
As I’ve said again and again, Drew Goddard and Joss Whedon‘s The Cabin in the Woods is one of the best “horror” movies I’ve ever seen, and it’s easily one of my favorite films this year. While many of you might love the horror genre, I find it repetitive and stale. It seems like the genre is stuck in neutral, and no one is making any progress forward. But that all changed after I saw Cabin in the Woods. Without spoiling anything, let’s just say the film turns “horror” on its head, and I loved every second of it. For more on the film, here’s Matt’s glowing review and interviews with Richard Jenkins and Bradley Whitford as well as Anna Hutchison, Jesse Williams & Kristen Connolly.
Right before this year’s SXSW, I sat down with co-writer and director Drew Goddard for an extended video interview. Since we both didn’t want to spoil any of the twists and turns of the movie, our conversation is spoiler free. During the wide ranging conversation we talked about making The Cabin in the Woods, the status of the Cloverfield sequel, Alias, Buffy, Angel, Lost, (he was a writer on all four series) Steven Spielberg‘s Robopocalypse (which he’s writing), his reaction to seeing The Avengers, and a lot more. Hit the jump to watch.

Since the filmmakers have made it known that they wish for people to go into The Cabin in the Woods as spoiler-free as possible, I’m going to be incredibly vague here on the front page. Needless to say, if you’ve seen the movie then you’re aware of a certain White Board. An image of The White Board has gone online, and we’ve got it after the jump for your viewing pleasure. If you haven’t seen the movie, I highly, highly suggest you do so. Director Drew Goddard and co-writer Joss Whedon have crafted a brilliant take on the horror genre that is some of the most fun you’ll have at the movies this year.
If you’ve seen The Cabin in the Woods, hit the jump to check out the image. Again, spoilers for the film are obviously after the jump.

Our goal for The Collision‘s runtime is to always keep the show between 45 minutes and an hour. However, we broke that rule this week so we could spend time talking about The Cabin in the Woods. This is also our first show where we instituted spoiler protection, so everything Cabin was placed at the end of the show (specifically, it starts at the 41:55 mark). But for those who don’t want to hear about Cabin just yet, we’ve still got plenty of great podcast for you. We talk about the Catching Fire director wish list, teasers for trailers, Lockout, our weekly recommendations, and at one point my microphone drops out for a minute and we just keep going anyway! You can also hear my awesome new speech impediment from having braces put back on my teeth. The show is rough, tumble, and a whole lotta fun. Once again, we encourage you to give us your thoughts on the podcast by either sounding off in the comments section or shooting a tweet @CollisionCast. We’re still figuring out this podcast, and your feedback is invaluable in helping us shape the program.
Click here to listen to our latest episode, click here to listen to our previous episode, and click here to add The Collision to your RSS feed. An iTunes link will be available (hopefully) later this week.

The Hunger Games cannot be stopped. Director Gary Ross’s adaptation of the popular Suzanne Collins book took the top spot at the box office for the fourth weekend in a row with $21.5 million, bringing its domestic total to $337 million with a worldwide haul over $479 million. Though Lionsgate is presumably extremely happy with The Hunger Games’ performance, they’re currently on the lookout for a director replacement for the sequel Catching Fire after Ross declined to return due to the tight schedule. They have to start filming the follow-up this August in order for star Jennifer Lawrence to be wrapped in time to move on to the X-Men: First Class sequel in January, and to make Catching Fire’s November 2013 release date. Hit the jump for details and analysis of the full top 10.
| Title | Weekend | Total | |
| 1 | The Hunger Games | $21,500,000 | $337,070,000 |
| 2 | The Three Stooges | $17,100,000 | $17,100,000 |
| 3 | The Cabin in the Woods | $14,850,000 | $14,850,000 |
| 4 | Titanic 3D | $11,625,000 | $44,419,000 |
| 5 | American Reunion | $10,700,000 | $39,900,000 |
| 6 | Mirror Mirror | $7,000,000 | $49,468,000 |
| 7 | Wrath of the Titans | $6,905,000 | $71,251,000 |
| 8 | 21 Jump Street | $6,800,000 | $120,565,000 |
| 9 | Lockout | $6,250,000 | $6,250,000 |
| 10 | Dr. Seuss’ The Lorax | $3,020,000 | $204,483,000 |

Despite three new wide releases this weekend, The Hunger Games is back at the top of the box office for the fourth (and not necessarily final) Friday in a row, adding another $6.5 million to its terrific $322 million domestic total. The Three Stooges came in second with a $5.6 million opening day, which may be just enough to relaunch the franchise if the movie has legs. The Cabin in the Woods trailed in third, premiering to $5.5 million. That’s not a great total for a movie we love so much, but it could be much worse. Look no further than Lockout, which landed outside the top five to a paltry $2.2 million, beat by last week’s offerings American Reunion and Titanic 3D. Look for details and analysis on the full weekend tomorrow.
| Title | Friday | Total | |
| 1 | The Hunger Games | $6,450,000 | $322.0 |
| 2 | The Three Stooges | $5,625,000 | $5.6 |
| 3 | The Cabin in the Woods | $5,500,000 | $5.5 |
| 4 | American Reunion | $3,400,000 | $32.6 |
| 5 | Titanic 3D | $3,335,000 | $36.1 |

As I’ve said all week, Joss Whedon and Drew Goddard‘s The Cabin in the Woods is one of the best “horror” movies I’ve ever seen, and it’s easily one of my favorite films this year. While many of you might love the horror genre, I find it repetitive and stale. It seems like the genre is stuck in neutral, and no one is making any progress forward. But that all changed after I saw Cabin in the Woods. Without spoiling anything, let’s just say the film turns “horror” on its head, and I loved every second of it.
At this year’s SXSW, I got to talk with the cast and filmmakers for both our partners at Omelete and Collider. Over the past few days I’ve posted my interviews with Joss Whedon/Drew Goddard and Anna Hutchison, Jesse Williams & Kristen Connolly. Today I’ve got Richard Jenkins and Bradley Whitford. During the interview we talked about premiering at SXSW, Joss Whedon, rehearsals, how much changed on set, how did they get involved in the project, Liberal Arts, The West Wing, and a lot more. Hit the jump to check it out.

[This review is a re-post of my review from the 2012 SXSW Film Festival. The Cabin in the Woods opens in wide release tomorrow.]
The Cabin in the Woods is one of the sharpest satires of the horror genre ever made. Great satire can only come from intelligent, witty, and devious minds. Director Drew Goddard and his co-writer Joss Whedon have those minds. They have dissected not just the “cabin in the woods” sub-genre, but the entire horror genre, and most importantly, our enjoyment of it. Rather than just point out the tired clichés we all know, Goddard and Whedon use the deconstruction as a starting point rather than a dull summation. It is an exciting, exhilarating, and bloody means to a thoughtful, rewarding, and bloody end.

I want to make this very clear: Joss Whedon and Drew Goddard‘s The Cabin in the Woods is one of the best “horror” movies I’ve ever seen, and it’s easily one of my favorite films this year. While many of you might love the horror genre, I find it repetitive and stale. It seems like the genre is stuck in neutral, and no one is making any progress forward. But that all changed after I saw Cabin in the Woods. Without spoiling anything, let’s just say the film turns “horror” on its head, and I loved every second of it. Trust me when I say: Stop watching the trailers. Don’t watch any TV spots. Do not read the reviews. Just go see the film on opening day next week (and then read Matt’s glowing review). I promise, it’s worth the price of admission, and after you see it, you’ll want to see it again.
At this year’s SXSW, I got to talk with the cast and filmmakers for both our partners at Omelete and Collider. Over the past few days I’ve posted my interviews with Richard Jenkins/Bradley Whitford and Joss Whedon/Drew Goddard. Today I’ve got Anna Hutchison, Jesse Williams & Kristen Connolly. During the interview we talked about premiering the film at SXSW, working with Whedon and Goddard, deleted scenes, talking about the film without spoiling it, and more. Hit the jump to watch.

The Cabin in the Woods, Drew Goddard and Joss Whedon‘s brilliant riff on the horror genre, opens this Friday and you must see it. It’s one of the best movies of the year, and seeing it will finally allow you to stop ducking spoilers left and right. You know and I know that once the movie opens it will be almost impossible to go on Facebook or Twitter without some jerk spoiling something, so your best option is to see this flick as soon as possible.
Today, we’re proud to offer a giveaway of some pretty amazing swag for the movie. After the jump, find out how you can win a signed poster, a t-shirt, the novelization, the official visual companion, and a collapsible bong. That’s right: we’re giving away a collapsible bong (two collapsible bongs, actually; the runner up gets one too!). And remember: The Cabin in the Woods opens this Friday. See it.

The Cabin in the Woods, from Drew Goddard and Joss Whedon – and opening (quite appropriately) in theaters on Friday, April 13th – is a great horror film that is just so much fun to watch. It’s creative, imaginative and hysterically funny, all while turning horror on its head and challenging anything that follows. So as not to ruin any aspect of the film, I will just include the official synopsis which says: “Five friends go to a remote cabin in the woods. Bad things happen.” And, do they ever!
During this recent phone interview with Collider, actor Fran Kranz (Dollhouse), who plays a pot smoking guy named Marty in the film, talked about what a big classic horror fan he is, his unusual auditioning process for the role (that included reading a monologue about his friend having gotten his head chopped off by The Clickety Clack Man), how he thought it was one of the best scripts he’s ever read, that the finished film is pretty much exactly what he originally read, how there could be some amazing bonus features on the DVD because of all the behind-the-scenes footage that was shot, and how he hopes people will love the film as much as he clearly loved getting to be a part of it. He also talked about he got to be a part of the backyard production of Much Ado About Nothing that Joss Whedon shot at his house, what a fun and relaxed experience it was, and how he’s looking forward to seeing it, along with what it’s like to be a part of the Broadway revival of Death of a Salesman, directed by Mike Nichols and starring Philip Seymour Hoffman and Andrew Garfield, among other notables. Check out what he had to say after the jump.

I want to make this very clear: Joss Whedon and Drew Goddard‘s The Cabin in the Woods is one of the best “horror” movies I’ve ever seen, and it’s easily one of my favorite films this year. While many of you might love the horror genre, I find it repetitive and stale. It seems like the genre is stuck in neutral, and no one is making any progress forward. But that all changed after I saw Cabin in the Woods. Without spoiling anything, let’s just say the film turns “horror” on its head, and I loved every second of it. Trust me when I say: Stop watching the trailers. Don’t watch any TV spots. Do not read the reviews. Just go see the film on opening day next week (and then read Matt’s glowing review). I promise, it’s worth the price of admission, and after you see it, you’ll want to see it again.
At this year’s SXSW, I got to talk with the cast and filmmakers for both our partners at Omelete and Collider. Over the next week, I’ll be posting a new interview each day. Today’s is Joss Whedon and Director Drew Goddard. During the interview we talked about premiering the film at SXSW, their writing process, deleted scenes, and more. Hit the jump to watch.

Earlier this year, we here at Collider brought you our most anticipated films of the first quarter. 2012 has gotten off to a promising start with more than a few gems, and now it’s time to look to the next three months of the year. Matt, Adam, Brendan, and Dave have each picked their top five films for the next installment of our Most Anticipated series, providing a brief explanation for why these films are on our radar and what has us excited. Hit the jump to check out our picks, along with information on the cast and plot for each film.

I want to make this very clear: Joss Whedon and Drew Goddard‘s The Cabin in the Woods is one of the best “horror” movies I’ve ever seen, and it’s easily one of my favorite films this year. While many of you might love the horror genre, I find it repetitive and stale. It seems like the genre is stuck in neutral, and no one is making any progress forward. But that all changed after I saw Cabin in the Woods. Without spoiling anything, let’s just say the film turns “horror” on its head, and I loved every second of it. Trust me when I say: Stop watching the trailers. Don’t watch any TV spots. Do not read the reviews. Just go see the film on opening day next week (and then read Matt’s glowing review). I promise, it’s worth the price of admission, and after you see it, you’ll want to see it again.
At this year’s SXSW, I got to talk with the cast and filmmakers for both our partners at Omelete and Collider. Over the next week, I’ll be posting a new interview each day. Today’s is Richard Jenkins and Bradley Whitford. During the interview we talked about premiering the film at SXSW, working with Whedon and Goddard, preparing for dancing on screen, and more. Hit the jump to watch.

I want to make this very clear: Joss Whedon and Drew Goddard‘s The Cabin in the Woods is one of the best “horror” movies I’ve ever seen, and it’s easily one of my favorite films this year. While many of you might love the horror genre, I find it repetitive and stale. It seems like the genre is stuck in neutral, and no one is making any progress forward. But that all changed after I saw Cabin in the Woods. Without spoiling anything, let’s just say the film turns “horror” on its head, and I loved every second of it. Trust me when I say: Stop watching the trailers. Don’t watch any TV spots. Do not read the reviews. Just go see the film on opening day next week (and then read Matt’s glowing review). I promise, it’s worth the price of admission, and after you see it, you’ll want to see it again.
Last week, Collider held a free screening of the film in Boston, and I spoke with a number of people after the screening to get their reactions. Hit the jump to watch what they had to say.

I want to make this very clear: Joss Whedon and Drew Goddard‘s The Cabin in the Woods is one of the best “horror” movies I’ve ever seen and easily one of my favorite films this year. While many of you might love the horror genre, I find it repetitive and stale. It seems like the genre is stuck in neutral, and no one is making any progress forward. But that all changed after I saw Cabin in the Woods. Without spoiling anything, let’s just say the film turns “horror” on its head and I loved every second of it. Trust me when I say…stop watching the trailers. Don’t watch any TV spots. Do not read the reviews. Just go see the film on opening day next week. I promise, it’s worth the price of admission and after you see it, you’ll want to see it again.
At this year’s SXSW, I was able to sit down with Joss Whedon (who co-wrote the script) for an exclusive interview. Since I didn’t want to talk about anything that could spoil the film, our conversation turned to his writing process, casting the film, Comic-Con, what he collects, Easter eggs, and more. In addition, with Whedon directing that small indie film called The Avengers, we also talked about the running time, the music, deleted scenes, and more. Hit the jump to either read or listen to the interview.
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