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	<title>Collider&#187; The Bates Motel</title>
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		<title>Max Thieriot Talks HOUSE AT THE END OF THE STREET, PSYCHO Series BATES MOTEL, and DISCONNECT</title>
		<link>http://collider.com/max-thieriot-house-at-the-end-of-street-interview/</link>
		<comments>http://collider.com/max-thieriot-house-at-the-end-of-street-interview/#comments</comments>
		<pubDate>Fri, 21 Sep 2012 01:03:04 +0000</pubDate>
		<dc:creator>Christina Radish</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Bates Motel]]></category>
		<category><![CDATA[Disconnect]]></category>
		<category><![CDATA[House at the End of the Street]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Max Thieriot]]></category>
		<category><![CDATA[The Bates Motel]]></category>
		<category><![CDATA[The House at the End of the Street]]></category>

		<guid isPermaLink="false">http://collider.com/?p=196849</guid>
		<description><![CDATA[

House at the End of the Street, directed by Mark Tonderai, is a creepy psychological thriller about a teenager and her divorced mom, who move into a beautiful new house that just happens to be next door to where a grisly double murder took place. When Elissa (The Hunger Games star Jennifer Lawrence) finds herself drawn to mysterious boy-next-door Ryan (Max Thieriot), the sole survivor of the nightmare that took the lives of his family, Sarah (Elisabeth Shue) becomes increasingly concerned about how close they’re getting and where their relationship might lead.

At the film’s press day, actor Max Thieriot spoke to Collider for this exclusive interview about what attracted him to the complex character, how only minor changes were made from the original script to the final product, that he’s personally more scared by stories that could be real than he is by monster movies, the advantage of receiving a 100-page film bible from his director, and what it was like to work with co-star Jennifer Lawrence. He also talked about what attracted him to the role of Norman Bates’ older brother, Dylan, in the upcoming 10-episode A&#38;E drama series Bates Motel and just how twisted the story might get, why he wanted to be a part of the indie drama Disconnect (centered on a group of people searching for human connections in today’s wired world), and how he’d love to do a Western. Check out what he had to say after the jump.



Collider: How did you come to be ...]]></description>
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		<title>LOST Showrunner Carlton Cuse Joins A&amp;E’s PSYCHO Prequel Series THE BATES MOTEL</title>
		<link>http://collider.com/carlton-cuse-the-bates-motel/</link>
		<comments>http://collider.com/carlton-cuse-the-bates-motel/#comments</comments>
		<pubDate>Sat, 10 Mar 2012 03:20:20 +0000</pubDate>
		<dc:creator>Adam Chitwood</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[A&E]]></category>
		<category><![CDATA[Carlton Cuse]]></category>
		<category><![CDATA[Kerry Ehrin]]></category>
		<category><![CDATA[Mark Wolper]]></category>
		<category><![CDATA[Roy Lee]]></category>
		<category><![CDATA[The Bates Motel]]></category>

		<guid isPermaLink="false">http://collider.com/?p=151271</guid>
		<description><![CDATA[

While many fans directed their love/hate mail to J.J. Abrams during Lost’s six-season run, the truth is that Damon Lindelof and Carlton Cuse were the actual brains behind the day-to-day running of the series. The two were the showrunners for the duration of the show's life while Abrams simply served as an executive producer (though he was crucial to developing the pilot and the overall idea for the groundbreaking series). Lindelof took a fairly prolific route following the series finale with writing gigs on Cowboys &#38; Aliens, Star Trek 2, and Prometheus, but many fans have been waiting to see what Cuse would tackle post-Lost. It appears we have our answer, as Cuse has just joined the A&#38;E series The Bates Motel as an executive producer. Hit the jump for more.

Though Cuse has been busy developing film and TV projects for the past few years (he’s working on a super-secretive feature for Hugh Jackman to star and Shawn Levy to direct), The Bates Motel may be the first project we actually see from the writer-producer since Lost. Mark Wolper and Roy Lee are producing the series, which serves as a prequel to Alfred Hitchcock’s horror classic Psycho. The Bates Motel “aims to tell the story of a young Bates and how his deranged mother and her lover unhinged his mind, eventually turning him into a serial killer.” The show is being described as a cross between Twin Peaks and Smallville (that’s one hell of a mash-up), and Heat Vision reports ...]]></description>
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