As we head into the final stretch of 2012, things aren’t slowing down in the slightest: gallery shows are still coming fast and furious (our friends at Ltd Art Gallery just opened their latest show, and another open next week via our friends at Bottleneck Gallery), Mondo’s still churning out new stuff (an entire line of Uni Monsters prints designed by Jay Shaw was released earlier this week), and—meanwhile, closer to homebase—we’ve had more artists and galleries contacting us about doing giveaways through Limited Paper than ever before. Indeed, if anything might be said about the current state of affairs in Poster World, it’s that things are only getting crazier.
Today, we’ve got news on a new Transformers piece from Kevin Tong, show you where you can still purchase one of Craig Drake’s The Hunger posters, and—last but not least—announce our latest giveaway (and offering clues on next week’s). Ready to digest all that? It’s all after the break in today’s super-sized Limited Paper, folks.
Last year’s Los Angeles Times Hero Complex Film Festival included screenings of Star Trek II: The Wrath of Khan & J.J. Abrams’ Star Trek, a Jon Favreau-hosted double bill of Iron Man and Iron Man 2, and Warren Beatty opened the festival with his 1990 film Dick Tracy. The event sounded like a lot of fun and proved more than insightful with some truly swell panels. The line-up for this year’s iteration of the festival has been announced, and as expected it’s a fun mix of old and new films with special guests galore. Hit the jump for more info.
Stanley Kubrick’s A Clockwork Orange is often a touchy subject between myself and some of my film-enthusiast friends. As a fan of the film, I often find myself defending its audacity and sense of humor as a satirical work. In return, some of my aforementioned friends point to the film’s iconic “Singin’ in the Rain” scene in arguing two things: 1) the film goes too far in making its “point” and 2) that I have a sick sense of humor.
Regardless of your feelings towards the film and/or that particular scene, it’s hard to deny the unsettling first impression and lasting impact that they have on you as an audience member. As a result, I was delighted to hear Malcolm McDowell describe the five-day shoot that eventually lead to the controversial scene in his own words. Even if you’ve already read our interview with McDowell and Leon Vitali (if you haven’t, be sure to check it out by clicking here), I recommend hitting the jump to see the former talk about the events that helped lead to one of Kubrick’s most memorable scenes.
Last week I had the distinct pleasure of interviewing Malcolm McDowell and Leon Vitali for the upcoming 40th Anniversary Blu-Ray edition of Stanley Kubrick’s seminal sci-fi satire, A Clockwork Orange, which hits stores on May 31st. While most of you know McDowell from his career defining turn as Alex in Kubrick’s film, Vitali is also an important part in the filmmaker’s legacy. After first collaborating with Kubrick on Barry Lyndon, where he played the role of Lord Bullingdon, Vitali became a friend and adviser to the iconoclastic director. After Kubrick’s death, Vitali was put in charge of the DVD restoration of all of Kubrick’s films.
We got to chat for about an hour, so this interview is loaded with great information on both the artistic elements of acting in a film and the technical minutia of actually making a film. We discussed everything from the invention of Steadicam, to Kubrick’s often blunt interactions with actors, to Anthony Burgess’s original thoughts on the film adaptation of his novel, and much, much more. Hit the jump for the full interview.
by Ben Garman Posted: December 2nd, 2010 at 7:58 am
Legendary actor Robert Duvall has condemned “the great Stanley Kubrick” as an “actors enemy”. The fiery exclamation came during a round table interview with THR after it was revealed that director David Fincher frequently took around fifty takes to get the perfect shot whilst filming The Social Network. Fellow interviewees Mark Ruffalo and Jesse Eisenberg laugh (perhaps with disdain?) as Duvall compares Fincher to Kubrick. No doubt a comparison like that would normally be considered flattering, but Duvall continued, dismissing the performances in such classics as The Shining and A Clockwork Orange as “the worst performances I’ve ever seen in movies”. Hit the jump for more.
We love us some minimalist movie posters here at Collider. I dig them because like the t-shirts from Last Exit to Nowhere, you can only appreciate them if you’ve seen the movie. There’s also the simple artistic style that boils a movie down to one iconic image and then finds the right color to compliment it.
Artist Grischa Stanjek has done just that with ten movie posters you can check out after the jump (I particularly like the poster for Once Upon a Time in the West)
Unless you’re living under a rock, you’re aware that San Diego Comic Con is about two weeks away. The best part about this geek nirvana is no matter what your poison, comics, art, television, video games, movies, etc., there’s something for everyone. One of the specific niches that Comic Con is best known for is limited edition collectibles. Each year, seemingly every booth creates a batch of merchandise that will only ever be sold for those magical four days in San Diego.
The official Comic Con website recently put up the “full” list of exclusives (we say “full” because things will continue to be added to the list) and it’s pretty huge. So we went through and picked out the ten that we feel Collider readers might find most appealing, or could make for the best investment after July 22-25. Hit the jump for the list as well as tips on purchasing them.