
Matthew Vaughn has signed on to direct a sequel to X-Men: First Class. According to Deadline, Simon Kinberg (X-Men: The Last Stand) will write the script and Bryan Singer will return to produce. X-Men: First Class was terrific and I’m glad that Vaughn will return for the sequel. I’m also excited to see what he’ll do with (hopefully) a bigger budget and more production time. It’s a little surprising that Vaughn’s frequent collaborator Jane Goldman hasn’t signed on to pen the screenplay, but it’s possible that she’ll come on board later in the process.
Now we can let the speculation begin about what the sequel holds in store. Vaughn said in May that he would like the second movie would open with the JFK assassination and Magneto controlling the “magic bullet”. Indulging conspiracy theorists aside, I’m curious to see which new mutants will the fray. If the movie is set in 1963, it’s probably too early to see Cyclops and Jean Grey kicking around Xavier’s School for Gifted Youngsters.

With director Steven Soderbergh’s spy-action pic Haywire opening this weekend, I recently got to speak with most of the cast to talk about making the movie. Starring MMA fighter Gina Carano as a burned spy who takes revenge against her handlers, Haywire also stars Channing Tatum, Michael Fassbender, Ewan McGregor, Michael Angarano, Antonio Banderas, Michael Douglas, and Bill Paxton. I’ve seen Haywire twice now and it’s fantastic. On top of Carano’s star-making performance, the action scenes are some of the best I’ve seen in years. It’s absolutely something you should see in a theater.
During my exclusive phone interview with Michael Fassbender we talked about how he got involved in Haywire, how he prepared for the role, the amazing fight scenes, how the script changed along the way, and if he remembered any of his training in real life. In addition, we talked about whether or not he still has to audition, when he realized he’s won the actor’s lottery, what’s up with Twelve Year’s a Slave and the X-Men Sequel, and a lot more. Hit the jump to either read or listen to what he had to say.

We all miss Community right now especially since NBC has deigned that it be replaced with garbage like Whitney and Are You There, Chelsea? The show will return, but we don’t know when. In the meantime, we’ll have to be satisfied with anything Community-related and artist Aviv Or has done some fun illustrations where he’s re-imagined the cast as X-Men characters. I would say all the characters have been matched up correctly, although I would have liked to seen Annie’s Boobs done as a little tiny Beast.
Hit the jump to check out the images.

Ever since 2008′s Iron Man, Marvel Studios has carved out a profitable niche in Hollywood independently financing the film adaptations of the Marvel comics. However, because of the nature of film rights, a few of Marvel’s most popular properties are housed at other studios. Fox has three: X-Men, Daredevil, and Fantastic Four. In a recent interview, Fox executive Tom Rothman stressed the studio is eager to continue development on the next chapter in those respective stories—a sequel to X-Men: First Class and reboots for Daredevil and Fantastic Four.
Hit the jump for the interview clip (plus quotes) to see what Rothman had to say.

With A Dangerous Method hitting theaters on November 23rd and the NC-17 rated Shame opening on December 2nd, Michael Fassbender is busy promoting both films and his truly excellent performances in each. Although very different films, they each explore themes of sex and sexuality, and what is culturally accepted behavior in the bedroom.
While Collider got to sit down with the ultra-busy actor to talk about those films, we’ll run the video interview closer to their release dates. However, in the meantime, we did want to share what he had to say about his return to the role of Magneto for the eventual sequel to X-Men: First Class, how he’s looking forward to working on ideas with James McAvoy and hopefully Matthew Vaughn, and that he’s interested to see how Charles Xavier turns into Professor X. Check out what he had to say after the jump.

Word on the street has it that the follow-up to Matthew Vaughn’s X-Men: First Class will be written by Simon Kinberg (Sherlock Holmes). The scribe will have to try and match or outdo the first film, which has grossed over $350 million to date and was well-received critically. Some of the films in his resume suggest he’d be a good fit: Mr. and Mrs. Smith and Sherlock Holmes. Then, some make my head hurt: xXx: State of the Union, X-Men: The Last Stand and Jumper.
Kinberg was a producer on X-Men: First Class. He was also the writer behind the 2012 releases This Means War and Abraham Lincoln: Vampire Hunter, which he is also executive producer on. Hit the jump for more on the sequel to X-Men: First Class.

Fox’s X-Men: First Class caught quite a few people off-guard when it opened this past May. The stories of the rushed production schedule and reshoots had many thinking that the prequel would be a mediocre popcorn flick at best. Instead, we got a smart, taut, and entertaining period film that turned out to be one of the best superhero movies of the year. Among the film’s many strengths were the nods to the previous entries in the X-Men franchise, including quite possibly one of the greatest cameos of the past decade: Hugh Jackman’s Wolverine. The actor turns up for just a few seconds, and delivers just one line, but he gets the biggest laugh of the entire film.
Recently, Steve got the chance to sit down with the actor to talk about his upcoming pic Real Steel. We’ll have the full interview up soon, but Jackman told a great story about how his cameo in the X-Men flick came to be. The scene was filmed at the last minute, and Jackman came up with the final version of his line himself. Hit the jump for the full story.

With the critically acclaimed X-Men: First Class available on DVD and Blu-ray this Friday (dubbed “First Class Friday”), Collider was invited to the 20th Century Fox lot for a media event celebrating that release and previewing some of the bonus features. Along with extended and deleted scenes, this ultimate collection has a Cerebro Mutant Tracker Portal that allows fans to access videos and information of their favorite mutants from the X-Men universe, along with 10 Marvel X-Men digital comics, an eight-part behind-the-scenes featurette, and an interactive feature that allows viewers to learn more about specific scenes.
Following the presentation, we got a few brief minutes to sit down with Lauren Shuler Donner, producer of the X-Men franchise. During the interview, we talked about the fact that all of the deleted scenes from the film can be found on the Blu-ray, what her favorite deleted scene is, how the success of the film has helped move along other films in the X-Men universe, and that she is currently prepping the next Wolverine film, but is also talking about a sequel for First Class and hoping that the Deadpool film will have a life, at some point. Check out what she had to say after the jump:

The X-Men: First Class DVD/Blu-ray sees release very soon on September 9. To sell a few a more copies, Fox released a behind-the-scenes featurette that details the seven-hour process it takes to transform Jennifer Lawrence from naked to Mystique. I can’t say I loved the way the makeup looked on film, but I appreciate the effort to achieve the mutant look with practical effects over CGI.
Watch the featurette after the jump to see Ms. Lawrence be a real trooper.

The Wolverine is having trouble becoming a movie. Last fall, Darren Aronofsky signed on to direct a March 2011 shoot, at which point you got excited about the sequel. When March came around, Aronofsky dropped out, and you gave up all hope again. Hugh Jackman promised they’d get The Wolverine in front of cameras by October, and the city of Vancouver was preparing to welcome the crew in November. About that last point: Christopher McQuarrie’s script takes place mostly in Japan. The bulk of filming was also scheduled for Japan, but the massive March earthquake complicated things, necessitating a greater reliance on Vancouver. Deadline hears “weather-related considerations” could pull Fox out of Japan altogether, which is unfortunate. Moreover, the fall start looks increasingly unlikely, in part to allow Jackman to film Les Miserables.
The delay won’t cripple development. Despite critical evisceration, X-Men Origins: Wolverine earned nearly $400 million worldwide. Fox wants a sequel, but director James Mangold may not get the chance to film until spring 2012, and he may not be able to shoot on location as much as we hoped.

Fox has announced that they will release Matthew Vaughn’s X-Men: First Class onto DVD and Blu-ray on September 9th, a mere three months after hit theaters. The film will be offered in two different cases: one features James McAvoy as Professor Charles Xavier and the other has Michael Fassbender as Erik Lensherr aka Magneto. The Blu-ray will include over two hours of special features, a digital copy of the film, ten Marvel X-Men digital comics including a new X-Men: First Class back story.
Additionally, the first 1,000 fans who pre-order a Blu-ray or DVD during Comic-Con will receive a limited edition First Class t-shirt announcing the fan’s preference for (ugh) “Team Charles” or “Team Erik”. Fans can pre-order their copy in person at the Fox booth #4313 or online at www.FoxConnect.com. The pre-order will cost $25 for Blu-ray and $18 for DVD. Hit the jump for the box art and full press release.
As the only new release of June’s first frame, X-Men: First Class easily claimed the top spot with an estimated $56 million from 3,641 locations. While that is nowhere near what the last three X-films earned in their debuts, let’s face it, First Class was never playing in their league.
| Title | Weekend | Total | |
| 1 | X-Men: First Class | $56,000,000 | $56 |
| 2 | The Hangover Part II | $32,445,000 | $186.8 |
| 3 | Kung Fu Panda 2 | $24,300,000 | $100.4 |
| 4 | Pirates of the Caribbean 4 | $18,010,000 | $190.2 |
| 5 | Bridesmaids | $12,128,000 | $107.2 |
| 6 | Thor | $4,200,000 | $169 |
| 7 | Fast Five | $3,240,000 | $202 |
| 8 | Midnight in Paris | $2,916,000 | $6.9 |
| 9 | Jumping the Broom | $865,000 | $35.9 |
| 10 | Something Borrowed | $835,000 | $36.6 |
After a record breaking Memorial Day, it looks like the good times are going to continue to roll this weekend thanks to X-Men: First Class. The Fox/Marvel release had no trouble landing at number one on Friday with an estimated $21 million from 3,641 locations and is projected to earn $53 million through Sunday. That is more than all four of 2010’s wide releases earned on their post-Memorial Day frame. In terms of its mutant predecessors, First Class is on par with the $54.4 million the first X-Men took in on its debut in July of 2000 and is also just above the $48.7 million that Batman Begins made in 2005. Considering that, like the latter, this film attempts to reset a popular franchise with a young, new cast, that is pretty much as it should be. In terms of the last X-offering, X-Men: First Class will not get near the $85 million that X-Men Origins: Wolverine made in May of 2009, but with 87% positive reviews on Rotten Tomatoes next to Wolverine’s 37%, I’m sure that’s a discrepancy they can live with. Details and analysis tomorrow.
| Title | Friday | Total | |
| 1 | X-Men: First Class | $21,000,000 | $21 |
| 2 | The Hangover Part II | $10,460,000 | $164.8 |
| 3 | Kung Fu Panda 2 | $6,300,000 | $82.4 |
| 4 | Pirates of the Caribbean 4 | $5,087,000 | $177.3 |
| 5 | Bridesmaids | $3,620,000 | $98.7 |

With a mere ten days to go until Matthew Vaughn’s X-Men: First Class hits theaters, t-shirt designers are getting creative and drawing inspiration from great artists such as the legendary graphic designer Saul Bass and pop artist Nagel.
While the Bass-inspired designs have a more retro feel, the Nagel series draws its influence from the Duran Duran era of the 80’s. Check them out after the jump!

We’re still six weeks away from Matthew Vaughn’s X-Men: First Class, but the director is already talking up potential sequels. Says Vaughn:
“First Class is similar to Batman Begins, where you have the fun of introducing the characters and getting to know them, but that takes time. But with the second one you can just get on with it and have a rollicking good time. That’s the main difference between Begins and The Dark Knight.”
Other main difference between Begins and TDK: better villains, bigger set pieces, and a not-completely terrible third act. Hit the jump for more on what to expect from the First Class sequels (provided the movie is a hit). X-Men: First Class opens June 3rd.
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