While his most recent directorial effort, Argo, is beginning to generate well-deserved Oscar buzz, Ben Affleck spoke briefly about some of his upcoming projects that are sure to attract a lot of interest. When last we reported on Affleck collaborating with Matt Damon, it was to shed some light on the details of their Whitey Bulger picture. The rise-and-fall biopic of the Boston-area crime boss is apparently still in development, but Affleck did give a quick comment on it.
A bigger picture is Affleck’s adaptation of Stephen King’s The Stand, a long-gestating picture that has fans hoping for some good news. Unfortunately, it’s proving to be an unwieldy bit of source material as Affleck admits to struggling with it. Struggling, not giving up. Hit the jump for more quotes from Affleck.
In a recent interview with GQ, Affleck talked about his career and all aspects of his past, present and future. Check out the full article at the link provided for some insight into this director on the rise. We’ve included his quotes on the progress of the Whitey Bulger biopic and The Stand below. On the topic of Whitey Bulger, Affleck said:
“It’s not ready; it’s not good enough yet.”
Put that one in the “still in development” column for now. It’s expected to star Damon as the titular gangster from “Bulger’s youth to his incarceration on Alcatraz, through his rise to become a mob boss while secretly serving as an FBI informant for decades.”
Things were looking much better for The Stand. Per Affleck:
“Right now we’re having a very hard time,” he says. “But I like the idea—it’s like The Lord of the Rings in America. And it’s about how we would reinvent ourselves as a society. If we started all over again, what would we do?”
While Affleck was handling the writing and directing duties, he tapped screenwriter David Kajganich (The Invasion) an an additional pen earlier this year. I’m not familiar with the King novels, so our readers will have to let us know if they think Affleck’s comparison to The Lord of the Rings is close to accurate.
Here’s the synopsis for Stephen King’s The Stand:
This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that f
orm the links in a chain letter of death.
And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides — or are chosen. A world in which good rides on the frail shoulders of the 108-year-old Mother Abigail — and the worst nightmares of evil are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the dark man.