
Ten years after 2002′s abysmal Queen of the Damned, tales from Anne Rice‘s Vampire Chronicles may be returning to the big screen. THR reports that Ron Howard and Brian Grazer‘s Imagine Entertainment have optioned the fourth book in the saga of the vampire Lestat, The Tale of the Body Thief. Star Trek screenwriter Alex Kurtzman and Roberto Orci are co-producing and screenwriter Lee Patterson is currently at work on the script.
Hit the jump for more details on the project.

After crafting a successful sci-fi series for TNT in the form of Falling Skies, writer Joe Weisberg now has a new CIA drama series set up through Imagine TV and 20th Century Fox Television with a talent familiar with espionage coming aboard as executive producer. Deadline has word that The Bourne Supremacy and The Bourne Ultiamtum director Paul Greengrass will make his first foray into U.S. television as executive producer of the currently untitled series along with Brian Grazer and Weisberg himself. As of now his deal only has him aboard in the producing capacity, but apparently there’s a chance he might also direct the pilot if his schedule allows.
Plot details are limited, but the series is said to be a high-stakes character-based drama centering on the young assistants of high-ranking officers in the U.S. Intelligence community which includes being inside the walls of the CIA, as well as the DIA, NSA, FBI and other various intelligence components at the White House. Sounds like Fox really needs to fill that void left by the end of 24, and this sounds like it has the potential to bring a real action thriller back to the network. Maybe we could get a little Jack Bauer cameo at some point? I doubt it, but you have to dream every now and then.

I’m going to bypass my usual opening paragraph musings this week and simply wish everyone a Happy Veterans Day weekend. Given that I don’t have any immediate family or friends who serve, I won’t claim to know the first thing about the sacrifices that each serviceman/woman and their respective families and friends are continually asked to make. I reap all of the benefits of their service without any of the concessions. As a result, I owe a debt of gratitude to each and every one of them.
In this week’s “Top 5″ installment you can find the first trailer for Snow White and the Huntsman, a cornucopia of interviews for Immortals and Cars 2, new set images from the set of The Expendables 2 featuring Jean-Claude Van Damme, and a look at the road that led Billy Crystal and Brian Grazer to the top of the 2012 Oscars. Hit the jump for a brief recap and link to each.

Earlier this week, the 2012 Oscars lost its producer and its host, and within the last 24 hours it has replaced both. We previously reported that Brian Grazer would take over producing duties from Brett Ratner, and now Billy Crystal has tweeted (and Variety has confirmed) that he will be hosting. Here’s what he said on Twitter (via @AwardsDaily):
“Am doing the Oscars so the young woman in the pharmacy will stop asking my name when I pick up my prescriptions. Looking forward to the show.”
Crystal is the safe choice the Academy needs after this recent debacle. He’s hosted the show eight times before, and at last year’s disastrous ceremony he was one of the brief enjoyable moments. The Academy obviously doesn’t want any more headaches when it comes to their self-congratulatory bash, and Grazer and Crystal will get the job done with no behind-the-scenes drama. [Update: We've been sent the full press release, which is now included after the jump.]

With producer Brett Ratner and now host Eddie Murphy exiting the 84th Academy Awards ceremony, Academy president Tom Sherak is rushing to get a new producer in place. According to THR, Sherak’s top choice is producer Brian Grazer, a Hollywood veteran who has the hair of an anime character and an Oscar for A Beautiful Mind. (He was also Ratner’s date to the Emmys.) The story is developing, but I can see Grazer as a reasonable (and more importantly, safe) choice to co-produce with the previously announced Don Mischer. I also wouldn’t be surprised if Sherak is also considering previous Oscar producers Adam Shankman or Bill Condon. Gil Cates would’ve been the obvious choice since he produced the show 14 times between 1990 and 2008, but he passed away less than two weeks ago.
Expect a producer to be named within the next 48 – 72 hours, and the announcement of a new host within the next week or so. The 84th Academy Awards will take place on February 26, 2012. Seriously, Neil Patrick Harris should host. He killed at the Tonys and the Emmys. I’ve heard The Muppets as a suggestion and I think that would be great, although it would be an interesting challenge to build the entire set around hiding the muppeteers or at least always shooting around them.
[Update: The Academy officially announced Grazer will produce the show. Hit the jump for the press release.]

Just a couple days ago we got word from producer Brian Grazer that $45-50 million had been cut from the budget for the adaptation of Stephen King‘s The Dark Tower to make it more appealing to studios. While Grazer and director Ron Howard are still looking for a place to set up the film portion of the adaptation, we can’t forget that the ambitious project also calls for a couple seasons of television between three planned films. Thankfully, it doesn’t sound like that side of the deal has been hard to set up as Grazer recently spoke with MTV and said, “We’re going to do [The Dark Tower] with HBO. We’ll do the TV with HBO, and we’ll do the movie with… to be determined. We’ll do it right.” Seems like the best home for material like this, that way there aren’t any restrictions as to the violence, language, etc. No details as were offered as to just how long each season will be or anything like that, but it sounds like we might get some solid information sooner than later so stay tuned.
If you’re unfamiliar with The Dark Tower, hit the jump for a synopsis.

This past summer, Universal passed on Ron Howard‘s ambitious adaptation of Stephen King‘s The Dark Tower. Howard, screenwriter Akiva Goldsman, and producer Brian Grazer planned to turn the series of novels into a trilogy tied together with a TV series. Javier Bardem was attached to star in the movies and the second season of the television series (the first season would have been flashbacks and a younger actor would play Bardem’s character, Roland Deschain). The studio and the creative team wrangled with the budget all summer. In June, Grazer and Howard were optimistic that they had lowered the budget to a point where the movie and TV series could go into production. However, Universal continued to balk at the price-tag.
Grazer now says they’ve shaved off $45-50 million, gotten a better ending as a result, and is confident that the movie will get made. Hit the jump for more.

The great thing about being Ron Howard (aside from that sweet beard pictured above) is that when one of your projects gets shot down, you don’t have to worry about whether or not you’ll land on your feet. Case in point: only one day removed from Universal passing on his ambitious adaptation of Stephen King’s The Dark Tower, the Oscar-winning director has already landed another gig. Per Deadline, Howard will join forces with Oscar-winning screenwriter Dustin Lance Black (Milk) on Warner Bros. adaptation of the Jon Krakauer novel Under the Banner of Heaven: A Story of Violent Faith. Briefly, Heaven tells the story of a pair of brothers who murder their younger brother’s wife and infant daughter only to claim they were acting on orders from God.
Howard will also co-produce the pic alongside his Imagine cohort Brian Grazer. Jason Bateman, Stephanie Davis, and Shannon Costello will co-produce as well. In addition to Heaven, you may remember that Howard also has Rush starring Chris Hemsworth and a Spy vs. Spy adaptation waiting in the wings. As for Black, he penned the script for director Clint Eastwood’s J. Edgar starring Leonardo DiCaprio, Naomi Watts, Armie Hammer, and Josh Lucas. Warner Bros. releases that pic on October 21st. For more on Heaven, hit the jump for a synopsis of Krakauer’s novel.

It may have been too good to be true. After first committing to an incredibly ambitious adaptation of Stephen King’s series The Dark Tower that spanned three films and two seasons of a TV show, Universal put the brakes on the project asking director Ron Howard, producer Brian Grazer and screenwriter Akiva Goldsman to scale the project down to make for a more feasible budget. The summer start date was pushed back to early next year while everyone involved worked to bring the budget down.
Well now it looks like the new version of the adaptation wasn’t scaled-down enough, as Universal has passed on financing the ambitious undertaking. Hit the jump for the details.

Blake Masters (Law & Order: LA) has signed on to rewrite a remake of the 1970 sci-fi film Colossus: The Forbin Project for Universal. There’s no word on the timeline of Masters’ re-telling (simply entitled Colossus), but director Joseph Sargent’s original pic was set during the Cold War and centered on a pair of supercomputers (one belonging to the United States and the other belonging to Russia) that swap top secret national defense secrets with one another. As the story goes, the rival countries are forced to work together so as to stop the computers from taking control of their respective war arms. Per Variety, Brian Grazer will produce the film via Imagine Entertainment with Erica Huggins and David J. Collins on board as co-producers.
As for Masters, the scribe has previously worked on television series’ such as Rubicon and Brotherhood. He also penned a script for Universal’s 2 Guns starring Vince Vaughn. Before Masters’ arrival, Jason Rothenberg had penned an earlier draft of Colossus. Colossus was originally adapted from the 1966 D.F. Jones novel of the same name. Jones went on to write a pair of Colossus books entitled The Fall of Colossus (1974) and Colossus and the Crab (1977).

A new trailer for director Gus Van Sant’s (Milk) new film Restless has been released. The film tells the story of a terminally ill girl (Mia Wasikowska) who, during her last remaining months, befriends a boy (Henry Hopper) whose best friend is a ghost. Van Sant has a knack for small dramas, and judging by the trailer Restless seems to be no exception. Wasikowska and Hopper look great, and the story is quirky with a touch of heartbreak.
Hit the jump to watch the trailer. In addition to Wasikowska and Hopper, the film stars Ryo Kase and Schuyler Fisk. Produced by Ron Howard and Brian Grazer, Restless is poised to hit theaters on September 16th.

Director Jon Favreau is taking a slightly different approach to the marketing materials for Cowboys & Aliens. Eschewing the traditional EPK (electronic press kit) format of bland, quick cut behind-the-scenes interviews, the director sat down with the extremely talented members of the Cowboys & Aliens cast and crew for some extended, candid and wide-ranging interviews.
We brought you his interview with Harrison Ford last week, and this week Favreau sits down with C&A producers Ron Howard and Brian Grazer and executive producer Steven Spielberg. The conversations range from Spielberg’s Jaws, to Howard’s Far and Away, and sneaking onto studio lots as young men. Spielberg also tells a fantastic John Ford story. Hit the jump to check out the second installment of interviews. Cowboys & Aliens hits theaters July 29th.

To say Ron Howard’s adaptation of Stephen King’s The Dark Tower is ambitious is a bit of an understatement. When the project was first announced, it was hard to believe that something like that could get made in this budget-conscious age. Howard and producer Brian Grazer’s plan for The Dark Tower was to make three films and two seasons of a TV show, with the TV components bridging the gap between the larger-scale films. When it actually looked like this crazy concoction might happen, Universal pulled the production start-date (which was supposed to be this fall) and was working with Howard and co. to bring the budget down.
While some fans were concerned that the whole project may be waylaid, Howard and Grazer recently sat down to talk about the adaptation and they seem quite optimistic, stating that screenwriter Akiva Goldsman is now at work rewriting his screenplays to bring the budget down. Hit the jump to see what else the producing duo had to say about The Dark Tower.

Universal is in final negotiations to pick up Arabian Knights for producers Brian Grazer and Erica Huggins (Flight Plan) of Imagine Entertainment. The story, conceived by Kyle Ward, will assume a revisionist take on the Middle Eastern folk tales collected in One Thousand and One Nights (often called Arabian Nights in English). Plot details are under wraps, but Variety clarifies that Arabian Knights with a “K” will be “radically different” from the FilmDisrtict project Arabian Nights that stars Liam Hemsworth. (The latter is more traditional, to the extent that a Hollywood action movie starring a Hemsworth brother can be deemed “traditional.”) Arabian Knights is currently housed at Blacklight Transmedia, a c0mpany that specializes in multimedia properties. The Wrap suggests Blacklight will develop a graphic novel, video game, and book series to accompany the feature film.
This will make the second spec script Ward sold to Universal after Fiasco Heights, which teams a hitman with a private eye “in search of a missing woman and an invaluable briefcase.” Otherwise, it’s all video game adaptations for Ward: Kane & Lynch at Lionsgate, Hitman 2 at Fox, and Devil May Cry at Screen Gems.
Read more about One Thousand and One Nights after the jump. (One jump ahead of the breadline, if you will.)

Maybe it really was just too good to be true. Last week, we reported that Universal was reconsidering their commitment to Ron Howard’s insanely ambitious adaptation of Stephen King’s The Dark Tower series, which would span three feature films and two seasons of a TV show. Now THR reports that the project will remain at Universal, but Ron Howard, Brian Grazer and screenwriter Akiva Goldsman have regrouped and are attempting to bring what most certainly has to be a mammoth budget down to something more feasible.
The fall production start date has now been shelved, with no replacement date announced, but it’s rumored that they may be ready to go sometime early next year. However, what this means for star Javier Bardem’s involvement is unclear. His deal requires a great deal of his time be blocked out for the series, but pushing the start date back may interfere with other projects the actor has lined up. Howard will be directing at least the first film and first episode of the TV series. For now, we can be thankful that the project wasn’t shelved altogether. To catch up on all our coverage of The Dark Tower so far, click here.
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