
This week on The Collision, we talk about franchises, auteur directors, journeyman directors, studio prerogatives, faithfulness to the franchise, and much more. We also hope that Adam hasn’t been swept away in a tornado. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Marvel Phase Two, Shane Black, and Iron Man 3“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision on a spoiler-filled episode, we are joined by editor Brendan Bettinger, who I thank for filling in for me due to my moderate speech impediment as a result of recent jaw surgery. Along with regulars Adam and Dave, they discuss Iron Man 3, Marvel Phase Two, the distinct voice of director and co-writer Shane Black, fidelity to the comics, and more. As always, we wrap up with recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Television, Race, Diversity, and Auteur Showrunners”), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we are joined by Allison Keene and Charles Judson. Our conversation is sparked by a Mad Men spec script from actress Erika Anderson, which brings African-American characters into Matthew Weiner‘s critically acclaimed show. From there, our conversation expands to explore diversity in popular TV series, if showrunners should feel obligated to diversify their casts, the difficulty in writing minority characters, and much more. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Violence and Evil Dead“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we talk about violence: its appeal, its execution, its affect, and its acceptance. This all ties in with the release of Fede Alvarez‘ gruesome remake of Evil Dead. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Film Criticism and Room 237“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we examine film criticism: its purpose, relevancy, strengths, weaknesses, and how it benefits our understanding of film, but can also lead us away from movies towards hollow consumer reports. This all ties in with the release of Rodney Ascher’s documentary Room 237. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Terrorism, 9/11, and Olympus Has Fallen”), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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On the one-year anniversary of The Collision, we take a look at how terrorism-related action movies have changed in the years since 9/11, balancing thoughtfulness and violent entertainment, escapism, America’s short-term memory, and more. This surprisingly weighty discussion is sparked by exploring the shortcomings of Antoine Fuqua‘s new film, Olympus Has Fallen. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“The Veronica Mars Movie Kickstarter”), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we debate about the Veronica Mars Kickstarter, although our debate eventually turns to concerns that go beyond the points I brought up in my recent editorial. We talk about if fans are investors, the consequences of lacking details at this point in the film’s development, and more. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“The 85th Academy Awards”), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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On this special mid-week episode of The Collision, we will be talking about the 85th Academy Awards. We wanted to bring this one to you a little early, so you’ll have time to listen to it before the ceremony Sunday night. We’ll be talking about the surprise nominations, the awards race since the nominations were announced, our predictions, and more. As always, we’ll be finishing up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“The Die Hard Franchise, Legacy, and A Good Day to Die Hard“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we look back on the Die Hard franchise, its influences, its endearing characteristics, its legacy, and the latest film in the series, A Good Day to Die Hard. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Steven Soderbergh and Side Effects“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we look back on Steven Soderbergh‘s career, his style of filmmaking, the variety of his filmography, his appeal, his retirement, and more. We also talk about his new film, Side Effects. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“J.J. Abrams and Star Wars“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we talk about the recent news regarding J.J. Abrams directing Star Wars, his previous work, the timetable for Episode VII, how the upcoming Star Wars properties with intersect, and more. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“The 2013 Sundance Film Festival”), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we talk about the 2013 Sundance Film Festival with Film School Rejects Associate Editor and MSN Movies critic and contributor Kate Erbland. We give our overall appraisal of this year’s festival, our favorite and least favorite films, and how we think these movies will perform when they’re released into theaters. As always, we close out the show with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Gangster Movies and Gangster Squad“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we look at the gangster genre, how it has developed over time, its continuing appeal, its lasting influence, and more. We also talk about this weekend’s new release, Gangster Squad. As always, we finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Looking Back at 2012 and Looking Ahead to 2013″), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we’ll be looking back at 2012 and looking ahead to 2013. We’ll reflect on last year’s disappointments, sleeper hits, and the challenge of knowing what could be the hits and misses of the coming year. We’ll also comment on what we’re looking forward to, and as always, finish up with our recommendations.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Race and Django Unchained“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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This week on The Collision, we’ll be talking about race in films, depictions of slavery, how white filmmakers approach slavery, Quentin Tarantino‘s Django Unchained, the film’s heavy use of the n-word, and much more. It’s a heavy topic to close out the new year, but it’s a great discussion with our special guest, Atlanta Film Festival Artistic Director, Charles Judson (@CharlesJudson)
Click here to listen to the new episode of The Collision, click here for the previous episode (“Comedy, Judd Apatow, and This Is 40“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
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