
All cop shows have gun violence. Most cop shows have beautiful women. A good percentage also includes extremely broad performances. But there’s only one cop show that has all three, plus a heavily medicated Police Lieutenant, Tony Hawk as an invisible character (he actually never appears) and video game sequences: M’Larky.
Collider caught up with Dan Fogler (Balls Of Fury and the upcoming Young Americans), who created the series with his co-star Josh Warren for Comedy Central’s Atom.com and Atom TV. Hit the jump to see the first episode of M’Larky and for the interview’s full audio and transcript.
In his book Sex, Drugs, and Cocoa Puffs, Chuck Klosterman lays out what is essentially the unifying theory of Johnny Carson – the idea that the advent of cable and the home video market, not to mention the Internet, has splintered public tastes to the point that there’s no longer any such thing as a shared cultural experience anymore; according to Klosterman, the last patch of common ground was Johnny Carson, and once he disappeared from the airwaves, he took the last link in our pop culture chain with him.
Klosterman had a point, one which grows ever more relevant with each passing year – but every so often, a cultural event comes along with enough significance to achieve true water cooler status. Case in point: the long-awaited debut of Star Wars: Episode I – The Phantom Menace in 1999, a breathlessly anticipated extension of a film franchise that was virtually inescapable in its day. When George Lucas announced he was working on a prequel trilogy that would fill in the story behind the original films, pretty much everyone was at least curious to see what they’d look like – and the hardcore fans were on pins and needles.
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