cowboys & Aliens), but we’re hoping for more than a few pleasant surprises (a la X-Men: First Class) to appease us in 2012. Hit the jump to check out our list.

Over the past couple of weeks, we’ve taken a look at the awards prospects of The Muppets and Bridesmaids; two films that, while critically and commercially successful, aren’t necessarily your typical awards season fare. Today we thought we’d consider the awards status of another impressive film from 2011: Drive. Director Nicolas Winding Refn’s violent genre pic premiered as a little independent film at the 2011 Cannes Film Festival. The movie blew audiences away, and Refn nabbed the Best Director prize.
The film finally opened to general audiences this past September with plenty of advanced buzz and stellar reviews. While Drive didn’t exactly break box office records, critics and cinephiles fell in love with the peculiar drama, and now the film is headed into a very crowded awards stretch. Hit the jump to see our take on how Drive will fare during this year’s awards season.
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