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	<title>Collider&#187; Girls</title>
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		<item>
		<title>THE COLLISION: Episode 43 &#8211; Television, Race, Diversity, and Auteur Showrunners</title>
		<link>http://collider.com/collider-podcast-collision-television-diversity-mad-men-girls/</link>
		<comments>http://collider.com/collider-podcast-collision-television-diversity-mad-men-girls/#comments</comments>
		<pubDate>Mon, 15 Apr 2013 04:15:22 +0000</pubDate>
		<dc:creator>Matt Goldberg</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Podcast Collision]]></category>
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		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Collider Podcast]]></category>
		<category><![CDATA[D.B. Weiss]]></category>
		<category><![CDATA[David Benioff]]></category>
		<category><![CDATA[Do the Right Thing]]></category>
		<category><![CDATA[Erika Anderson]]></category>
		<category><![CDATA[Eve's Bayou]]></category>
		<category><![CDATA[Game of Thrones]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Kurt Sutter]]></category>
		<category><![CDATA[Lena Dunham]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[Matthew Weiner]]></category>
		<category><![CDATA[Men of Honor]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Sons of Anarchy]]></category>
		<category><![CDATA[Summer Heights High]]></category>
		<category><![CDATA[Talk to Me]]></category>
		<category><![CDATA[The Collision]]></category>
		<category><![CDATA[Vince Gilligan]]></category>

		<guid isPermaLink="false">http://collider.com/?p=248006</guid>
		<description><![CDATA[
This week on The Collision, we are joined by Allison Keene and Charles Judson.  Our conversation is sparked by a Mad Men spec script from actress Erika Anderson, which brings African-American characters into Matthew Weiner's critically acclaimed show.  From there, our conversation expands to explore diversity in popular TV series, if showrunners should feel obligated to diversify their casts, the difficulty in writing minority characters, and much more.  As always, we finish up with our recommendations.

Click here to listen to the new episode of The Collision, click here for the previous episode ("Violence and Evil Dead"), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.



Allison's Recommendation: Summer Heights High

Charles' Recommendation: Eve's Bayou

Adam's Recommendation: Do the Right Thing

Dave's Recommendation: Men of Honor

Matt's Recommendation: Talk to Me

 ]]></description>
		<wfw:commentRss>http://collider.com/collider-podcast-collision-television-diversity-mad-men-girls/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		</item>
		<item>
		<title>Christopher Abbott Leaves GIRLS, Possibly over Creative Differences with Lena Dunham</title>
		<link>http://collider.com/girls-season-3-christopher-abbott/</link>
		<comments>http://collider.com/girls-season-3-christopher-abbott/#comments</comments>
		<pubDate>Thu, 04 Apr 2013 18:03:53 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Christopher Abbott]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Lena Dunham]]></category>

		<guid isPermaLink="false">http://collider.com/?p=245418</guid>
		<description><![CDATA[
After a very strange season of ups and downs for both the characters and viewers, Girls' second season ended on an upbeat note for (almost) all involved.  However, with Christopher Abbott, who plays the suddenly-rich-thanks-to-an-app Charlie, leaving the show just as filming on season three begins, that puts one of the finale's major storylines in a quandary.  Though Abbott's official statement is that he is leaving to pursue work on other projects, the rumor is that he and the polarizing HBO show's creator, Lena Dunham, fought over creative differences.  Hit the jump for the specifics, and what it could mean for the third season (Note: Season Two spoilers).

In the second season finale, Charlie and Marnie (Allison Williams) finally got back together for good, both professing their love and looking to settle down.  Still, even though Dunham has never liked having her characters be too happy, so while there were probably some more bumps in the road planned for the two, Charlie's full departure wasn't likely one of them.  But with the idea of the break-up well and truly done with those two, how might Dunham write Abbott off?  Killing him off, maybe?  (Though a mourning Marnie would be, as some have noted, insufferable).

According to EW, Abbott's rep has said he is,
"... grateful for the experience of collaborating with Lena, Judd [Apatow], and the entire Girls cast and crew, but right now he’s working on numerous other projects and has decided not to return to the show.”"
But the New York Post (take a deep breath) claims a source ...]]></description>
		<wfw:commentRss>http://collider.com/girls-season-3-christopher-abbott/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>GIRLS Season 2 Finale Recap: &#8220;Together&#8221;</title>
		<link>http://collider.com/girls-season-2-finale-recap/</link>
		<comments>http://collider.com/girls-season-2-finale-recap/#comments</comments>
		<pubDate>Mon, 18 Mar 2013 02:47:55 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>

		<guid isPermaLink="false">http://collider.com/?p=240528</guid>
		<description><![CDATA[
After last week's controversial Girls episode, I can't imagine anything less controversial or interesting than "Together," which felt like a very, very, odd kowtow to the exact conventions that Lena Dunham has seemed to strive to subvert through most of the series.  Further, the show has turned from the experiences of twenty-somethings -- finding or not finding careers in a bad economy, confusing sexual trysts -- to the mental breakdown of one twenty-something in particular: Hannah.  Are her issues real, or are they forced?  I have never identified with a character more on the show than Hannah's father, who lashed out at her for manipulating him time and time again, and that she's at a place where she should be old enough to take control of her life and stop making excuses.  Except she's clearly not.  Hit the jump to see if I succeed in spinning something positive out of this unsatisfying finale.

The first season of Girls ended with Hannah alone and without resources on a beach, but seemingly okay.  This season wasn't much different, except instead of running from Adam she had him running to her.  Was this supposed to be a good thing?  The swirling soundtrack and the romantic trope of the man dropping everything to bust down the door to save his lady love seemed a very odd way to have things play out given all that the show has done to make sure those things never happen.  Especially on the heels of Marnie and Charlie back ...]]></description>
		<wfw:commentRss>http://collider.com/girls-season-2-finale-recap/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>GIRLS Recap: &#8220;On All Fours,&#8221; Plus A Sneak Peek At The Season Finale</title>
		<link>http://collider.com/girls-recap-season-2-episodes-9/</link>
		<comments>http://collider.com/girls-recap-season-2-episodes-9/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 02:56:24 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Adam Driver]]></category>
		<category><![CDATA[Allison Williams]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Lena Dunham]]></category>

		<guid isPermaLink="false">http://collider.com/?p=238810</guid>
		<description><![CDATA[

Oh my.  I'm not sure what to do with this season of Girls.  It's been all over the place -- from a strong, legitimately funny start to some strange, meditative episodes (Hannah and her affair with the doctor, Jessa's trip back home), to the odd and boring ("On All Fours").  This season has become less of a commentary on girls, these or otherwise, and more of a ritualistic humiliation that has zapped one character off of the map completely (please come back, Jessa, please!)  As for this week, the best I can do with "On All Fours" is that it seemed to be about returning to your base instincts and coming to terms with who you really are.  Or something.  Hit the jump for why "I've been known to dabble in the Macintosh arts."

There were a few lessons learned this week, mostly that as hard as you might try to change yourself to fit an idealized version of yourself, your real nature will always come through.  Marnie is not a singer, she writes terribly cliched lyrics and her instincts to be corny will always outshine her desire to be cool.  Charlie, who has legitimately become cool (and successful) can't help but still be drawn to her (though in the promo for next week it looks like Marnie mentions something about casual sex.  I can't imagine it's honestly all that casual for Charlie, but we'll see).  That's who Charlie is -- he identifies as Marnie's protector, and he's always the most attracted ...]]></description>
		<wfw:commentRss>http://collider.com/girls-recap-season-2-episodes-9/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>GIRLS Recap: &#8220;It&#8217;s Back&#8221;</title>
		<link>http://collider.com/girls-recap-season-2-episode-8/</link>
		<comments>http://collider.com/girls-recap-season-2-episode-8/#comments</comments>
		<pubDate>Mon, 04 Mar 2013 04:44:07 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>

		<guid isPermaLink="false">http://collider.com/?p=237128</guid>
		<description><![CDATA[
With Jessa out of the picture this week on Girls (for how long and how far we know not), I felt as nervous as Shoshanna.  When will she be back?  When she put Hannah in her place for not knowing the difference between when something is a sexual escapade and when it's not?  We know Jessa will be ok -- as Ray points out, "she's a fucking hustler.  And not in a good way."  But what about us?  Will we be ok dealing with Hannah's sudden onset OCD and Marnie's insecurity issues for half an hour?  Or will we need Shoshanna to help save the day?  Hit the jump for what came back, and why "pantomiming is an inadequate way to express yourself (we have talked about this!)"

Once again, the boys stole Girls from the girls.  Thank heavens for Adam and Ray.  Ray's blunt exposition and the way Alex Karpovsky delivers it with such perfectly deadpan reactions rescues the most tedious of scenes.  Shoshanna without Ray has nothing to ground her -- the way he looked at her when she was spiraling out of control talking about missing Jessa and then squealing with her friend about the party were subtly spectacular.  It gives her something to stick to without devolving purely into caricature.

Ray is a grump with a heart of gold, which was on display at its best when he was opposite Marnie later on.  "Aww, you learned another life lesson Marnie.  Good for you," he patronizes.  But he also ...]]></description>
		<wfw:commentRss>http://collider.com/girls-recap-season-2-episode-8/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>GIRLS Recap: &#8220;Video Games&#8221;</title>
		<link>http://collider.com/girls-recap-season-2-episode-7/</link>
		<comments>http://collider.com/girls-recap-season-2-episode-7/#comments</comments>
		<pubDate>Mon, 25 Feb 2013 17:24:52 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>

		<guid isPermaLink="false">http://collider.com/?p=235530</guid>
		<description><![CDATA[
This week's Girls actually found a way to improve upon last week's fantastic Adam-Ray adventure by focusing, finally, on Jessa.  Jessa has often been a caricature at best, and while we have see a few glimpses of real emotion and fragility with her relationship with Thomas-John, she's always existed on the fringes of the Girls group, floating in and out of episodes or even the frame (as she did last week).  Jessa's breakdown with Thomas-John also hinted at a damaged past, one where the stability of a "normal" man would be something she innately seeks, even if consciously she doesn't recognize it.  In "Video Games" she mentions briefly about how he doesn't even want to work on their relationship, but suggesting in her tone that she would did want to.  She doesn't want to be her father, and "Video Games" showed us exactly why.  Hit the jump for why "I am the child!"

Without Hannah, this episode might well have been perfect, but she did serve as an ok foil against the bizarreness of Jessa's home life.  She spoke the truth too about that childhood fear of being the last one picked up or left at a party because your parent was late -- that fundamental fear of abandonment.  That's something Jessa has had to live through over and over with her father disappearing and reappearing in and out of her life like she does with people now.  Strangely though at the end of Hannah's remarks Jessa commented, "it's worse if ...]]></description>
		<wfw:commentRss>http://collider.com/girls-recap-season-2-episode-7/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>GIRLS Recap: &#8220;Boys&#8221;</title>
		<link>http://collider.com/girls-season-2-episode-6-recap-boys/</link>
		<comments>http://collider.com/girls-season-2-episode-6-recap-boys/#comments</comments>
		<pubDate>Mon, 18 Feb 2013 15:38:26 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>

		<guid isPermaLink="false">http://collider.com/?p=233995</guid>
		<description><![CDATA[
Forget everything else that happened on this really depressing episode of Girls and focus solely on Adam and Ray and the possibilities, oh the possibilities, they could have in a spin-off.  One of my favorite things narratively is when two characters are put together who either have never met (but have big but separate presence on the show), or who rarely interact alone together (they may have been on screen together before, but in a group) because it really opens them up in ways we haven't seen before.  The scenes between these two very different men, who decided maybe they aren't so different ("because we're both pretty weird looking"), and the way they went from antagonistic to friendly to antagonistic again were the best things Girls has done all season.  There was plenty more to unpack in this episode, including a lot of really fake crying, so hit the jump for more on why really, your date should pay $4 for a taco.

I want to get the Hannah stuff out of the way first, much like this episode did, because it's so tiresome.  After last week's odd episode where it looked like Hannah, maybe, finally, was figuring some stuff out about herself, this week it felt like that tiny bulb of awareness never happened.  We knew Hannah would always be suffocatingly self-absorbed, but I couldn't help but blanch, literally, when the show brought John Cameron Mitchell (Hedwig and the Angry Inch) on to praise Hannah for her brilliance and for ...]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>ARGO, ZERO DARK THIRTY, SEARCHING FOR SUGAR MAN, BREAKING BAD, LOUIE, and More Win WGA Awards</title>
		<link>http://collider.com/wga-awards-argo-zero-dark-thirty/</link>
		<comments>http://collider.com/wga-awards-argo-zero-dark-thirty/#comments</comments>
		<pubDate>Mon, 18 Feb 2013 04:08:19 +0000</pubDate>
		<dc:creator>Matt Goldberg</dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[2013 Writers Guild Awards]]></category>
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		<category><![CDATA[Chris Terrio]]></category>
		<category><![CDATA[Game Change]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Hatfields & McCoys]]></category>
		<category><![CDATA[Louie]]></category>
		<category><![CDATA[Malik Bendjelloul]]></category>
		<category><![CDATA[Mark Boal]]></category>
		<category><![CDATA[Portlandia]]></category>
		<category><![CDATA[Searching for Sugar Man]]></category>
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		<category><![CDATA[WGA Awards]]></category>
		<category><![CDATA[Writers Guild of America]]></category>
		<category><![CDATA[Zero Dark Thirty]]></category>

		<guid isPermaLink="false">http://collider.com/?p=233975</guid>
		<description><![CDATA[
The Writers Guild of America Awards were held tonight, and Ben Affleck's Argo continued its sweep through awards season by netting Best Adapted Screenplay for writer Chris Terrio.  Mark Boal won Best Original Screenplay for the film that will actually continue to resonate for years to come, Zero Dark Thirty.  Meanwhile, Malik Bendejelloul's won Best Documentary Screenplay for the wonderful Searching for Sugar Man.  Over on the TV side, Breaking Bad won Best Drama Series, Louie won Best Comedy Series, and Girls won Best New Series.  Hatfields &#38; McCoys and Game Change continued their awards winning streaks by picking up Best Long Form (Original) and Long Form (Adapted), respectively.  Finally, Portlandia beat out some stiff competition (such as The Daily Show and The Colbert Report) to pick up Best Comedy/Variety. ]]></description>
		<wfw:commentRss>http://collider.com/wga-awards-argo-zero-dark-thirty/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>GIRLS Recap: &#8220;One Man&#8217;s Trash&#8221;</title>
		<link>http://collider.com/girls-recap-season-2-episode-5/</link>
		<comments>http://collider.com/girls-recap-season-2-episode-5/#comments</comments>
		<pubDate>Mon, 11 Feb 2013 04:07:42 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>

		<guid isPermaLink="false">http://collider.com/?p=231793</guid>
		<description><![CDATA[
First thing this morning, critics who had seen this Girls episode ahead of time were filling up my Twitter timeline about who would love it and who would hate it, and what about it should be loved or hated.  Most were split.  I was nervous.  Frankly, there's nothing about this episode that I should categorically like -- readers will note I have always disliked Hannah-centric storylines and episodes, which this season has (with a mere five episodes) already had in spades.  So the weirdest thing about "One Man's Trash," besides it being entirely about Hannah and Hannah co-opting Jessa's storyline from last week, is that I didn't hate it.  Hit the jump for my take on this likely polarizing episode.

"One Man's Trash" felt a lot like deja-vu to me after last week's meltdown between Thomas-John and Jessa, except Hannah and Joshua's (Patrick Wilson) story happened much faster and much more quietly.  Thomas-John and Jessa are extremes and caricatures -- he is the worst sort of self-important jerk who thinks his money is everything, and likes the idea of a bohemian wife because he himself is not very interesting.  Jessa, his opposite (and "worst nightmare" as he said last week) is much more of a wild personality than Hannah (even though she has probably never asked anyone to punch her in the chest and then cum on that spot), and at dinner when she talked about heroin and world travel and tiger tattoos, she represented the farthest thing from Thomas-John's world.

Both ...]]></description>
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		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>GIRLS Recap: &#8220;It&#8217;s a Shame About Ray&#8221;</title>
		<link>http://collider.com/girls-season-2-episode-4-recap/</link>
		<comments>http://collider.com/girls-season-2-episode-4-recap/#comments</comments>
		<pubDate>Sun, 03 Feb 2013 17:04:42 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>

		<guid isPermaLink="false">http://collider.com/?p=229293</guid>
		<description><![CDATA[

After last week's shambolic offering, I was still looking forward to this week's Girls largely because of the title, "It's a Shame About Ray."  "At last!" I thought, "less Hannah and more Shoshanna!"  It was blessedly true, with a lot more Jessa thrown in as well, and a dash of Marnie.  As irritating as the show can be, when it sticks to a theme (in this case, the idea or question of financially parasitic relationships) and shows real emotion (which came from a variety of sources -- basically from everyone except Hannah), Girls finally lives up to the hype.  Hit the jump for more on why "when I'm 30 I'm going to look like I'm 50, and I'm going to be fat, really fat like Nico, because I will be full of experiences!"



The show's first season kicked off from the catalyst of Hannah being cut off from her parents' money, and that idea snaked through much of the first season as the girls found jobs or lamented about the lack of them.  That theme has taken -- so far -- most a backseat this season, with even Hannah able to hold down steady employment.  Marnie, mostly, has been the only one to carry that continued torch of employment frustration, and therefore was the only one left out of the idea of relationship mooching.

Elijah's arc made a point to note how his boyfriend paid for everything, but how Elijah felt that was kind of the deal since he was young and ...]]></description>
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		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Ben Affleck Wins Directors Guild Award for ARGO; Rian Johnson and Lena Dunham Win TV Awards for BREAKING BAD and GIRLS</title>
		<link>http://collider.com/ben-affleck-directors-guild-award-argo/</link>
		<comments>http://collider.com/ben-affleck-directors-guild-award-argo/#comments</comments>
		<pubDate>Sun, 03 Feb 2013 16:26:55 +0000</pubDate>
		<dc:creator>Adam Chitwood</dc:creator>
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		<category><![CDATA[Malik Bendjelloul]]></category>
		<category><![CDATA[Master Chef]]></category>
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		<category><![CDATA[Searching for Sugar Man]]></category>

		<guid isPermaLink="false">http://collider.com/?p=229212</guid>
		<description><![CDATA[

The freight train that is Argo kept on trucking last night.  Though the film’s Best Picture Oscar chances were all but dashed when Ben Affleck was snubbed for Best Director (it’s incredibly rare for a movie to win Best Picture without a Best Director nomination), the film picked up the top awards at two major guilds—the Screen Actors Guild and the Producers Guild.  Now two becomes three, as the Directors Guild Awards were held last night and Argo pulled off the hat trick by landing Affleck the Best Director DGA trophy.

There is one major precedent that everyone keeps pointing towards with regards to Argo: 1995’s Apollo 13.  That film won the PGA, DGA, and SAG awards, only to find Ron Howard left out of the Best Director Oscar nominations and it ultimately lost Best Picture to Braveheart.  Is Argo in the same boat as Apollo 13 or can it pull off the win?  Furthermore, who wins Best Director at the Oscars?  Hit the jump for more, along with the full list of DGA winners that includes Looper’s Rian Johnson for his work on Breaking Bad and Girls’ Lena Dunham.

Though Lincoln still remains the most-nominated Best Picture contender, it’s hard to justify not calling Argo our current Best Picture frontrunner.  I’m not convinced that the race is over just yet, but one thing’s for sure: this has been an incredibly nutty awards season.  The question now becomes, who wins Best Director?  It's pretty wide open, but it's hard to see the ...]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>GIRLS Recap: &#8220;Bad Friend&#8221;</title>
		<link>http://collider.com/girls-season-2-episode-3-recap/</link>
		<comments>http://collider.com/girls-season-2-episode-3-recap/#comments</comments>
		<pubDate>Mon, 28 Jan 2013 03:08:25 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
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		<category><![CDATA[Adam Driver]]></category>
		<category><![CDATA[Allison Williams]]></category>
		<category><![CDATA[Andrew Rannells]]></category>
		<category><![CDATA[Chris O'Dowd]]></category>
		<category><![CDATA[Christopher Abbott]]></category>
		<category><![CDATA[Donald Glover]]></category>
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		<category><![CDATA[Girls Recap]]></category>
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		<category><![CDATA[Jemima Kirke]]></category>
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		<category><![CDATA[Rita Wilson]]></category>
		<category><![CDATA[Zosia Mamet]]></category>

		<guid isPermaLink="false">http://collider.com/?p=227477</guid>
		<description><![CDATA[
Did anyone count the seconds Shoshanna and Jessa turned up on screen in this episode of Girls?  More than twenty, but less than a full minute, surely.  The problem with any episode that focuses entirely on Hannah is that Hannah is, by far, the least likable of the foursome.  In small doses she can be fine -- the cold open was a thing of beauty to anyone who works in, or pays close attention to, media.  Hannah, looking to do some kind of Woody Allen-esque "I just want to talk about how awkward I am" piece, or maybe some kind of long-form old-school journalism is told, "have a threesome with strangers you meet off of Craiglist.  Or go on a cocaine binge.  Just an idea."  Hit the jump to see how that played out, as well as why you should "look at the doll and describe her!"

I didn't actually expect Hannah to follow the advice of her editor in consuming drugs (so flippantly) for an article, but times are tough I guess. If she wanted to know about how sudden drug use affects someone, she should have talked to Shoshanna about her night on crack (because that was an amazing time).  But the biggest surprise (or not) was that most of "Bad Friend" felt forced and almost sitcom-esque, and, overall, too unbalanced.

Where was any other character this week?  What happened to Adam?  Does Hannah feel anything about her break-up with Sandy?  Did neither Jessa nor Shoshanna really deserve any more than ...]]></description>
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		<slash:comments>9</slash:comments>
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		<item>
		<title>HBO Renews GIRLS For a Third Season, Also Orders Pilot From Duplass Brothers</title>
		<link>http://collider.com/girls-season-3-renewal/</link>
		<comments>http://collider.com/girls-season-3-renewal/#comments</comments>
		<pubDate>Fri, 25 Jan 2013 19:52:15 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Jay Duplass]]></category>
		<category><![CDATA[Lena Dunham]]></category>
		<category><![CDATA[Mark Duplass]]></category>
		<category><![CDATA[Togetherness]]></category>

		<guid isPermaLink="false">http://collider.com/?p=227129</guid>
		<description><![CDATA[
In a move that surprises no one, HBO has renewed its highly discussed, popular and divisive series Girls for a third season with an expanded episode count, totaling twelve.  The series was already brought back early this year (returning in January after premiering last spring in April with the sharp political comedy Veep), and HBO seems eager to ride the zeitgeist wave and bring even more of the series as fast as it can.

Elsewhere, the premium cable channel has ordered a half-hour pilot from Jay and Mark Duplass who are set to write, direct and produce (though not star or appear in) the series called Togetherness.  Togetherness will focus on two couples living under one roof, working through their relationships and pursuing their dreams.  Hit the jump for more.


HBO, known primarily for its great dramatic content, seems to be putting more of an emphasis on comedic programming moving forward.  In addition to the renewal ofGirls, Veep and Enlightened as well as the Duplass brothers' pilot, they've also optioned an untitled pilot about a group of gay friends in San Francisco, as well as a series from Girls writer Bruce Eric Kaplan called People in New Jersey.  Stephen Merchant, Ricky Gervais' Office writer partner and co-star of The Ricky Gervais Show on HBO, will also be getting his own comedy series, Hello Ladies.

Mark Duplass is probably best known as his portrayal of normal(-ish) guy Pete on FX's fantasy football(-ish) series The League, but he and his brother have also worked on several other projects together, including Jeff, Who Lives At Home as well as a recent appearance on Fox's The Mindy Project.  Togetherness will be their first TV writing project.



&#160; ]]></description>
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		<item>
		<title>GIRLS Recap: &#8220;I Get Ideas&#8221;</title>
		<link>http://collider.com/girls-season-2-episode-2-recap/</link>
		<comments>http://collider.com/girls-season-2-episode-2-recap/#comments</comments>
		<pubDate>Mon, 21 Jan 2013 02:30:13 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Adam Driver]]></category>
		<category><![CDATA[Allison Williams]]></category>
		<category><![CDATA[Andrew Rannells]]></category>
		<category><![CDATA[Chris O'Dowd]]></category>
		<category><![CDATA[Christopher Abbott]]></category>
		<category><![CDATA[Donald Glover]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Girls Recap]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Jemima Kirke]]></category>
		<category><![CDATA[Lena Dunham]]></category>
		<category><![CDATA[Rita Wilson]]></category>
		<category><![CDATA[Zosia Mamet]]></category>

		<guid isPermaLink="false">http://collider.com/?p=225844</guid>
		<description><![CDATA[



Already the critics who lauded the first season of Girls for being the defining series of the Millennial generation (funny how none of those critics actually are Millennials, hmm) started to turn their backs on the series last week, saying that the broader humor wasn't better.  I disagree, and "I Get Ideas" is a great example of how more standard humorous exchanges, with beats for jokes and speedily-delivered one-liners that may not reflect the cadence at which people speak in real life, is still representative of the situation's reality while still being enjoyable to watch.  Now that the characters (except for Marnie) aren't spending all of their time complaining about not having money, they're just having conversations.  With that as the core, the dialogue has really elevated into its own art, and "I Get Ideas" had an incredible amount of great quotes (such as anything/everything Jessa and Shoshanna say).  Hit the jump for more on why "I'm not, personally, attracted to you, but that's only because I know you."



I want to address the Hannah-Sandy relationship first because it was interesting for those who knew about the complaints Lena Dunham received during after the first season of the show regarding how white-washed it was.  I remember forums filling up with people saying "seriously? not even one person of color in the entire show ever at all?  How can New York City be so white?!"  It was a valid criticism, and while Dunham kept saying she didn't see color, it felt a ...]]></description>
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		<slash:comments>7</slash:comments>
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		<item>
		<title>2013 Golden Globe Winners Announced; ARGO Takes Best Picture (Drama), Best Director; LES MISERABLES Wins Best Picture (Comedy or Musical)</title>
		<link>http://collider.com/2013-golden-globes-winners/</link>
		<comments>http://collider.com/2013-golden-globes-winners/#comments</comments>
		<pubDate>Mon, 14 Jan 2013 03:59:29 +0000</pubDate>
		<dc:creator>Matt Goldberg</dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<guid isPermaLink="false">http://collider.com/?p=223976</guid>
		<description><![CDATA[
The 2013 Golden Globes have just wrapped up.  I only watched the last hour of the ceremony because the Globes no longer have their awards season power due to voting schedule changes.  Reading tweets and Facebook posts, it seems like it was a fairly entertaining show (keep an eye out for Jodie Foster's acceptance speech for her Lifetime Achievement Award).  As for the winners, they were very "Globes" in that they were more populist choices that are unlikely to have much bearing on the Oscars.  Argo may have had a good night at the Globes by winning Best Picture (Drama) and Best Director, but I still think Lincoln is the picture to beat when it comes to the Academy Awards, especially since Ben Affleck was snubbed for the Best Director Oscar nomination.

Hit the jump for the full list of winners.



[Winners are highlighted in red]

BEST MOTION PICTURE (Drama)

	Argo
	Django Unchained
	Life of Pi
	Lincoln
	Zero Dark Thirty

BEST MOTION PICTURE (Comedy or Musical)

	The Best Exotic Marigold Hotel
	Les Miserables
	Moonrise Kingdom
	Salmon Fishing in the Yemen
	Silver Linings Playbook

BEST DIRECTOR

	Ben Affleck – Argo
	Kathryn Bigelow – Zero Dark Thirty
	Ang Lee – Life of Pi
	Steven Spielberg – Lincoln
	Quentin Tarantino – Django Unchained

BEST ACTOR IN A MOTION PICTURE (Drama)

	Daniel Day-Lewis – Lincoln
	Richard Gere – Arbitrage
	John Hawkes – The Sessions
	Joaquin Phoenix – The Master
	Denzel Washington – Flight

BEST ACTRESS IN A MOTION PICTURE (Drama)

	Jessica Chastain – Zero Dark Thirty
	Marion Cotillard – Rust and Bone
	Helen Mirren – Hitchcock
	Naomi Watts – The Impossible
	Rachel Weisz – The Deep Blue Sea

BEST ACTOR IN A MOTION PICTURE (Comedy or Musical)

	Jack ...]]></description>
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		<slash:comments>24</slash:comments>
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		<item>
		<title>GIRLS Season Two Premiere Recap: &#8220;It&#8217;s About Time&#8221;</title>
		<link>http://collider.com/girls-season-2-premiere-recap/</link>
		<comments>http://collider.com/girls-season-2-premiere-recap/#comments</comments>
		<pubDate>Mon, 14 Jan 2013 02:29:09 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Adam Driver]]></category>
		<category><![CDATA[Allison Williams]]></category>
		<category><![CDATA[Andrew Rannells]]></category>
		<category><![CDATA[Chris O'Dowd]]></category>
		<category><![CDATA[Christopher Abbott]]></category>
		<category><![CDATA[Donald Glover]]></category>
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		<category><![CDATA[Girls Recap]]></category>
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		<category><![CDATA[Jemima Kirke]]></category>
		<category><![CDATA[Lena Dunham]]></category>
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		<category><![CDATA[Zosia Mamet]]></category>

		<guid isPermaLink="false">http://collider.com/?p=223920</guid>
		<description><![CDATA[

"I watched Girls, but I didn't really have an opinion of it" - said no one ever.  Last year the show started off shaky and turned some viewers off, but got progressively better as the reality of what the series is -- and not what the divisive hype claimed it was -- became clear.  Girls is really a fine show.  Series creator and star Lena Dunham is not "the voice of the generation" (which was a satirically uttered line that HBO turned into a sincere tagline), but she has moments where she gets it really right.  So maybe getting the most out of the show means accepting it as an ironic embrace of White Girl Problems, without being dismissive of its truths.  Hit the jump to find out where all of the girls are now, and why things are already so much better than before.

I should maybe start by saying, in full disclosure, that I hated most of the first season.  But tuning out the buzz helped, and I thought last year that things ended pretty well, all things considered.  Hannah (Lena Dunham) remains the most irritating character of all of the whiney leads, and so naturally gets the most screen time.  (Sidebar: speaking of screen time and management, we went almost the full half hour in "It's About Time" without seeing or hearing anything about Jessa (Jemima Kirke) and her husband Thomas-John (Chris O'Dowd) that she married out of the blue to end last season).

"It's About Time" was also much funnier than much of ...]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Allison&#8217;s 2012 Year in TV Review Including the Best Shows, Biggest Comebacks, Disappointments and Question Marks and the Year&#8217;s Most Divisive Show</title>
		<link>http://collider.com/best-tv-shows-2012/</link>
		<comments>http://collider.com/best-tv-shows-2012/#comments</comments>
		<pubDate>Sun, 30 Dec 2012 01:56:19 +0000</pubDate>
		<dc:creator>Allison Keene</dc:creator>
				<category><![CDATA[Editorial]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Best of 2012]]></category>
		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Happy Endings]]></category>
		<category><![CDATA[Homeland]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[Revolution]]></category>
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		<category><![CDATA[True Blood]]></category>

		<guid isPermaLink="false">http://collider.com/?p=220653</guid>
		<description><![CDATA[
The last twelve months have been great for TV, with some decidedly memorable moments.  We're still firmly entrenched in this Second Golden Age of Television … if you discount 90% of what's out there (looking at you, reality television!).  There were some great hits, some surprising flops and a few heartening comebacks.  After the jump you'll find some of my picks for the best, worst, most confusing and also the most underrated of the year (spoiler-free!).  It's not meant to be exhaustive or definitive, but contains a few memories and considerations from 2012.  And though I do watch an ungodly amount of TV, there's plenty I'm not caught up on, so let me know what I've missed. Hit the jump to check it out.

Best Overall Series: Breaking Bad (AMC)

Honorable Mention: Mad Men (AMC)

After a year when so many other hyped series dropped the ball, Breaking Bad continued to shine as one of the most consistently excellent shows on TV.  I don't believe anyone has ever said of it "yeah, last season was better," which is telling.  The show escalates every year to new heights of drama, style and acting.  As for Mad Men, it had a strange year but a bold one -- it took risks, and they mostly paid off (except for Matthew Weiner's obsession with Jessica Paré).

Best New Comedy: Veep (HBO)

Honorable Mention: Don't Trust the B-- in Apt 23 (ABC)

I'm going to go ahead and assume the Cheese Stands Alone on this one, but Veep's subtly-portrayed truths and perception wrapped ...]]></description>
		<wfw:commentRss>http://collider.com/best-tv-shows-2012/feed/</wfw:commentRss>
		<slash:comments>45</slash:comments>
		</item>
		<item>
		<title>Judd Apatow Talks THIS IS 40, Screening His Films for Cameron Crowe and James L. Brooks, Deleted Scenes, ANCHORMAN 2, GIRLS, and More</title>
		<link>http://collider.com/judd-apatow-this-is-40-anchorman-2-interview/</link>
		<comments>http://collider.com/judd-apatow-this-is-40-anchorman-2-interview/#comments</comments>
		<pubDate>Tue, 18 Dec 2012 22:09:13 +0000</pubDate>
		<dc:creator>Christina Radish</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Anchorman]]></category>
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		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Judd Apatow]]></category>
		<category><![CDATA[Pee-Wee Herman]]></category>
		<category><![CDATA[This is 40]]></category>

		<guid isPermaLink="false">http://collider.com/?p=218497</guid>
		<description><![CDATA[

Five years after writer/director Judd Apatow introduced audiences to Pete (Paul Rudd) and Debbie (Leslie Mann) in Knocked Up, their life is being revisited and explored much deeper in the honest yet hilarious look at marriage and parenthood, This is 40.  Pete is struggling to keep his record label afloat, Debbie is hoping her clothing boutique will turn a profit, and their two daughters – 13-year-old Sadie (Maude Apatow) and 8-year-old Charlotte (Iris Apatow) – are just trying to navigate parents, school and boys, all while finding their way in the world together.

At the film’s press day, director Judd Apatow spoke to Collider for this exclusive interview about the biggest challenges in turning supporting character into lead characters, where he draws the line with humor, that his first cut of the film was just under three hours, how the test screening process led him to tweak things, screening his work for friends and family (including filmmakers like James Brooks and Cameron Crowe), deleted scenes for the DVD, using digital for the first time, his thoughts on 48fps and 3D, and whether there’s ever a chance that a Freaks and Geeks character could make a cameo in one of his films.  He also talked about how proud he is of Lena Dunham for the success of the HBO comedy series Girls (for which he is an executive producer), the logistics of getting everyone back together for the Anchorman sequel, and that they’re working to get financing together for the Pee-Wee Herman ...]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>New to Blu-ray: THE BOURNE LEGACY, DICK TRACY, HEAVYWEIGHTS, TED, and More</title>
		<link>http://collider.com/the-bourne-legacy-blu-ray-ted-blu-ray/</link>
		<comments>http://collider.com/the-bourne-legacy-blu-ray-ted-blu-ray/#comments</comments>
		<pubDate>Tue, 11 Dec 2012 23:55:02 +0000</pubDate>
		<dc:creator>Adam Chitwood</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
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		<category><![CDATA[The Bourne Legacy]]></category>

		<guid isPermaLink="false">http://collider.com/?p=216929</guid>
		<description><![CDATA[

This week on Blu-ray Bourne comes home, a Judd Apatow-produced 90s favorite gets an update, and Family Guy creator Seth MacFarlane’s big-screen debut hits home video.  Briefly:

	The Bourne Legacy (Two-Disc Combo Pack: Blu-ray + DVD + Digital Copy + UltraViolet) - $19.99 (43% off)
	Dick Tracy (Blu-ray + Digital Copy) - $18.99 (28% off)
	Following (Criterion Collection) [Blu-ray] - $20.99 (47% off)
	Futurama: Volume 7 [Blu-ray]- $19.99 (50% off)
	Girls: The Complete First Season (Blu-ray/DVD Combo + Digital Copy) - $22.99 (54% off)
	Heavyweights [Blu-ray] - $17.28 (14% off)
	Ice Age: Continental Drift (3D Combo Pack) [Blu-ray] - $24.99 (50% off)
	Ice Age: Continental Drift [Blu-ray] - $21.99 (45% off)
	Les Miserables [Blu-ray] - $14.99 (25% off)
	Ted (Two-Disc Combo Pack: Blu-ray + DVD + Digital Copy + UltraViolet) - $19.99 (43% off)

Hit the jump for all the details.
The Bourne Legacy (Two-Disc Combo Pack: Blu-ray + DVD + Digital Copy + UltraViolet)
 
Not exactly a sequel, not exactly a spinoff, The Bourne Legacy is a strange bird.  Following mediocre box office success, the film comes to Blu-ray with quite a few extras.  The features include an audio commentary with writer/director Tony Gilroy, co-writer Dan Gilroy, editor John Gilroy, director of photography Robert Elswit, second unit director Dan Bradley, and production designer Kevin Thompson, 7 minutes of deleted scenes, and a collection of short featurettes that cover how they approached making a Bourne film without Bourne, casting Jeremy Renner, location shooting, stunts, and more.
Dick Tracy (Blu-ray + Digital Copy)
 
Director/star Warren Beatty’s ambitious 1990 adaptation finally hits the HD format, though it ...]]></description>
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		</item>
		<item>
		<title>AFI Announces Top 10 in Film and TV for 2012 Including THE DARK KNIGHT RISES, DJANGO UNCHAINED, and MOONRISE KINGDOM</title>
		<link>http://collider.com/afi-awards-the-dark-knight-rises/</link>
		<comments>http://collider.com/afi-awards-the-dark-knight-rises/#comments</comments>
		<pubDate>Mon, 10 Dec 2012 20:10:17 +0000</pubDate>
		<dc:creator>Adam Chitwood</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[AFI]]></category>
		<category><![CDATA[AFI Awards]]></category>
		<category><![CDATA[American Film Institute]]></category>
		<category><![CDATA[American Horror Story]]></category>
		<category><![CDATA[Argo]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Django Unchained]]></category>
		<category><![CDATA[Game Change]]></category>
		<category><![CDATA[Game of Thrones]]></category>
		<category><![CDATA[Girls]]></category>
		<category><![CDATA[Homeland]]></category>
		<category><![CDATA[Les Miserables]]></category>
		<category><![CDATA[Life of Pi]]></category>
		<category><![CDATA[Lincoln]]></category>
		<category><![CDATA[Louie]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[Modern Family]]></category>
		<category><![CDATA[Moonrise Kingdom]]></category>
		<category><![CDATA[Silver Linings Playbook]]></category>
		<category><![CDATA[The Dark Knight Rises]]></category>
		<category><![CDATA[The Walking Dead]]></category>
		<category><![CDATA[Zero Dark Thirty]]></category>

		<guid isPermaLink="false">http://collider.com/?p=216883</guid>
		<description><![CDATA[

The American Film Institute has announced its annual Top 10 lists.  In the film category, this awards season’s usual suspects popped up as Zero Dark Thirty, Lincoln, Argo, Les Miserables and Silver Linings Playbook made the cut alongside Django Unchained and Moonrise Kingdom.  AFI is notable for also including a few popular titles on their lists (last year Bridesmaids and The Girl with the Dragon Tattoo landed in the Top 10), and this year is no exception as fan-favorite The Dark Knight Rises nabbed a spot.  Notably absent, though, is Paul Thomas Anderson’s polarizing drama The Master.

On the TV side of things, Emmy-winner Homeland made the cut as well as Breaking Bad, Game of Thrones, Louie, The Walking Dead, and FX’s American Horror Story.  AMC’s Mad Men landed on the list for a fifth time, making it the most recognized AFI Awards TV honoree in history.  Hit the jump to check out the full Top 10’s for both TV and Film.

AFI Movies of the Year

 Argo
Beasts of the Southern Wild
The Dark Knight Rises
Django Unchained
Les Miserables
Life of Pi
Lincoln
Moonrise Kingdom
Silver Linings Playbook
Zero Dark Thirty 

AFI TV Programs of the Year

American Horror Story
Breaking Bad
Game Change
Game of Thrones
Girls
Homeland
Louie
Mad Men
Modern Family
The Walking Dead

&#160; ]]></description>
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