
Hollywood is known, and some would say loathed, for the “me too” attitude studios adopt in order to ride the coat tails of money-making trends. When Transformers made a bazillion dollars a few years ago, studios scrambled to secure the rights to every imaginable toy, board game, and absolutely anything that children were interested in during the early 1990s. We now have two Transformers movies, a G.I. Joe movie, we’re getting Candyland and Battleship movies, and of course Ridley Scott’s (I seriously have to do a double take every time I read this) Monopoly. I could go into a lengthy discussion illustrating the differences between giant weapon-wielding robots that transform into jets and tanks and a boring (that’s right, I said it) board game designed to teach children the thrilling world of property management, but I’m going to go out on a limb and assume I’m preaching to the choir. Instead I’m here to reveal to you the plot behind this whopper of a bad idea straight from the mouth of story writer Frank Beddor. You really need to follow the jump for this.
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