
The 37th Annual Saturn Awards were held last night. The Academy of Science Fiction, Fantasy & Horror Films honored the best in film, television, special effects and more. Inception was the big winner of the night, taking home five awards including Best Science Fiction Film. Other winners in the top categories include Fringe for Best Network Series, Breaking Bad for best Cable Series, Let Me In for Best Horror Film, Alice in Wonderland for Best Fantasy Film and Salt for Best Action/Adventure Film.
Hit the jump to see the full list of winners, and don’t forget to check out Collider’s interviews from the red carpet at the event. We spoke with Brandon Routh, Fringe’s Lance Reddick, and producer Dean Devlin.
Ouch. Though it seemed likely after Friday’s figures were announced, the fact that Fox’s Diary of a Wimpy Kid: Rodrick Rules so easily topped the flashier Sucker Punch has still got to hurt the folks at Warners this morning.
| Title | Weekend | Total | |
| 1 | Diary of a Wimpy Kid 2 | $24,400,000 | $24.4 |
| 2 | Sucker Punch | $19,000,000 | $19 |
| 3 | Limitless | $15,225,000 | $41.2 |
| 4 | The Lincoln Lawyer | $11,000,000 | $28.9 |
| 5 | Rango | $9,800,000 | $106.3 |
| 6 | Battle: Los Angeles | $7,600,000 | $72.5 |
| 7 | Paul | $7,500,000 | $24.6 |
| 8 | Red Riding Hood | $4,340,000 | $32.4 |
| 9 | The Adjustment Bureau | $4,240,000 | $54.8 |
| 10 | Mars Needs Moms | $2,186,000 | $19.1 |
After pulling ahead of the pack on the traffic jam that was this Friday’s box office, Relativity’s Limitless stayed on top with an estimated $19 million from its 2,756 locations. Fellow newcomers Paul and The Lincoln Lawyer had more modest starts, making this one more in 2011’s long line of down weekends.
| Title | Weekend | Total | |
| 1 | Limitless | $19,000,000 | $19 |
| 2 | Rango | $15,300,000 | $92.6 |
| 3 | Battle: Los Angeles | $14,600,000 | $60.6 |
| 4 | The Lincoln Lawyer | $13,400,000 | $13.4 |
| 5 | Paul | $13,200,000 | $13.2 |
| 6 | Red Riding Hood | $7,255,000 | $25.9 |
| 7 | The Adjustment Bureau | $5,930,000 | $48.7 |
| 8 | Mars Needs Moms | $5,310,000 | $15.4 |
| 9 | Beastly | $3,260,000 | $22.2 |
| 10 | Hall Pass | $3,600,000 | $39.6 |
Paramount did not quite reach the $50 million they were hoping for with their PG toon Rango. With an estimated $38 million from its 3,917 locations, however, the 2D animated feature did manage to top The Green Hornet to become the biggest debut of 2011 so far.
| Title | Weekend | Total | |
| 1 | Rango | $38,000,000 | $38 |
| 2 | The Adjustment Bureau | $20,900,000 | $20.9 |
| 3 | Beastly | $10,100,000 | $10.1 |
| 4 | Hall Pass | $9,000,000 | $27 |
| 5 | Gnomeo & Juliet | $6,900,000 | $83.7 |
| 6 | Unknown | $6,620,000 | $53.1 |
| 7 | The King’s Speech | $6,501,000 | $123.8 |
| 8 | Just Go With It | $6,500,000 | $88.2 |
| 9 | I Am Number Four | $5,702,000 | $46.4 |
| 10 | Justin Bieber: Never Say Never | $4,325,000 | $68.8 |
See that? All the box office needed to shake off the stagnant was Johnny Depp! Debuting on the same weekend the actor owned with Alice in Wonderland in 2010, the animated western Rango is on track to have the biggest debut of the year. The PG flick from director Gore Verbinski brought in an estimated $9.5 million on Friday from 3,917 locations and appears headed for a three day total above $40 million – and that’s without a 3D price boost. If Paramount is pleased with their Rango debut, Universal is probably just as pleased with the debut of The Adjustment Bureau. The Matt Damon-led sci-fi thriller opened to $6.7 million from 2,840 locations. Expect a three-day total above $20 million, or a few million more than the studio was hoping for just a two days ago. Alex Pettyfer is back this week in CBS Films’ Beastly. The modern fairytale took in $3.5 million on Friday and should finish the weekend just below $10 million – right about where the studio was expecting. Full details and box office analysis tomorrow.
| Title | Friday | Total | |
| 1 | Rango | $9,500,000 | $9.5 |
| 2 | Adjustment Bureau | $6,700,000 | $6.7 |
| 3 | Beastly | $3,500,000 | $3.5 |
| 4 | Hall Pass | $2,700,000 | $20.6 |
| 5 | Just Go With | $1,900,000 | $83.6 |

In what easily had to be one of the most painful, unfunny Oscar ceremonies in recent memory, The King’s Speech finally reached the end of its inevitable march to Best Picture. It was the first Best Picture winner to win less than five Oscars (it won four, including Best Actor, Best Director, and Best Original Screenplay). [Correction: Crash, which won Best Picture in 2006, only won 3 Oscars] Does that make it more or less unworthy of the Best Picture crown? I don’t know. I don’t care. I’m drained after live-blogging the awful show and 50 minutes of terrible pre-show.
Hit the jump for the full list of winners.

Like any good Oscar ceremony, the 83rd Academy Awards will most likely drag on unto infinity. Categories will blend together and you’ll find yourself waiting to see who wins “Best Costume Design for a Live-Action Short Starring Winter’s Bone“. I’m trying to stop myself from being on auto-snark and hoping that the show is genuinely entertaining. I find hosts Anne Hathaway and James Franco to be charming so hopefully they’ll have some good material. Last year, I didn’t expect much from Alec Baldwin and Steve Martin and I thought they did a terrific job. While the Oscars are a show for rich people to congratulate themselves on a job well done, the host doesn’t have to tear the room down to make us poor slobs at home feel better. There’s a balancing act and hopefully Hathaway and Franco can pull it off.
So get your Oscar ballots ready and hit the jump as I live-blog the 83rd Academy Awards. Also, you can click here for my predictions.

If you’re among the folk who believe the Academy Awards are too stodgy, too reluctant to embrace sci-fi, fantasy, and horror — the Saturn Awards are for you. Sure, Best Picture nominee Inception led the field with nominations, but Let Me In and Tron: Legacy (just one Oscar nomination between them) fall close behind with 7 Saturn nominations apiece. Hereafter, Alice in Wonderland, Black Swan, Harry Potter and the Deathly Hallows – Part 1, Never Let Me Go, and Shutter Island all landed 5 or more nominations.
The Walking Dead racked up the most television nominations with 6, followed by Breaking Bad, Fringe, and Lost with 5 each. Hit the jump for the full list of nominees and a breakdown of the number of nominations by film/series.

Two subsets of Hollywood’s production crews chimed in last night on the best film and television of 2010. The American Cinema Editors handed out their adorably named Eddie Awards with a respectable degree of specialization. The Social Network was named the best edited feature-length drama — Alice in Wonderland, Toy Story 3, and Exit Through the Gift Shop won in the comedy/musical, animated, and documentary categories respectively. Modern Family, The Walking Dead, Treme, and Temple Grandin were deemed the best edited programs on television last year.
The Cinema Audio Society gave their top film award to True Grit, and became the first voting body to recognize the straight-to-DVD greatness of 30 Days of Night: Dark Days. TV nods went to Boardwalk Empire, Temple Grandin, and Deadliest Catch. Hit the jump for the full list of winners.

The Academy of Motion Picture Arts and Sciences has narrowed down the contenders for the Visual Effects category to seven: Alice in Wonderland, Harry Potter and the Deathly Hallows – Part 1, Hereafter, Inception, Iron Man 2, Scott Pilgrim vs. the World, and Tron: Legacy. Given the face replace magic and impending Oscar dominance of The Social Network, I’m a bit surprised David Fincher’s movie didn’t get a nod. But I’m glad Scott Pilgrim has the chance represent the relatively smaller-scale films in a big-budget category. (Basically Scott must battle six evil FXes to win the heart of Oscar.)
The voting members will be invited to view 15-minute segments from each film on January 20th, then vote to nominate five films for final Oscar consideration. Hit the jump for the press release.
Though it’s a brand new year, we’ll be left cleaning up after 2010 for weeks to come. After falling to second place on New Year’s Eve, Little Fockers managed to edge past True Grit to retain the box office crown for a second weekend in a row. All hail the king. Overall, 2010 will end up only slightly behind 2009’s record with over $10 billion in profits – due largely to early successes like Avatar and Alice and Wonderland, of course. Nothing in the ass-end of the past year is even coming close to those titles in terms of dollars or attendance.
| Title | Weekend | Total | |
| 1 | Little Fockers | $26,300,000 | $103.2 |
| 2 | True Grit | $24,500,000 | $86.8 |
| 3 | Tron Legacy | $18,300,000 | $130.8 |
| 4 | Yogi Bear | $13,000,000 | $66.1 |
| 5 | Narnia 3 | $10,500,000 | $87.1 |
| 6 | Tangled | $10,008,000 | $168 |
| 7 | The Fighter | $10,000,000 | $46.3 |
| 8 | Gulliver’s Travels | $9,100,000 | $27.2 |
| 9 | Black Swan | $8,500,000 | $47.4 |
| 10 | The King’s Speech | $7,600,000 | $22.8 |

Top 10 lists are a dime a dozen in the Hollywood circle, but while most writers are busy compiling their “Best of” in terms of films, directors and performances I’m always more curious to explore the less-appreciated categories – particularly Best Motion Picture Score. And so without further ado, here are my picks for the Best Scores of 2010. Hit the jump to see the list.

Oh, the Golden Globes: the most popular awards show where nominations and victories are bought and paid for. While the Globes have a modest reputation as a good indicator of what will be getting Oscar nominations, this year’s list of nominees features a solid, respectable Best Drama category and a laughably terrible Comedy/Musical category. Nominated for Best Drama, you have likely Oscar contenders Black Swan, The Fighter, Inception, The King’s Speech, and The Social Network. But fighting for Best Comedy/Musical you have the critically panned Alice in Wonderland, Burlesque, and The Tourist. You also have Red and then the only film that deserves to win, The Kids Are All Right.
Hit the jump for the full list of nominees including my thoughts on the TV shows which received nominations.

As the current 3D trend is taking over movie theaters everywhere, it’s now poised to invade your living room. In order to complement the surge in production of 3D televisions and Blu-ray players, The Digital Entertainment Group (DEG) has announced 36 titles set to be available just in time for the holiday season, with dozens more to follow in early 2011. 10 of the titles will hit stores on November 16, just in time for Black Friday.
The releases include a wide range of titles from AIX Records, DreamWorks Animation, Giant Screen Films, Image Entertainment, IMAX Corporation, Lionsgate, Sony Pictures Home Entertainment, Twentieth Century Fox Home Entertainment, Universal Studios Home Entertainment, Walt Disney Studios Home Entertainment and Warner Home Video. It also includes a number of high-profile titles that will be released as exclusives for certain 3D televisions. “We are excited to see so much industry support for bringing Blu-ray 3D home,” said Ron Sanders, President, Warner Home Video and President, DEG: The Digital Entertainment Group. “And now, consumers buying 3D home entertainment systems over Black Friday weekend will have ample 3D programming to accompany them.” For a full list of films being released on 3D Blu-ray for the holidays, hit the jump.

Tim Burton’s down-the-rabbit-hole blockbuster Alice in Wonderland is set to receive a ginormous Oscar-push from Disney according to Deadline. While this may strike some as odd, considering the mixed-reviews the film received (it currently sits at 51% on RottenTomatoes), Wonderland producers Joe Roth and Dick Zanuck keenly believe the film deserves some sort of recognition – not just in technical awards, mind you, but in overall Best Picture and Best Director categories as well.
Whatever your overall thoughts are on the film (I thought it was a convoluted mess that was hard to follow, much less enjoy) there’s no denying that Wonderland was an enormously successful financial achievement. Worldwide the film tallied over a billion dollars which helped it secure a place as one of the top 10 moneymakers of all time (not adjusted for inflation of course). Hit the jump for more:
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