
With the two-hour series finale of Chuck airing tonight on NBC, we can finally reveal that we were on set for the filming of that last episode, where we got to interview the cast and creative team about their experiences. While everyone was clearly proud of their work and time on the show, it was also obvious that they were sad to see it go.
During the interview, show creator/writer/executive producer Chris Fedak talked about how surreal it was to be wrapping up the last couple of days on the TV series, that the final two hours will play very much like a movie, that the finale will echo all of the past seasons, and that they believe it will be as much of an emotional experience for the fans as it was for the cast to shoot it. Check out what he had to say after the jump, and be aware that there might be some spoilers.

With Rooney Mara (Youth in Revolt) set to star as rebellious hacker Lisbeth Salander in David Fincher’s The Girl with the Dragon Tattoo next week, we thought we’d take a look back at past female badasses in cinematic history. Noomi Rapace nailed the role in the original Swedish version, so Mara will have a lot to live up to. Not only will she be compared to the performance of her predecessor, but also to the relatively few female heroines that came before her. Will Mara equal or surpass Rapace? Can she hang with the baddest ladies in movie history? Will she impress us enough to fight her way to the top? Hit the jump to check out our selection of the five most badass female leads of all time.

After giving up his spy life for his sister’s peace of mind, Chuck Bartowski suddenly found himself caught up in an all-new secret as he discovers that his departed mother had left behind her family because she too was in the secret agent business. Of course Chuck has no other choice but to succeed where his father couldn’t and try to track her down. With the help of his best friend and somewhat spy capable co-worker Morgan Grimes, the two venture around the country only to find themselves back in Los Angeles with an abandoned secret bunker and no new information. Meanwhile, Mrs. Bartowski (guest star Linda Hamilton) watches them through a surveillance system at some unknown (though snowy) location. If this is already too much to handle because you’re not caught up on Chuck, then go no further as the captain has activated the Spoiler Alert sign. Otherwise, continue after the jump!

With the fall TV season set to begin over the next few weeks, many of the networks have started releasing images from the first few episodes. While most of the pictures are your standard fare, featuring the main cast standing around, NBC has released some images from the 4th season of Chuck and included are our first looks at Linda Hamilton as Mary Bartowski (Chuck’s mom) and Olivia Munn as “Greta”. The premiere also features Dolph Lundgren and Harry Dean Stanton. Hit the jump for more:

At the Television Critics Association Summer Press Tour earlier this afternoon, producer/director McG, there to promote the new version of Nikita for The CW, talked about some of the other projects on his vast slate of feature films and television series. Along with Nikita, McG is also executive producer on Human Target, Supernatural and Chuck, the last of which has cast Terminator actress Linda Hamilton as Chuck’s mom, for the upcoming season. McG spoke about the reasons she was the perfect fit for the show, and how it will change things up for the storyline and characters.
McG will also be going into production on his next feature film as a director on September 13th, after having recently announced the addition of Tom Hardy to the cast of This Means War, which already includes Chris Pine and Reese Witherspoon, and tells the story of best friends who fall for the same girl. He spoke about the basic story and the reasons for casting Hardy.
In addition, McG shared some of his thoughts on 3-D as a storytelling device and said that, even though the process is not right for This Means War or the feature film version of the Broadway musical Spring Awakening, which he plans to go into production on next year, he does plan to use 3-D for another, still unnamed project that he plans to film next year as well. Check out what he had to say after the jump:

Terminator and Terminator 2: Judgement Day are among the best action movies of all time. Rise of the Machines and Salvation are not. But there may be hope yet for the next installment in the time-traveling-killer-robot saga. According to Mike Fleming at Deadline, William Wisher (who collaborated with James Cameron on the first two films) is making a strong case to potentially write the next two movies in the franchise. Wisher has already written a “detailed, 24-page treatment for Terminator 5” and a “4-page concept outline for Terminator 6.” Fleming goes on to say that there will be “several new villains and plenty of firepower.” One more note of interest: There’s a part for Linda Hamilton and even Arnold Schwarzenegger in Wisher’s stories.
To get my thoughts on the project, hit the jump.
While “Terminator Salvation” may want to come down on the side of humanity, it’s as soulless as its robotic antagonists and puts all of energies into its thrilling set pieces and puts as little attention as possible towards its characters. While director McG has shown himself as a skilled director when it comes to designing his action sequences, he still has a lot to learn about what makes a film compelling and his film remains ambivalent in trying to forge its own direction while still remaining faithful to James Cameron’s first two films in the series.
The film opens in 2003 where death row inmate Marcus Wright (Sam Worthington) signs his body away to a dying scientist (Helena Bonham Carter) and her research for Cyberdyne Industries. Oddly, even without WB’s over-zealous marketing attempts (which gave away just about everything there was to give), the film spoils what would have been a remarkable reveal: that Marcus Wright comes back in 2018 as a Terminator, or, a hybrid but definitely not 100%-human. It would take time to set up Marcus’ motivations and keep his secret secret (not skipping him like a stone across a river during a set piece would help). There’s no time for that in “Terminator Salvation”.
Once in 2018 we meet up with John Connor (Christian Bale) who is not the leader of the resistance but definitely one of its higher-ups as he sends out radio messages to the masses from his secret bunker (which oddly can’t be picked up by the machines but they can zero in on rock music in about five seconds) but we’re told (via prologue titles) that some see him as humanity’s salvation while others view him as a false prophet. We never get to see that division. We also never get to see if Connor, a man who’s been at war before he was even born, has doubts, frustrations, passions, or anything outside of being a soldier. He hugs his wife Kate (Bryce Dallas Howard) from time to time. The film needed to make John Connor into a fully-realized character rather than further typecast Bale as “grim, unsmiling gentleman who occasionally screams at someone so you know he has a pulse.” But there’s no time for that in “Terminator Salvation”.
CGI was part of the conversation before, it ad appeared in Tron, Young Sherlock Holmes, and Last Crusade, and – of course – The Abyss, but with Terminator 2: Judgment Day, there was a huge paradigm shift. There was just too much that could be done with computers that couldn’t be denied.
Of course, this changed the way movies were made. But what is interesting in retrospect is how they were flying by the seat of their pants. Whereas today driving on a bus is CGI’d, then many of the effects involved Robert Patrick being painted in silver, and immense practical models that handled much of the heavy lifting. As innovative and thrilling as the effects are, director James Cameron had no illusions that he was making anything but a gigantic B movie writ large. And such is why the film still plays like gangbusters today.
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