
It didn’t claim the record for highest debut or the greatest attendance, but this year’s Super Bowl weekend still caught most box office watchers by surprise with two bigger-than-expected openings. Fox’s Chronicle was first with $22 million from 2,907 locations, but CBS Films’ The Woman in Black was right on its heels with $21 million from 2,855. That’s the first time that two titles have opened to over $20 million on a Super Bowl frame since… ever.
| Title | Weekend | Total | |
| 1 | Chronicle | $22,000,000 | $22 |
| 2 | The Woman in Black | $21,000,000 | $21 |
| 3 | The Grey | $9,500,000 | $34.7 |
| 4 | Big Miracle | $8,480,000 | $8.5 |
| 5 | Underworld Awakening | $5,600,000 | $54.3 |
| 6 | One For The Money | $5,250,000 | $19.6 |
| 7 | Red Tails | $5,000,000 | $41.3 |
| 8 | The Descendants | $4,600,000 | $65.5 |
| 9 | Man on a Ledge | $4,460,000 | $14.7 |
| 10 | Extremely Loud & Incredibly Close | $3,925,000 | $26.7 |

In Texas Killing Fields, actress Chloe Grace Moretz plays a local girl in a small Texas town, growing up with a drug addict mother, a loser brother, and no shortage of unsavory men hanging around. When she goes missing, Detective Souder (Sam Worthington) and Detective Heigh (Jeffrey Dean Morgan) find themselves racing against time to catch a sadistic serial killer, in order to save the young girl’s life.
For the film’s press day, Collider spoke to Chloe Grace Moretz, in both a roundtable and a phone interview, about the appeal of doing a role that was different from what she’s done before, how she got to go to a safe house to talk to former and current meth addicts for research, how freaked out she was that this story was inspired by true events, and how much she loved working with her co-stars, Sam Worthington and Jeffrey Dean Morgan. She also talked about the experience of being a part of Dark Shadows, how the dream of working with director Tim Burton far exceeded all of her expectations, that she hopes they’ll still eventually make a Kick-Ass sequel, how she is waiting for a finished script for the Emily the Strange movie, and that she has four or five projects already lined up for next year, and is just waiting to see which one goes first. Check out what she had to say after the jump.

Like many of you, I loved Matthew Vaughn’s Kick-Ass. And even though the film made almost $100 million worldwide, talk of a sequel is just that…talk. There seems to be no real movement on the property even as Mark Millar releases new issues featuring the colorful characters.
Anyhow, the other day I was on the set of writer/director Maggie Carey’s The To Do List (formerly titled The Hand Job) and was able to participate in a group interview with Christopher Mintz-Plasse (he played Red Mist in Kick-Ass). Eventually we asked him about Kick-Ass 2 and he revealed that’s been reading the comic and still hopes to be able to make the movie. Hit the jump for what he said.
Remember how box office watchers were counting on this weekend to become 2011’s very first big winner? A frame whose combined grosses would finally top 2010’s? With two high profile releases – Rio and Scream 4 – that seemed a reasonable conclusion and it still appears doable. Unfortunately, Friday’s estimates suggest that it will not be the unqualified rout we expected considering that last April’s strongest contender was Kick-Ass. Fox is reporting a $10.2 million opening for Rio from 3,826 locations (well over half of those in 3D). That is not much above the $9.6 million debut of the year’s top opener Rango, which had no 3D price boost in its favor. Projections originally put Rio above Rango’s weekend total but it now appears that the toon will end up well below that $38.1 figure. Meanwhile Scream 4, which many believed would win Friday, pulled in an estimated $8.3 million from 3,305 locations. That puts the sequel on track for a $22 million weekend – well below even the most conservative early projections. Finally, three films are statistically tied for fourth place with Soul Surfer, Hanna and Arthur all estimated in the $2.1 million range for Friday while The Conspirator debuted at number ten with $1.7 million. Details and analysis tomorrow.
| Title | Friday | Total | |
| 1 | Rio | $10,200,000 | $10.2 |
| 2 | Scream 4 | $8,300,000 | $8.3 |
| 3 | Hop | $2,300,00 | $73.7 |
| 4 | Soul Surfer | $2,125,000 | $14.6 |
| 5 | Hanna | $2,124,000 | $18.1 |
Four new releases hit theatres this weekend, including one that was marketed to within an inch of its life. Still, year-to-year grosses will be down once again by almost 10% and it was a holdover that took the number one title. Universal’s Hop earned an estimated $21.7 million to put it on top of the US box office for the second week in a row.
| Title | Weekend | Total | |
| 1 | Hop | $21,700,000 | $68.1 |
| 2 | Arthur | $12,600,000 | $12.6 |
| 3 | Hanna | $12,300,000 | $12.3 |
| 4 | Soul Surfer | $11,100,000 | $11.1 |
| 5 | Insidious | $8,740,000 | $27 |
| 6 | Your Highness | $9,500,000 | $9.5 |
| 7 | Source Code | $9,050,000 | $28.6 |
| 8 | Limitless | $5,690,000 | $64.3 |
| 9 | Diary of a Wimpy Kid 2 | $4,885,000 | $45.4 |
| 10 | The Lincoln Lawyer | $4,600,000 | $46.4 |
Ouch. Though it seemed likely after Friday’s figures were announced, the fact that Fox’s Diary of a Wimpy Kid: Rodrick Rules so easily topped the flashier Sucker Punch has still got to hurt the folks at Warners this morning.
| Title | Weekend | Total | |
| 1 | Diary of a Wimpy Kid 2 | $24,400,000 | $24.4 |
| 2 | Sucker Punch | $19,000,000 | $19 |
| 3 | Limitless | $15,225,000 | $41.2 |
| 4 | The Lincoln Lawyer | $11,000,000 | $28.9 |
| 5 | Rango | $9,800,000 | $106.3 |
| 6 | Battle: Los Angeles | $7,600,000 | $72.5 |
| 7 | Paul | $7,500,000 | $24.6 |
| 8 | Red Riding Hood | $4,340,000 | $32.4 |
| 9 | The Adjustment Bureau | $4,240,000 | $54.8 |
| 10 | Mars Needs Moms | $2,186,000 | $19.1 |

Last month, we found out Comedy Central and MTV Networks were putting together The Comedy Awards, a broadcast awards event to honor the best comedy films, actors, TV series, digital content and stand-up acts. The Comedy Awards will be taped on March 26th for a premiere on Sunday, April 10th which will be simultaneous broadcast on Comedy Central, Spike TV, TV Land, VH1 and Nick At Nite. Now the nominations for the awards’ debut have finally been revealed, and they mostly hit the nail on the head. There’s love for big comedies like The Other Guys and Get Him to the Greek, but lower profile films like Cyrus and Tiny Furniture get some love too. Check out the full list of nominees after the jump.

With reports swirling about that Kick-Ass co-writer Jane Goldman is currently writing that film’s sequel, the X-Men: First Class co-scribe took to Twitter earlier today in an attempt to set the record straight. Via two different tweets, Goldman denied reports that she is already hard at work on Kick-Ass 2 saying:
“Saw a few erroneous reports today that I’m currently writing Kick Ass 2 script – sorry if anyone’s disappointed, but not true. Currently writing for 2 other projects, then on to lovely Matthew V’s next thing (right now, looks unlikely to be KA2) when X-Men post-prod’ ends.”
Based upon the above, if Goldman’s not working on the Kick-Ass 2 script and it’s “unlikely” that director Matthew Vaughn’s next film will be Kick-Ass 2, then what’s Vaughn working on after X-Men: First Class? For my best guess, hit the jump.
After just one weekend of excitement surrounding the release of The Green Hornet, the box office reverted to more modest numbers this weekend. As the week’s sole new release the romantic comedy No Strings Attached came out on top, bringing in a higher than expected total estimated at $20.3 million from its 3,018 locations.
| Title | Weekend | Total | |
| 1 | No Strings Attached | $20,300,000 | $20.3 |
| 2 | The Green Hornet | $18,100,000 | $63.4 |
| 3 | The Dilemma | $9,720,000 | $33.3 |
| 4 | The King’s Speech | $9,100,000 | $58.6 |
| 5 | True Grit | $8,000,000 | $138.6 |
| 6 | Black Swan | $6,200,000 | $83.5 |
| 7 | The Fighter | $4,515,000 | $73 |
| 8 | Little Fockers | $4,390,000 | $141.1 |
| 9 | Yogi Bear | $4,060,000 | $88.8 |
| 10 | Tron Legacy | $3,700,000 | $163.2 |
January suffered another down weekend, with estimated grosses for the top ten films down almost 56% over this weekend in 2010. Paramount had reason to celebrate, as True Grit outdrew Little Fockers in the weekend race for the first time. Season of the Witch, 2011’s first new title, struggled while Sony/SG’s Country Strong did modest business in its first expanded nationwide run.
| Title | Weekend | Total | |
| 1 | True Grit | $15,000,000 | $110.4 |
| 2 | Little Fockers | $13,800,000 | $124 |
| 3 | Season of the Witch | $10,700,000 | $10.7 |
| 4 | Tron Legacy | $9,803,000 | $147.9 |
| 5 | Black Swan | $8,400,000 | $61.4 |
| 6 | Country Strong | $7,300,000 | $7.4 |
| 7 | The Fighter | $7,000,000 | $57.8 |
| 8 | The King’s Speech | $6,811,000 | $33.2 |
| 9 | Yogi Bear | $6,810,000 | $75.6 |
| 10 | Tangled | $5,200,000 | $175.8 |

Season of the Witch is a supernatural action adventure that follows Behman (Nicolas Cage), a man who returns home after years of brutal warfare, only to find his world destroyed by the Black Plague. When the church elders, convinced that a girl accused of being a witch (Claire Foy) is responsible for the devastation, command Behman and his closest friend Felson (Ron Perlman) to transport the strange girl to a remote monastery where monks will perform an ancient ritual to rid the land of her curse, the men embark on a harrowing, action-filled journey that will test their strength and courage. As the mission is made even more challenging by increasingly disturbing events, the men discover the girl’s dark secret and find themselves battling a powerful force that will determine the fate of the world.
In a recent exclusive phone interview with Collider, Academy Award winner Nicolas Cage talked about why he was attracted to this project, getting to use a sword and ride a horse for the role, working with Christopher Lee, who he is a true admirer of, re-teaming with director Dominic Sena (they did Gone in Sixty Seconds together), and how much he enjoyed filming in Austria. Check out what he had to say after the jump:

As we enter 2011, Quentin Tarantino has revealed his top ten films of 2010. The list includes the usual suspects (Toy Story 3, The Social Network) along with some fun surprises like Tangled and, shall we say “peculiar” surprises like Robin Hood. Tarantino didn’t provide any comment on his choices, but said of his number ten pick, Enter the Void,
“Hands down best credit scene of the year? Maybe best credit scene of the decade. One of the greatest in cinema history.”
Hit the jump for Tarantino’s list along with a look at the opening credits for Enter the Void.

I won’t deny the vanity of year-end lists. Most professional critics will sit through over 100 new films per year and the year-end list is a badge of honor that says, “These are the films I appreciated the most. Behold.” Despite the vanity, I continue to think that the year-end Top 10 provides a valuable service to the average moviegoer. Most folks don’t have the time, cash, or inclination to see every movie released in a given year and a Top 10 list says, “Here are the must-see films from the past 365 days. Netflix them or something.” I didn’t get to see every film that could have potentially made this list, but I feel confident in my choices. So forgive my indulgence and hit the jump for my Top 10 films of 2010.

In my profession, there are two very important things you must do: watch movies and keep notes. I did an alright job with the first one, but admittedly fell short on the latter. While last year I was able to confidently provide what I thought were the best kills and quotes, this year I didn’t do a good job with record keeping and so I’ve omitted those categories. Next year I’ll be more meticulous and make it a point to see movie where people get destroyed while saying witty things.
However, I did see enough movies to confidently make a list of the folks I thought were the best actors, directors, and other miscellaneous greats. Hit the jump to check out my picks.

On Collider, we bring you a lot of posters. Sure, it’s marketing but that doesn’t mean they can’t be the stuff you want to hang on your walls at home. With that in mind, I’ve compiled a list of my top 10 posters of 2010. The only rule is that the posters had to come from a studio. So if you’re wondering, “Where the hell are all the Mondo posters?!”, that’s why (they also would have taken up the entire list).
Hit the jump to check out my picks for the Top 10 Posters of 2010.
BEAUTIFUL CREATURES Casts Emma Thompson; Jenna Fischer and Rita Wilson Join KISS ME
SPACE: 1999 to be Revamped for TV as SPACE: 2099
PUSHER Remake Picked Up by Weinstein Co.’s VOD Label, Radius-TWC
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