This weekend, the big story—the one on the minds of most poster collectors—was the release of Drew Struzan’s The Thing screenprints at the Alamo Drafthouse in Austin, Texas. But hundreds of miles away– in a dimly-lit art gallery somewhere in Long Beach—another major release (or six) was taking place: the Phone Booth Gallery’s A Distant Winter show, featuring artwork from Ken Taylor, Rich Kelly, and none other than Martin effing Ansin (yes, that’s his full name). Wanna see some photos from that show? Wanna know where to get your Thing prints framed for an awesome price if you’re in Austin? Want us to drop some other poster-related news square in your lap? Meet me after the jump, folks: it’s all inside Limited Paper #7.
Another day, another tour across the twisted landscape that is poster collecting thanks to your fine friends at Limited Paper. If you were slacking on your internet-reading over the weekend and still haven’t taken a look at my report from the Alamo Drafthouse’s Summer of 1982 screening of The Thing, you should definitely give that a read over here. Everyone else is encouraged to check out the massive photo-splosion we have for you below, which comes to us directly from the Phone Booth Gallery’s A Distant Winter show, which opened this past Saturday, June 23rd.
A DISTANT WINTER @ THE PHONE BOOTH GALLERY: SO MANY DAMN PICTURES
In case you’re just joining us, A Distant Winter’s theme was…well, let’s go to the press release. How would you put it, Phone Booth Gallery? What were Martin Ansin, Rich Kelly, and Ken Taylor up to with this show?
“Thus, “A Distant Winter” weaves together multiple ideas of distance, closeness and coldness. Factual circumstances coexist with imaginary ones and the careful artistry of Taylor, Ansin and Kelly is as cool as any expanses of white snow could ever be..
With that in mind, attendees didn’t know what to expect, exactly: all three artists had a “set” of three screenprints available for purchase, and while we had seen “previews” from each of these sets (see pic below), we didn’t know what to expect in addition to those pieces. Would all three sets be a triptych, like Martin Ansin’s was reported to be? Would each be tied to together in some previously unrecognized way? How did the Phone Booth Gallery plan on getting that many people into the Gallery at one time? The photos that follow should answer some of these questions.
Oh, and one more thing: we had a man from Collider.com on the scene that day (your humble Limited Paper scribe was stuck in Austin, boo-hoo), but the photos below (and above) all come to us with the help of some truly awesome limited-paper enthusiasts: Nara Ramanujan (naraedit.com), Expresso Beans member PiratesPrayer, and a few others contributed to our lineup of photos here, and we appreciate the work they put into acquiring ‘em. You guys rock.
OK, without further ado, here’s those photos. Let’s start with some photos from the gallery itself:
Next up, here’s some photos showing Ansin, Kelly, and Taylor (in that order) signing some of the older prints that fans brought to the show with them. Generously enough, all three artists—and the Phone Booth Gallery itself– had agreed to an exclusive signing prior to the show, and (based on everything I heard from out of the trenches) the session went off without a hitch. This was a pretty awesome bonus for the Gallery to have arranged, and a massively cool thing for these artists to have agreed to: some of the prints pictured in these photos just doubled in value thanks to those signatures. Anyway, here they are:
And, finally, here’s some photos of the screenprints that were available at the show. First up, the complete triptych put together by Martin Ansin, titled Alaska. If you missed it, my associate (and sometimes-backrub-buddy) Germain over at SlashFilm had a pretty awesome report on this set, where he revealed the following:
For his pieces in this show Ansin went with a sci-fi theme that evokes certain movies –The Empire Strikes Back – for example, but is from nothing in particular. The triptch, called Alaska, is influenced by not only that film, but the video game Wipeout and is named after/considered a companion piece to the song “Alaska” but the band Monolake. The red band at the bottom running across the three pieces is the digital readout of that song.
You can also head over to SlashFilm to read the rest of Germain’s report from the show: there’s some pretty snazzy bits of info in there for those of you that consider yourselves die-hard fans of these artists. Here’s how Phone Booth described the set prior to the show’s opening:
Martin Ansin’s smart graphics, which have recently appeared in Rolling Stone, The New Yorker and elsewhere, collapse whole stories into single, simple and striking scenes. For this show, he muses about Alaskan wilderness through a triptych in which red billowing flags and futuristic vehicles interrupt an expanse of wintery white ground. Figures in heavy red and white uniforms prepare to launch their sleek machines.
And here’s what Ansin’s amazing set looks like (note: I was able to score mine thanks to a Poster Buddy who deserves a goddamn ticket-tape parade the next time he comes to Austin; tip o’ the hat to Poster Buddy extraordinaire and Parks and Rec enthusiast Max Golden—good luck on that spec script, Max). If you look closely, you can make out the “band” referenced by Germain at the bottom of the piece:
Aaand here’s the ridiculously gorgeous set that Ken Taylor turned in, described by Phone Booth thusly prior to the show’s opening:
Melbourne-based artist Ken Taylor, a prolific illustrator and designer, makes exquisitely detailed, bold fantasy and merges his interest in the otherworldly with his interest in nature. Flora and fauna appear in his renderings of stoic heroines, who look like mythic beings from a fantastic future.
I hear this one is even more impressive in person than it is in these photos (and that’s saying something):
And—last, but certainly not least—is this collection of photos showing off Rich Kelly’s contributions to the show. Here’s how Phone Booth Gallery described his set:
Rich Kelly, whose highly stylized, comic comments on pop culture often appear in posters for bands like Flight of the Concords or the Hold Steady, considers iconic adventurers, particularly Edmund Hillary and Tenzing Norgay. The two men were the first to set foot conclusively on the peak of Mount Everest. Despite constant public debate over which of the two was really first to the top and a few public disagreements over what actually happened in the last leg of the climb, Hillary and Norgay remained friends for life.
And here’s the set itself:
From the looks of things, the Phone Booth Gallery did a bang-up job putting these pieces together, and the artists themselves all knocked it out of the park. The show’s going to be open at Phone Booth for the next few weeks, so if you’re going to be in California (or, specifically, in the Long Beach area) between now and the end of July, you should absolutely make a point to swing by and check these pieces out in person.
Click over to Page 2 to find out what to expect from Limited Paper at Mondo’s next Mystery Movie screening.
MONDO MYSTERY MOVIE X: WHAT TO EXPECT FROM LIMITED PAPER AT MMMX
Now, the last time we ran a section dealing with “speculation” here at Limited Paper, it turned out that all the rampant rumormongering was—as of this writing—utterly without merit. Y’know, the “Tyler Stout may be producing a Prometheus print” debacle of Limited Paper #1? We took a few (somewhat deserved) knocks for that one when we decided to give those rumors any credence, so let that serve as a warning: if it’s marked as “speculation” here at LP, that’s exactly how it should be considered.
With that out of the way: On July 5th, MMMX will unfold at the South Lamar Alamo Drafthouse in Austin, TX, and speculation has been running wild as to what the “Mystery Movie” might turn out to be. So far, I’ve personally heard everything from Jaws (with an Olly Moss print) to Lord of The Rings (a rumor that’s been kicked into overdrive thanks to the trip to New Zealand that Mondo’s creative director, Justin Ishmael, has been Instagramming about for the past few days) to Blade Runner to…well, everything in-between. As always, the fun of a Mondo Mystery Movie is not knowing what you’re going to get until the thing arrives…but the whispers I’ve been hearing have led me to believe it’s something amazing, indeed. Not that that’s hard to believe, of course: remember what happened during MMMIX?
Ticketholders are expected to show up late Thursday afternoon for the show, and we’ll be bringing you exclusive coverage from the event—including pictures of the screenprints (and the variant) once they’re revealed, frontlines reporting from the screening itself (including video) and even some coverage from the big-ass “Pre-MMMX BBQ and Poster Swap Meet” that’s rumored to be taking place at a secret location on July 4th, the day before the big reveal. Until then, let’s look at a few other prints that have dropped as a result of the Mondo Mystery Movie series:
THING WORTH GETTING EXCITED ABOUT OF THE WEEK: BAUHAUS PICTURE FRAMING in AUSTIN, TX
Finally, this week’s “Thing Worth Getting Excited About” is a shout-out for Frank Hensey, of Bauhaus Picture Framing in Austin, TX. Bauhaus Picture Framing has framed a ton of the prints I’ve got hanging in my home (not to mention a slew of screenprints for other Austin-based poster collectors). I’ve been working with the company for a while now, and this weekend I had Bauhaus put together a few frames for me in the wake of Mondo’s release of The Thing: not only did they get two frames back to me virtually overnight, but they did it at a fraction of the cost that a normal framing joint might charge.
Frank (who you can reach via FrankHensey@att.net or (512) 925-0481 if you’re Austin local) does some truly outstanding work, and after the amazingly quick (and amazingly cheap) work he did for me on both my Struzan Thing variant and my Der et en Slags Ting variant by Mark Englert, I felt like it was the perfect time to deem Frank/Bauhaus the “Thing Worth Getting Excited About of The Week”. Give him a call, guys, you won’t be disappointed.
That does it for this installment of Limited Paper, folks! We’ll be back later in the week with a new, offshoot version of Limited Paper (we’re calling it Unlimited Paper) that’ll point you in the direction of artwork you can acquire without fear of it already having sold out, as well as more Limited Paper goodness, including: a Q&A with the man behind Mondo’s latest gallery show, artist Jay Shaw; reports from Mondo Mystery Movie X (and the nefarious gathering of poster-enthusiasts taking place the day before); news about what you can expect out of the 2012 San Diego Comic Con; and much, much more. Keep your bookmarks marked and your eyes peeled: there’s plenty more coming from Limited Paper in the near future.
Finally, if you’ve missed any of our previous Limited Paper columns:
- Limited Paper #6: A Report from the Alamo Drafthouse/Mondo Screening of THE THING; Plus Some Poster-Related ARRESTED DEVELOPMENT News
- Limited Paper #5: Interview with John Davis of Poster Mountain, the Poster Community’s Miracle Workers
- Limited Paper #4: RAYGUNS AND ROBOTS at the Ltd. Art Gallery, Peeks at Martin Ansin’s A DISTANT WINTER Lineup, and More Poster Awesomeness
- Limited Paper #3: MONDO Drops E.T., THE BEYOND, and STAR TREK: THE WRATH OF KAHN; Gallery1988’s Newest BREAKING BAD Piece Unveiled
- Limited Paper #2: Mondo Mystery Movie X Announced, A Distant Winter Teased By the Phone Booth Gallery, Aaron Horkey’s Jaw-Dropping New Poster and More!
- Limited Paper #1: Posters from Gallery 1988, Mondo, Dark Hall Mansion and Tom Whalen, Rhys Cooper, Phone Booth, Drafthouse and More