
Daniel Radcliffe will star in the indie drama The Amateur Photographer. Emmy-nominated scribe Christopher Monger (HBO’s Temple Grandin) will direct the film from his own screenplay which is also, coincidentally enough, based on his own novel of the same name. Ted Hope and Anne Carey will co-produce the film, alongside Karen Montgomery, via their This Is That Prods. moniker. Per Variety, The Amateur Photographer is set in 1970′s New England and tells the story of a young man (Radcliffe) who discovers his knack for all things artistic after being recruited by the citizens of a small mill town to photograph their “most intimate moments.”
Although its elevator pitch may end on a somewhat awkward note, I’m interested in seeing how life after Harry Potter treats Radcliffe and The Amateur Photographer will seemingly constitute a small part of that. Speaking of life after Potter, Radcliffe will complete his run as the boy wizard on July 15th in Harry Potter and the Deathly Hallows – Part 2. He can also be seen in the UK horror thriller The Woman in Black which opens October 28th of this year in the UK.

Documentaries have undoubtedly grown closer in style to narrative features over the past 20 years. Similarly, when documentarians Shari Springer Berman and Robert Pulcini moved into the narrative world, they brought their old techniques with them. That first feature, American Splendor, made a big splash, thanks to its fresh and complicated approach that broke standard filmmaking conventions and included material from mediums that varied from comic books and film to television.
Springer Berman filled us in recently on her latest film, The Extra Man, which continues its gradual, national release today in top 10 markets, with Chicago. Hit the jump for the interview’s audio and transcript, along with info on her new HBO film Cinema Verite featuring Diane Lane, Tim Robbins, Thomas Dekker and James Gandolfini, where she stands on a big divide in the documentary world and a story she’s never told publicly about American Splendor’s late subject, Harvey Pekar.

There are some big superhero movies showing up at this year’s San Diego Comic-Con. Super isn’t one of them, and I mean that as a compliment. Up on Hall H, this lo-rent, scrappy dark comedy from writer-director James Gunn (Slither) won over the crowd and while Thor and Captain America will pack the house tomorrow, you shouldn’t forget about this movie.
Hit the jump to get the down low on today’s panel for Super.
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SPACE: 1999 to be Revamped for TV as SPACE: 2099
PUSHER Remake Picked Up by Weinstein Co.’s VOD Label, Radius-TWC
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