
It is hard to believe that a film considered to be among the greatest of all time was not only ridiculed upon its initial release but also at one time lost for nearly twenty years. But such was the case with Jean Renior’s The Rules of the Game, the negative for which was destroyed in World War II and the film not reconstructed until 1959 at which point it was recognized for the masterpiece that it is. Hit the jump for my review of the Criterion Collection Blu-ray release.
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To American audiences, the late producer Ismail Merchant and director James Ivory are best known for their trio of E.M. Forster adaptations – which is telling for careers spanning 40 years and nearly 30 films together (almost all with writer Ruth Prawer Jhabvala), making their Forster output roughly ten percent of their body of work. But then again, the names “Merchant and Ivory” are a sort of cinematic shorthand used to denote British films about boring people. My review of Howard’s End after the jump.
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