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	<title>Collider&#187; Broadcast News</title>
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		<title>THE COLLISION: Episode 28 – The Beginning of Awards Season 2012 (Special Guest: Sasha Stone)</title>
		<link>http://collider.com/collider-podcast-collision-award-season-2012/</link>
		<comments>http://collider.com/collider-podcast-collision-award-season-2012/#comments</comments>
		<pubDate>Mon, 10 Dec 2012 19:14:39 +0000</pubDate>
		<dc:creator>Matt Goldberg</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Podcast Collision]]></category>
		<category><![CDATA[Broadcast News]]></category>
		<category><![CDATA[Citizen Kane]]></category>
		<category><![CDATA[Collider Podcast]]></category>
		<category><![CDATA[No Country for Old Men]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[The Collision]]></category>
		<category><![CDATA[Traffic]]></category>

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		<description><![CDATA[
This week on The Collision, we'll be talking about the beginning of the 2012 awards season with Awards Daily founder and editor-in-chief Sasha Stone (@AwardsDaily). We discuss the recent wins from various critics associations, their influence on the Academy, recent Oscar history, the current state of the race, and much more.

Click here to listen to the new episode of The Collision, click here for the previous episode ("Crime Films and Killing Them Softly"), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.



Sasha's Recommendation: No Country for Old Men

Adam's Recommendation: Broadcast News

Dave's Recommendation: Citizen Kane

Matt's Recommendation: Traffic


 ]]></description>
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		<title>BROADCAST NEWS Criterion Blu-ray Review</title>
		<link>http://collider.com/broadcast-news-criterion-blu-ray-review/</link>
		<comments>http://collider.com/broadcast-news-criterion-blu-ray-review/#comments</comments>
		<pubDate>Sat, 19 Feb 2011 11:18:03 +0000</pubDate>
		<dc:creator>Andre Dellamorte</dc:creator>
				<category><![CDATA[Blu-ray Review]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Albert Brooks]]></category>
		<category><![CDATA[Broadcast News]]></category>
		<category><![CDATA[Criterion Blu-ray Review]]></category>
		<category><![CDATA[Holly Hunter]]></category>
		<category><![CDATA[James L. Brooks]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[William Hurt]]></category>

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		<description><![CDATA[
Watching Broadcast News twenty years after release it’s interesting to note that the film hasn’t been vaulted into the category of films like Network or A Face in the Crowd for being a prophetic film about what’s happened to journalism. Perhaps because it cuts deeper to the bone. And though it may not be the go-to for the state of journalism, it’s just as on-point as any satire of TV journalism. Holly Hunter stars as Jane Craig, a segment producer for network television’s evening news. She’s good friends and colleagues with Aaron Altman (Albert Brooks), who’s nursed a crush on her so long that it is a habit of their friendship, and their platonic bond is disrupted when Tom Grunick (William Hurt) enters the pictures. He’s the handsome but vacuous new talent, who knows he’s out of his depth but also knows how to anchor. My review of the Blu-ray Criterion edition of Broadcast News follows after the jump.

The film starts showing the three as children. Altman is preternaturally bright, socially awkward, and alienating from the get-go. Tom is considered a hot ticket as a kid, while Jane is a type-A tweener. The film then shifts to them as adults, as Tom comes to a conference where Jane is trying to talk about how real news is taking second place to cute cats and kicker stories. But the audience is more into the bullshit than the hard facts. Tom introduces himself, they go back to her hotel room and Jane ...]]></description>
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