The Best Movies on Netflix Right Now (June 2018)

[Last Updated: June 22nd]

We’ve all been there. You’ve decided you’re going to watch a movie. You have the entirety of Netflix at your disposal, including even a pared down list of films you’ve already noted to watch at a future date. But then there’s the choosing. You’ve gotta find something that fits your mood, or something you and your friend/significant other/couch companion can agree on. You spend hours browsing, and by the time you stumble on something you think maybe is the one, it’s too late, you’re too tired, and indecision has won out.

Never fear, though, because we here at Collider have a guide to help you find the perfect Netflix choice. We’ve thumbed through the library and assembled a list of some of the best films currently available for streaming, so peruse our highlights below, which will be updated weekly and are currently up to date for June 2018. Maybe the perfect choice is right here.

RELATED: Best TV Shows on Netflix Right Now and Best Movies on Amazon Prime Right Now and Best Horror Movies on Netflix Right Now and Best Sci-Fi Movies on Netflix Right Now and Best TV Shows on Amazon Prime Right Now.

Thor: Ragnarok

Image via Marvel Studios

Director: Taika Waititi

Writers: Eric Pearson, Craig Kyle, and Christopher Yost

Cast: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Mark Ruffalo, Tessa Thompson, Jeff Goldblum, Karl Urban, Idris Elba, Anthony Hopkins, and Taika Waititi

Thor: Ragnarok is not just one of the best Marvel Studios movies so far, it’s indicative of how the MCU is beginning to evolve a decade into its run. For the third standalone Thor film, director Taika Waititi (What We Do in the Shadows) essentially breaks the character down and builds him back up again, anew. Gone are Thor’s long locks, self-seriousness, and pomposity. Instead we get a rockin’ haircut and sense of humor, and at last Chris Hemsworth’s magnetic charisma shines through. Ragnarok is an absolute blast of a film, a movie that never takes itself seriously and is basically an eye-popping thrill ride from beginning to end. – Adam Chitwood

Coco

Image via Disney-Pixar

Director: Lee Unkrich

Writers: Adrian Molina and Matthew Aldrich

Cast: Anthony Gonzalez, Gael Garcia Bernal, Benjmain Bratt, Alanna Ubach, Renee Victor, Ana Ofelia Murguia, Edward James Olmos

Although Pixar isn’t the unstoppable force it once was, they can still put together a great movie from time to time and Coco is definitely the studio operating at the top of its game. While it certainly falls into the familiar Pixar tropes—a buddy movie where two characters go on a trip of some kind—Lee Unkrich’s film stands apart due to its deep and abiding love for Mexican culture and putting the importance of family at the core of the story.

The movie boasts excellent music, a heartwarming story, memorable characters, and eye-popping design as its leads traverse the Land of the Dead on Dia de Los Muertos. Although I thought the film would be enjoyable, I didn’t expect it to eventually move me to tears. This is a movie you need to see with your family. – Matt Goldberg

Se7en

Image via New Line Cinema

Director: David Fincher

Writer: Andrew Kevin Walker

Cast: Morgan Freeman, Brad Pitt, Gwyneth Paltrow, and Kevin Spacey

The movie that put David Fincher on the map, Se7en remains a taut, twisted thriller. The story follows detectives Somerset (Morgan Freeman) and Mills (Brad Pitt) as they hunt a serial killer who uses the Seven Deadly Sins as inspiration for his killings. The movie has everyone involved playing at the top of their game in a movie that doesn’t shy away from bleakness or the darkness in humanity. The movie also shows that even with his second film, Fincher was already a master on the rise of cinema, and it’s remarkable to see how far he’s come when Se7en is already such an assured, confident picture. – Matt Goldberg

The 40-Year-Old Virgin

Image via Universal Pictures

Directed by: Judd Apatow

Written by: Steve Carell and Judd Apatow

Cast: Steve Carell, Catherine Keener, Paul Rudd, Seth Rogen, Romany Malco, Jane Lynch, Leslie Mann, Elizabeth Banks, Kat Dennings, and Mindy Kaling

When The 40-Year-Old-Virgin was released in 2005, it was a huge hit. But in hindsight we can clearly see this was also a game-changer for the comedy genre. Judd Apatow’s heavily improvised style brought a looseness to the film from scene to scene, and the film’s tone—which was equal parts raunchy and heartwarming—felt unique. You usually had your sex comedies and your emotional romantic comedies separate, but here Apatow combined the two sensibilities and had the perfect actor for the titular lead: Steve Carell. The result is a hilarious, very NSFW, but also oddly sweet and sensitive story of a mild-mannered 40-year-old man looking to get laid who ends up finding love, complete with outstanding supporting performances by folks like Paul Rudd and Seth Rogen. This one holds up. – Adam Chitwood

L.A. Confidential

Image via Warner Bros.

Directed by: Curtis Hanson

Written by: Brian Helgeland and Curtis Hanson

Cast: Russell Crowe, Guy Pearce, Kim Basinger, Kevin Spacey, Danny DeVito, James Cromwell, and David Strathairn

The 1997 noir L.A. Confidential is kind of a perfect movie. In the vein of Chinatown or Double Indemnity, this is classic noir through and through but brought to the screen with vigor, style, and maximum emotional impact by director Curtis Hanson. Based on the James Ellroy novel of the same name, the film stars Guy Pearce as a do-good police sergeant (Guy Pearce) in 1950s L.A. who teams up with a burly cop (Russell Crowe) to find the truth to a deadly mob murder. Police corruption and Hollywood scandal are front and center, but the film never hits a false note. It introduced audiences at large to Pearce and Crowe, both of whom who soar as a result, and the Best Picture nominee was so impactful it inspired an entire video game in L.A. Noire! – Adam Chitwood

The Iron Giant

Image via Warner Bros.

Director: Brad Bird

Writer: Tim McCanlies

Cast: Eli Marienthal, Jennifer Aniston, Harry Connick Jr., Christopher McDonald, and Vin Diesel

A flop upon its initial release back in 1999, The Iron Giant has become a cult classic over the year and eventually found its audience. Brad Bird’s animated adaptation of Ted Hughes’ book follows young Hogarth Hughes (Eli Marienthal), a smart but lonely kid during the Cold War who stumbles across a giant metal robot from outer space. Hogarth befriends the Iron Giant (Vin Diesel) and teaches him about life and death as well as what it means to be a hero rather than a weapon. It’s a beautiful story, and it’s no wonder that the film has found a special place in the hearts of viewers. If you still haven’t seen it, clear your evening plans, and watch it as soon as possible. – Matt Goldberg

The Departed

Image via Warner Bros.

Director: Martin Scorsese

Writer: William Nicholson

Cast: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Vera Farmiga, Martin Sheen, Ray Winstone, Anthony Anderson, Alec Baldwin, and James Badge Dale

Filmmaker Martin Scorsese’s 2006 crime drama The Departed is the film that finally won him the Best Director Oscar, but he was simply trying to have a good time. After serious epics like The Aviator and Gangs of New York, Scorsese admitted he opted to make a commercial film, choosing to remake the Hong Kong thriller Infernal Affairs with an all-star cast. The result is a tremendously entertaining crime drama packed with stellar performances, and led by one of Leonardo DiCaprio’s best turns ever. The film not only won the Oscar for Best Director, but also Best Picture, Best Adapted Screenplay, and Best Film Editing. – Adam Chitwood

Set It Up

Image via Netflix

Director: Claire Scanlon

Writer: Katie Silberman

Cast: Zoey Deutch, Glen Powell, Lucy Liu, and Taye Diggs

If you’re looking for a charming romantic comedy, but don’t want to rewatch something from a previous decade for the umpteenth time, you should definitely give Claire Scanlon’s charming Set It Up a look. The plot follows two beleaguered assistants (Zoey Deutch and Glen Powell) who decided to set up their bosses (Lucy Liu and Taye Diggs, respectively) in order to just get some precious free time away from their demanding jobs. However, with all their scheming, they start to fall for each other. You can see the romcom beats coming from a mile away, but they’re done so well and so effectively that you won’t mind. Plus, the film sizzles thanks to the outstanding performances from the dazzling Deutch and Powell, who should be the streaming generation’s Meg Ryan and Tom Hanks. – Matt Goldberg

Captain America: Civil War

Image via Marvel Studios

Directors: Joe and Anthony Russo

Writers: Christopher Markus and Stephen McFeely

Cast: Chris Evans, Robert Downey Jr., Sebastian Stan, Scarlett Johansson, Elizabeth Olsen, Paul Bettany, Daniel Bruhl, Paul Rudd, Jeremy Renner, Anthony Mackie, and William Hurt

If you’re looking to catch up before the next Marvel movie, Captain America: Civil War is a solid way to spend some time. The third film in the Captain America trilogy saw Winter Soldier directors Joe and Anthony Russo taking an ambitious track, adapting a famous comics storyline that pits the MCU superheroes against one another. The result is a politically complex thriller with an interesting villain and fascinating chemistry amongst the MCU ensemble. Oh, and Tom Holland’s debut as Spider-Man is a highlight. – Adam Chitwood

The Ritual

Director: David Bruckner

Writer: Joe Barton

Cast: Rafe Spall, Arsher Ali, Robert James-Collier, Sam Troughton

Horror movies are always a gamble–some are great, and deliver more than expected, while others simply tread well-worn territory. The Ritual falls into the former category, as director David Bruckner takes a story about male friendships and growing older (and further apart) and packages it into a terrifying, twisty “monster in the woods” horror film. The film revolves around four friends who go on a hiking trip in Sweden to honor their friend Rob, who was killed six months earlier during a convenience store robbery. But when they take a shortcut through some woods (terrible idea), they find themselves haunted by a malevolent creature. The performances really anchor this thing as a character-rich piece, specifically from lead Rafe Spall, and the creature design itself is absolutely unique (and frightening). The final result is a horror movie that’s downright scary, surprising, and honestly quite thoughtful. It’s the whole package. – Adam Chitwood

Forgetting Sarah Marshall

Director: Nicholas Stoller

Writer: Jason Segel

Cast: Jason Segel, Mila Kunis, Kristen Bell, Russell Brand, Jonah Hill, Paul Rudd, and Bill Hader

The 2008 comedy Forgetting Sarah Marshall is secretly one of the best romantic comedies ever made. Produced by Judd Apatow, the film saw Freaks and Geeks breakout Jason Segel writing a script inspired by his own experiences. The story revolves around a guy who gets dumped by his famous girlfriend (Kristen Bell) and heads to Hawaii to try and forget about his troubles. As it turns out his ex and her new rock star lover (Russell Brand) are staying at the same resort. Hilarity and male nudity ensue, but what makes Forgetting Sarah Marshall linger is the sensitivity at the heart of the film. It’s ultimately an incredibly sweet story bolstered by tremendous performances that also happens to feature a Dracula musical. – Adam Chitwood

Heat

Directed/Written by: Michael Mann

Cast: Al Pacino, Robert De Niro, Val Kilmer, Amy Brenneman, Tom Sizemore, Ashley Judd, Wes Studi, Jon Voight, Ted Levine, and Natalie Portman

Filmmaker Michael Mann’s crime epic Heat is a must-watch classic, through and through. The film largely influenced Christopher Nolan’s The Dark Knight, as it’s a crime thriller in which the city is as much a character as the various people involved. Robert De Niro plays a career criminal whose crew gets in hot water after a heist goes wrong. Al Pacino plays the LAPD lieutenant hunting him down. And since this is a Michael Mann movie, there are various other character-rich plot threads going on at the same time. De Niro and Pacino famously only have one scene together, but boy does Mann make it count. – Adam Chitwood

Moonrise Kingdom

Director: Wes Anderson

Writers: Wes Anderson and Roman Coppola

Cast: Jared Gilman, Kara Hayward, Edward Norton, Bill Murray, Frances McDormand, Bruce Willis, Jason Schwarztman, Bob Balaban, and Tilda Swinton

Wes Anderson’s ode to summer lovin’ is quite possibly his most romantic film yet, as the filmmaker perfectly encapsulates what it feels like to be young and head-over-heels in love. It’s a delightful picture with an undercurrent of sadness running throughout, and it features some of the most stunning production design of Anderson’s oeuvre—and that’s saying something. Moonrise Kingdom also features the anachronistic casting of Bruce Willis and Edward Norton, who turn out to be absolute perfect fits for Anderson’s brand of auteurism. As fall begins, say goodbye to summer with this melancholic treat. – Adam Chitwood

Just Friends

Image via New Line Cinema

Director: Roger Kumble

Writer: Adam Davis

Cast: Ryan Reynolds, Amy Smart, Anna Faris, and Chris Klein

Now that Ryan Reynolds is a bona fide action hero, let’s not forget the guy is also an incredibly talented comedic actor. Roger Kumble’s underrated romantic comedy Just Friends is a terrific showcase for Reynolds’ skills, as the dichotomy between his impossibly good looks and goofy comedic sensibility is put to good use as a formerly chubby, sensitive-type who is now a trim, successful music producer. Anna Faris also turns in great work here as a play on a Britney Spears-esque pop star, and she and Reynolds have fantastic chemistry. The film allows Reynolds to flex his physical comedy skills quite a bit and also accentuates his penchant for perfect timing, especially when it comes to the running gag with his character’s brother. And the “I Swear” lip sync is a fitting capper to this goofy, sweet, incredibly entertaining comedy. – Adam Chitwood

Lincoln

Director: Steven Spielberg

Writer: Tony Kushner

Cast: Daniel Day-Lewis, Tommy Lee Jones, Sally Field, David Strathairn, James Spader, Joseph Gordon-Levitt, Hal Holbrook

There are those that will tell you Lincoln is “minor Spielberg,” but those people are wrong. This 2012 drama had long been a passion project of Steven Spielberg’s, and as realized is a thoughtful, insightful, and surprisingly funny chronicle of one of the greatest American presidents. The film doesn’t take the “cradle to grave” route but instead focuses on Lincoln’s efforts to pass the 13th Amendment. In doing so, Spielberg creates one of the best films about political process ever made, while also digging deep into the contradictions in Lincoln himself. As portrayed by Daniel Day-Lewis, it’s a complex, fascinating portrayal of a man trying to do best by himself and his country, but who doesn’t always have the right answers. The film is far deeper than a simple “that was nice” story, and is West Wing-esque in its compelling chronicle of the political process. In short, it’s masterful, and it’s absolutely top tier Spielberg. – Adam Chitwood

A Futile and Stupid Gesture

Directed by: David Wain

Written by: John Aboud and Michael Colton

Cast: Will Forte, Domhnall Gleeson, Martin Mull, Emmy Rossum, Joel McHale, Thomas Lennon, Matt Walsh, Neil Casey, Matt Lucas, Natasha Lyonne, Ed Helms, Max Greenfield, Paul Scheer, and Jon Daly

If you’re a comedy nerd, A Futile and Stupid Gesture is a must-watch. The Netflix original film chronicles the origins of National Lampoon magazine through the eyes of co-founder Doug Kenney (Will Forte), a hilarious free spirit who would go on to co-write Animal House and Caddyshack before meeting an untimely end. Forte is the driving force of the film as it tracks the irreverent beginnings of National Lampoon, and the actor delivers a dynamic turn that is equal parts funny and sad. But Domhnall Gleeson nearly steals the show as his more dry partner Henry Beard, with cameos galore of folks playing famous actors from the time like Chevy Chase, Bill Murray, John Belushi, and Gilda Radner. Wet Hot American Summer and Role Models filmmaker David Wain directs with a knowing eye, but takes the drama inherent in Kenney’s tragedy seriously. – Adam Chitwood

The Bourne Ultimatum

Image via Universal Pictures

Directed by: Paul Greengrass

Written by: Tony Gilroy, Scott Z. Burns, and George Nolfi

The Bourne trilogy is one of the best action franchises ever made, and it came to a thrilling conclusion with the third—and best—Bourne movie The Bourne Ultimatum. Filmmaker Paul Greengrass returned to direct after making his Bourne debut on The Bourne Supremacy, and this time around Bourne uncovers secrets about how he came to be involved with Operation Treadstone in the first place. It’s a pulse-pounding thriller with jaw-dropping action, and Matt Damon is superb in the lead role. The combination of Damon’s restrained performance and Greengrass’ frenetic camerawork is a match made in heaven, and while Jason Bourne was an extremely disappointing follow-up, Ultimatum wraps this story up in an extremely satisfying manner.

Pirates of the Caribbean: Dead Man's Chest

Directed by: Gore Verbinski

Written by: Ted Elliott and Terry Rossio

Cast: Keira Knightley, Orlando Bloom, Johnny Depp, Bill Nighy, Naomie Harris, Jack Davenport, Stellan Skarsgard, and Tom Hollander

While nothing can match the pure euphoria of Gore Verbinski’s first Pirates of the Caribbean movie, his two sequels—which he shot back-to-back—get a bad wrap. At World’s End is a bit bloated, but Dead Man’s Chest is a huge, weird blast. Verbinski doubles down on his ambition and takes this franchise to strange places, but it mostly works. The visual effects are incredible, especially as they relate to Bill Nighy’s Davy Jones, and visually this movie is just stunning to look at. If you remember disliking it, give it another shot without the impossible expectations set by the first movie. – Adam Chitwood

The Meyerowitz Stories (New and Selected)

Director/Writer: Noah Baumbach

Cast: Ben Stiller, Adam Sandler, Dustin Hoffman, Elizabeth Marvel, and Emma Thompson

The Meyerowitz Stories (New and Selected) isn’t Noah Baumbach’s first story about a dysfunctional family, but it’s his best one yet. The story follows the Meyerowitz family, specifically sons Danny (Adam Sandler) and Matthew (Ben Stiller) and their strained relationship with their egotistical father Harold (Dustin Hoffman), a retired art professor whose work as a sculptor never brought him the acclaim or recognition he felt he deserved.

The film is at turns deeply funny and incredibly heartbreaking as we see how Harold has emotionally damaged his sons in different ways. With Danny, he’s always harping on how great Matthew is while never acknowledging how much Danny does as a son and as a father, and with Matthew, he’s always distracted or demanding credit for making more of a commitment than he did with Danny. It’s insightful, smart, and features outstanding performances from the entire cast, especially Sandler and Stiller, who turn in some of their best work while never leaving behind their comic gifts. Credit is also due to Hoffman who, at 80 years old, is still delivering magnificent performances that make you laugh and seethe in equal measure. – Matt Goldberg

13th

Director: Ava DuVernay

Writers: Spencer Averick and Ava DuVernay

Ava DuVernay follows up her acclaimed film Selma with a searing documentary that looks at the mass incarceration of minorities following the passage of the 13th amendment. As the documentary points out, it’s not just ingrained cultural racism that results in the widespread incarceration of African-Americans and other minorities.  There’s a financial incentive as well, and it’s good business to lock people up.  13th systematically goes through the decades following the passage of the 13th amendment to show how black people were targeted by the media, by the government, and by businesses to create a new form of slavery.  It is a movie that will infuriate you, depress you, and hopefully spur you to action against a system that done egregious harm to our fellow citizens.  – Matt Goldberg

Hellboy II: The Golden Army

Image via Universal Pictures

Directed/Written by: Guillermo del Toro

Cast: Ron Perlma, Selma Blair, Doug Jones, Jeffrey Tambor, John Hurt, Luke Goss, Anna Walton

While Guillermo del Toro’s first crack at Hellboy is a fun enough twist on the superhero genre, Hellboy II is where the Oscar-winning filmmaker really lets his freak flag fly. This is pure, unfiltered fantasy by way of del Toro, with the director’s signature mix of the beautiful with the grotesque on full display. Hellboy II is a far more cohesive film than its predecessor, and its scope expands into gorgeous and strange fantasy realms with a core story that plays out like a classic fairy tale. This movie is worth watching for the production design alone, and you don’t even have to have seen the first film to understand what’s going on. It’s just a shame we never got to see del Toro’s conclusion to this trilogy come to fruition. – Adam Chitwood

Mudbound

Directed by: Dee Rees

Written by: Virgil Williams and Dee Rees

Starring: Carey Mulligan, Mary J. Blige, Garrett Hedlund, Jason Mitchell, Rob Morgan, Jason Clarke, and Jonathan Banks

One of the best films of 2017, Dee Rees’ southern epic is a sprawling, rapturous piece that looks at the lives of two families, one black and one white, in the 1940s. Although a lesser film would have only looked at one of these families or only one perspective, Mudbound brilliantly examines the hardscrabble life of a white family who owns the land, the black family who must work the land, and the conflicts and kinships that arise from its various members. Aside from the masterful craftsmanship and outstanding performances, Mudbound is a brilliant meditation on race and power that transcends its time and place. While the rural Mississippi setting gives the film its flavor, the inequality and power dynamic feels painfully relevant without ever coming off as preachy or obvious. It’s an absolutely masterpiece, and while it may not be a Netflix film that’s perfect for relaxing, it’s one you’ll be grateful you experienced. – Matt Goldberg

Jackie Brown

Image via Miramax

Director/Writer: Quentin Tarantino

Cast: Pam Grier, Robert Forster, Samuel L. Jackson, Michael Keaton, Robert De Niro, Bridget Fonda, and Chris Tucker

Jackie Brown is the closest Quentin Tarantino has ever come to making a straight “Oscar movie,” and even then it’s very specifically a Tarantino film. Adapting Elmore Leonard’s novel Rum Punch was a surprising choice for Tarantino’s Pulp Fiction follow-up, but Jackie Brown is one of the most character-rich films QT has ever made. Pam Grier stars as a flight attendant who gets wrapped up in a money smuggling scheme, tangling with gangsters, the ATF, and the FBI alike. But at heart, Jackie Brown is a love story between Grier and Robert Forster, and the film shows a refreshingly softer side to Tarantino. There’s violence to be sure, but Jackie Brown remains one of Tarantino’s best—and slightly underrated—films. – Adam Chitwood

Y Tu Mamá También

Director: Alfonso Cuarón

Writers: Alfonso Cuarón and Carlos Cuarón

Cast: Maribel Verdú, Gael García Bernal, and Diego Luna

Before he made Harry Potter and the Prisoner of Azkaban or Children of Men or Gravity, filmmaker Alfonso Cuarón directed the erotic masterpiece Y Tu Mamá También. The Spanish-language coming-of-age drama follows two teenage best friends who go on a road trip with a woman in her late twenties, only to discover much more about each other and themselves. It seems like a trite premise, but the film is lovingly crafted and gorgeously shot by Oscar-winning cinematographer Emmanuel Lubezki. Cuarón captures teenage ennui brilliantly, and while this is a “coming-of-age” story, the focus isn’t entirely on the young boys—Maribel Verdú’s chararacter is fully realized as Cuarón explores the anxieties and fears of adulthood, all set against the backdrop of a sunny, sex-filled roadtrip. This is undoubtedly one of the best films of the 21st century so far. – Adam Chitwood

Kubo and the Two Strings

Director: Travis Knight

Writers: Marc Haimes and Chris Butler

Cast: Art Parkinson, Charlize Theron, Ralph Fiennes, Rooney Mara, George Takei, and Matthew McConaughey

The folks at LAIKA Studios have been crafting gorgeous and wholly unique stop-motion animated films for years, but Kubo and the Two Strings might be their most visually stunning yet. The film is a fable of sorts revolving around a young boy named Kubo who must set out on a quest with Monkey (Charlize Theron) and Beetle (Matthew McConaughey) to defeat his mother’s corrupted sisters and his power-hungry grandfather. The film at heart is a story about loss and legacy, and the LAIKA team does a tremendous job of keeping the story emotionally grounded as the visuals astound. This is an animated film that doesn’t talk down to its audience, and doesn’t rest on easy fart jokes or sight gags to keep kids’ attention. It’s all about story, and it’s wildly compelling. – Adam Chitwood

Boogie Nights

Director/Writer: Paul Thomas Anderson

Cast: Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, William H. Macy, Heather Graham, Philip Seymour Hoffman, Luis Guzman, Philip Baker Hall, Thomas Jane, Alfred Molina, and Ricky Jay

Writer/director Paul Thomas Anderson is certainly one of the most ambitious filmmakers working today, but his 1997 magnum opus Boogie Nights remains not only one of his best movies, but a groundbreaking piece of work full-stop. Anderson chronicles the rise and fall of an energetic young man in the 1970s with a massive…talent. Casting Mark Wahlberg as Dirk Diggler was a stroke of genius, and the way Anderson fashions the burgeoning porn industry into a dysfunctional family drama is downright masterful. And that cast, man alive. Each and every ensemble member shines—when you have a film where Philip Seymour Hoffman isn’t the scene-stealer, you know you’ve got something special. Boogie Nights remains as entertaining, heartbreaking, and enthralling as ever almost two decades after its release. – Adam Chitwood

Justin Timberlake + the Tennessee Kids

Director: Jonathan Demme

One might think a concert documentary on Netflix couldn’t be that exciting, and one would be wrong. Justin Timberlake + the Tennessee Kids is an absolute blast from start to finish, as filmmaker Jonathan Demme captures the final two performances of Justin Timberlake‘s 20/20 Experience tour. It’s abundantly clear that Timberlake is a consummate entertainer—Demme’s camera marvels at the performer’s showmanship, and the effect is downright alluring. He also takes time to really showcase the musicians and dancers performing alongside Timberlake, which brings an air of family to the proceedings. Really it’s just an all-around great time. Throw it on during a party or small get-together, or just sit down watch Timberlake do his thing. – Adam Chitwood

Walk Hard: The Dewey Cox Story

Director: Jake Kasdan

Writers: Judd Apatow and Jake Kasdan

Cast: John C. Reilly, Jenna Fischer, Kristen Wiig, Tim Meadows, Chris Parnell, Jonah Hill, Craig Robinson, Raymond J. Barry, Janey Lynch, David Krumholtz

There was a time when Hollywood was obsessed with cradle-to-grave biopics—films about famous people that covered their entire lives from childhood to death. And during this time, filmmaker Jake Kasdan teamed up with Judd Apatow and John C. Reilly to take aim at this genre trope, making one of the best comedies of the 21st century in the process. Walk Hard tracks the story of Dewey Cox, a world famous country singer whose life mirrors that of Johnny Cash’s, while taking quite a few detours into other famous musicians’ territory (from The Beatles to The Beach Boys). The film is clearly riffing on movies like Walk the Line and Ray, but it’s compelling in its own right and features catchy original songs to boot. Oh, and it’s absolutely hilarious. – Adam Chitwood

The Place Beyond the Pines

Director: Derek Cianfrance

Writers: Derek Cianfrance, Ben Coccio, and Darius Marder

Cast: Ryan Gosling, Bradley Cooper, Eva Mendes, Ben Mendelsohn, Ray Liotta, Emory Cohen, and Dane Dehaan

For his follow-up film, Blue Valentine filmmaker Derek Cianfrance went with a highly ambitious crime saga told in three parts. The Place Beyond the Pines has a triptych structure, beginning with a chapter in which Ryan Gosling plays a bank robber with a baby son, continuing with a chapter following a cop played by Bradley Cooper, and concluding with a chapter revolving around the sons of these two men. The result is something epic, thrilling, and highly emotional, with a narrative unlike any you’ve seen before. – Adam Chitwood

Shrek

Image via DreamWorks Animation

Directed by: Andrew Adamson and Vicky Jenson

Written by: Ted Elliott, Terry Rossio, Joe Stillman, and Roger S.H. Schulman

Cast: Mike Myers, Cameron Diaz, Eddie Murphy, John Lithgow

It’s easy to forget just how big of a deal Shrek was when it hit theaters in 2001, but it was a very big deal. DreamWorks Animation challenged Pixar in the realm of CG animation with a more edgy, slightly more adult-oriented animated film—one in which parents would be laughing at jokes that went over their childrens’ heads. But at its core, Shrek works beautifully as a story of an outsider looking for acceptance, and of love coming from unexpected places. It’s also just a really pretty and fun fairy tale in its own right, and while technology has advanced considerably in the two decades since its release, Shrek still holds up all these years later. – Adam Chitwood

Schindler's List

Image via Universal Pictures

Director: Steven Spielberg

Writer: Steven Zaillian

Cast: Liam Neeson, Ben Kingsley, Jopseh Fiennes, Caroline Goodall, Jonathan Sagall, Embeth Davidz

When Steven Spielberg made Schindler’s List, there was skepticism aplenty. This was still the filmmaker behind Jaws, E.T., and Raiders of the Lost Ark, and his last couple stabs at drama—Always and The Color Purple—received mixed responses. But Schindler’s List marked a turning point in Spielberg’s career, as the filmmaker’s chronicle of the Holocaust—specifically the efforts of a war profiteer named Oskar Schindler to save Jews from the gas chambers—turned out to be a stunningly realized, haunting, and unforgettable piece of cinema. Presented in black and white and trading in static camera moves for a handheld approach that makes the horror all the more real, Schindler’s List is a testament to those that lost their lives in one of the most horrendous acts humanity has ever inflicted, and there’s a reason it won numerous Oscars including Best Picture and Director. – Adam Chitwood

Magic Mike

Director: Steven Soderbergh

Writer: Reid Carolin

Cast: Channing Tatum, Alex Pettyfer, Cody Horn, Matt Bomer, Olivia Munn, Joe Manganiello, and Matthew McConaughey

While the prospect of a male stripper movie based on the real life story of Channing Tatum sounds like a recipe for disaster, in the hands of a master filmmaker like Steven Soderbergh, it’s a work of art. Magic Mike is immensely entertaining offering up some truly dazzling set pieces, but it’s also incredibly funny and genuinely poignant. While Soderbergh certainly has an eye on giving folks a good time, at heart Magic Mike is a film about chasing the American Dream. It’s surprisingly dark in places, and Tatum is actually pretty terrific in the lead role here, offering up some of the complexity that has made him a truly talented actor. And, of course, there’s Matthew McConaughey in the first puzzle piece of his McConaissance, giving an Oscar-worthy turn as the charismatic Dallas, owner of the film’s central male strip club. Don’t let the subject matter fool you: Magic Mike is a true film for cinephiles. – Adam Chitwood

Guardians of the Galaxy Vol. 2

Written and Directed by: James Gunn

Cast: Chris Pratt, Zoe Saldana, Kurt Russell, Dave Bautista, Michael Rooker, Elizabeth Debicki, Pom Klementieff, Bradley Cooper, and Vin Diesel

While Guardians of the Galaxy, Vol. 2 may not have the element of surprise that benefitted James Gunn’s first Marvel film, the success of that movie certainly afforded Gunn the right to essentially make a hangout movie for the sequel. Not a lot happens in Guardians of the Galaxy Vol. 2, and that’s OK. Gunn digs deep into the characters, spending more time diving into their psyches, hangups, and interpersonal dynamics than chasing down a faceless villain. There’s a twist involving Kurt Russell’s character that ratchets things up a bit, but at heart, this is just a great film to put on and chill out with. – Adam Chitwood

Adventureland

Director/Writer: Greg Mottola

Cast: Jesse Eisenberg, Kristen Stewart, Ryan Reynolds, Martin Starr, Bill Hader, and Kristen Wiig

Coming of age stories are a dime a dozen, but Superbad filmmaker’s Adventureland is a shot straight from the heart. The film tells the story of a precocious young man who has to work at the local amusement park for the summer to pay for damage done to his parents’ car. While wasting away at a job he sees as beneath him, he learns life lessons and falls in love. That sounds trite, but Mottola infuses the film with an earnestness that is irresistible, and Jesse Eisenberg pulls off a terrific performance that is equal parts hilarious and heartbreaking. The entire ensemble is swell, especially Kristen Stewart and Ryan Reynolds, and Mottola toes the fine line between comedy and drama expertly. – Adam Chitwood

Hercules

Directed by: John Musker, Ron Clements

Written by: John Musker, Ron Clements, Donald McEnery, Bob Shaw, Irene Mecchi

Cast: Tate Donovan, Susan Egan, Danny DeVito, James Woods, Rip Torn, Frank Welker, Bobcat Goldthwait, Amanda Plummer, Paul Shaffer, Wayne Knight, Keith David, and Hal Holbrook

Hercules came at an interesting time for Walt Disney Animation Studios, which was still trying to recapture the same zeitgeist-commanding fame of films like The Lion King and Beauty and the Beast. And while Hercules isn’t a home run like those early 90s Disney films, it’s a pretty delightful double. The animated retelling of the Hercules story is incredibly funny and colorful as we follow the young Hercules trying to find his place in the world, knowing he was meant for something greater. It’s almost something of a Superman remake, but with gods instead of superheroes. The songs are fantastic, and Megara is a refreshingly independent female lead. Who puts the glad in gladiator? – Adam Chitwood

Long Shot

Director: Jacob LaMendola

The less you know about Jacob LaMendola’s 40-minute documentary Long Shot the better because its twists and turns are absolutely shocking even if its larger point should be burned into viewers memories by now. Overall, the documentary focuses on Juan Catalan, who was accused of a murder he didn’t commit and the lengths he had to go to in order to prove his innocence. While our justice system likes to tout that the accused are “innocent until proven guilty,” Long Shot shows in its brief runtime that the truth is just the opposite. Despite the flimsy evidence against Catalan, he had to be extraordinarily lucky to prove his innocence and that we have a system that incentivizes detectives and prosecutors simply to close cases rather than find justice. The brilliant thing about Long Shot is that it never has to come right out and say it. The case speaks volumes on its own. – Matt Goldberg

Clouds of Sils Maria

Writer/Director: Olivier Assayas

Cast: Juliette Binoche, Kristen Stewart, Chloe Grace Moretz, Lars Eidinger, Johnny Flynn, Brady Corbet

Olivier Assayas (Carlos, Irma Vep) might be slyly gleeful if you call his Clouds of Sils Maria “pretentious.” Like a cloud, Maria lays a thick haze over what we talk about when we talk about movies vs. film. This film stars Juliette Binoche as a respected actress who, now in her 40s, is receiving less juicy roles and has been asked to play the older part in the very adaptation that made her famous (an 18 year-old intern seduces her 40-something female boss; Binoche’s Maria Enders came to fame playing the intern, she’s about to embark on the older character). Her assistant, played by Kristen Stewart, runs lines with her and they argue about whether or not the older woman is layered and redeemable or pitiful and pathetic.

The dialogue from the play is haughty, stiff and dead on arrival. Off the clock, the dialogue in which these two characters relate to each other as women—and mentor to mentee—is invigorating, instinctive, energetic. It’s an absolute joy to watch Binoche and Stewart act against each other, free of the play and what we consider high art. It’s natural. Whenever they’re sucked into creative work and discussions of what each other values from creative enterprises (Stewart’s assistant sees the melodramatic parallels in Hollywood superhero films), that their natural state of personhood gives way to tension. This very film vs. movie discussion creates a tension that erases the fun of movies by putting friction between the two, between art and perceived lesser art. Assayas’ Maria, perhaps pretentiously, says all movies have artistic value. Great! That this statement comes from the innate chemistry between Binoche and Stewart, lifts Clouds into some beautiful terrain. — Brian Formo

Carol

Image via The Weinstein Company

Director: Todd Haynes

Writer: Phyllis Nagy

Cast: Cate Blanchett, Rooney Mara, Sarah Paulson, Jake Lacy, and Kyle Chandler

Carol is a sumptuous, sensual love story told with elegance and grace. Based on the book The Price of Salt by Patricia Highsmith, the film takes place in 1952 Manhattan, where an aspiring photographer (Rooney Mara) crosses paths with a glamorous married woman (Cate Blanchett), the titular Carol. The film explores homosexuality in the mid-20th century, as Carol has a couple decades more experience as a closeted lesbian than this young woman. The two strike up a relationship that is fraught with fear, lust, and true love, and director Todd Haynes captures it all in a way that never feels exploitative. Cinematographer Ed Lachman shoots the film to look like an old photograph or a half-forgotten memory, and before you know it you’ve been swept off your feet. – Adam Chitwood

Inglourious Basterds

Director/Writer: Quentin Tarantino

Cast: Brad Pitt, Christoph Waltz, Melanie Laurent, Diane Kruger, Michael Fassbender, B.J. Novak, Daniel Bruhl, Eli Roth

There are no bad Quentin Tarantino movies, only levels of “good” to “great”. This pick falls into the latter category, as Inglourious Basterds boasts some of the best filmmaking of Tarantino’s career. The World War II-set story revises history and revolves around a special service force of soldiers dropped behind enemy lines who are there to do one thing and one thing only: kill Nazis. Tarantino threads multiple storylines here masterfully, separated into his signature chapters, but it’s Christoph Waltz who steals the show as Hans Landa in a star-making (and Oscar-winning) turn. Packed with tense dialogue, hilarious performances, and a very on-brand finale that takes place in a movie theater, Inglourious Basterds is a fun-filled work of art.

Mulan

Directed by: Barry Cook and Tony Bancroft

Written by: Rita Hsiao, Philip LaZebnik, Chris Sanders, Eugenia Bostwick-Singer, and Raymond Singer

Cast: Ming-Na Wen, Eddie Murphy, DB Wong, Miguel Ferrer, Harvey Fierstein

Inarguably the most feminist film of Disney’s Second Golden Age, 1998’s Mulan is also one that holds up considerably well. The story of a woman posing as a man in order to fight in her father’s place is compelling from the get-go, but directors Barry Cook and Tony Bancroft also absolutely nail the dynamic Ancient China aesthetic, bringing a rush of red and chilling landscapes to the big screen in fascinating fashion. Mulan is a story about honor and family, but also about learning to see beyond one’s limited perspective. All the men in China have been told that women are not fit to fight or stand in a man’s place, but Mulan as Ping shows that when a man doesn’t know it’s a woman he’s fighting alongside, it makes no difference. So while Mulan certainly deals with ancient traditions, it’s also a highly relatable and relevant film in terms of theme and character. – Adam Chitwood

The Homesman

Director: Tommy Lee Jones

Writers: Tommy Lee Jones, Kieran Fitzgerald, and Wesley A. Oliver

Cast: Hilary Swank, Tommy Lee Jones, Grace Gummer, Miranda Otto, Sonja Richter, William Fichtner, John Lithgow, Tim Blake Nelson, James Spader, Hailee Steinfeld, and Meryl Streep

If you like Westerns, The Homesman is a must-see. This underrated gem from 2014 flew under the radar and got lost a bit in the awards shuffle during its fall release, but it really is an essential entry in the genre. Swank plays a pious, independent-minded woman who volunteers to transport three women who have been driven mad by pioneer life across the country. She’s accompanied in her journey by a low-life drifter, played by Jones, whom she enlists to assist. Somewhat reductively dubbed a “feminist Western”, the film does indeed have a female-centric bent, but it’s really just a subversive Western on the whole, chronicling the hardships of pioneer life with a hardened, striking point of view. The cast is phenomenal, the story is surprising, and the cinematography and score (by Rodrigo Prieto and Marco Beltrami, respectively) are on point. If you missed The Homesman once, don’t miss it again. – Adam Chitwood

It Follows

Director/Writer: David Robert Mitchell

Cast: Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, and Lili Sepe

It Follows is not only one of the best horror movies of the last few years, it’s also one of the most handsomely crafted indies in recent memory. Filmmaker David Robert Mitchell conjures the story of an unseen force that “follows”, unflinchingly, until it catches up with its target. It can only be passed on through sex, one person giving it to another, and after a fateful one night stand Maika Monroe’s character Jay finds herself in its path. Mike Gioulakis’ cinematography favors elegantly composed wide angles to unsettling effect, and Disasterpiece turns out an 80s-infused score that evokes nostalgia for that horror-filled decade while standing on its own as a uniquely creepy piece of movie music. Terrifying, gorgeous, and striking, It Follows is damn fine entertainment for any occasion. – Adam Chitwood

Pete's Dragon

Director: David Lowery

Writers: David Lowery and Toby Halbrooks

Cast: Oakes Fegley, Bryce Dallas Howard, Oona Laurence, Robert Redford, Karl Urban, and Wes Bentley

Disney has been knocking it out of the park with its live-action adaptations of classic movies recently, and Pete’s Dragon is no different. While it may not be as flashy as The Jungle Book or Beauty and the Beast, what makes Pete’s Dragon stand out is compassion. Director David Lowery lovingly crafts this tale of a boy raised by a dragon in the Pacific Northwest who soon becomes the target of the local authorities. There’s a strong E.T. vibe here as the movie has a big heart, and Lowery really nails the sense of awe and wonder that coming face to face with a giant furry dragon would inspire. The soundtrack is great, the performances are great—basically, Pete’s Dragon is great, and it’s very much worth checking out. – Adam Chitwood

Spotlight

Director: Tom McCarthy

Writers: Josh Singer & Tom McCarthy

Cast: Michael Keaton, Rachel McAdams, Mark Ruffalo, Brian d’Arcy James, Liev Schreiber, Stanley Tucci, Billy Crudup, and John Slattery

Winner of the Best Picture Oscar for 2015, Spotlight is a tremendous achievement and a magnificent example of the tightrope walk many filmmakers must do when tackling touchy or controversial subject matter. In chronicling the Boston Globe’s investigation into systemic sexual abuse in the Catholic church, Spotlight never relishes in putting down the church itself, nor does it shy away from the horrible crimes perpetrated (and facilitated) by those in power. It’s an incredibly engaging and compelling story of good people trying to do a good thing, and all the challenges that come with standing up to a massive superpower. Moreover, the ensemble in this thing is one of the best in recent memory. Whether you’re a Best Picture completionist or not, Spotlight is well worth your time. – Adam Chitwood

Newtown

Director: Kim A. Snyder

The documentary Newtown is not an easy film to watch, nor should it be, but it is absolutely essential. The film is a tactful, powerful look at how the community of Newtown, Connecticut came together in the aftermath of the largest mass shooting of schoolchildren in American history. It is a deeply personal film, focusing on the parents, brothers, and sisters who were affected by this act of terrorism, and how it has impacted not just them but the community as a whole. The film forces the viewer to confront the consequences of gun violence in an unflinching, almost overwhelmingly emotional manner. It is not preachy and it has no agenda other than showing human truth. If I had my personal druthers, this film would be required viewing for every single American citizen. – Adam Chitwood

Girlhood

Director/Writer: Celine Sciamma

CastKaridja Touré, Assa Sylla, Lindsay Karamoah

Director Celine Sciamma’s (Tomboy) greatest strength is capturing teenagers’ natural language, both physical and verbal. Following a clique of teen girls in Paris she magnificently navigates the moments of individuality and group closeness. Each girl has their own idea of self and desire, and each girl hides things from the group, but the boisterous moments when they shed their individuality and band together to sing Rihanna, run through the streets—moments of impulse—are expertly realized by Sciamma in this aching, natural coming of age tale called Girlhood. – Brian Formo

Burn After Reading

Directors/Writers: Joel Coen & Ethan Coen

Cast: George Clooney, Frances McDormand, Richard Jenkins, Brad Pitt, John Malkovich, Tilda Swinton, and J.K. Simmons

How did the Coen Brothers cash in on their clout from winning Best Director and Best Picture with No Country for Old Men? With an absurdist comedy that adds up to a punchline, of course. Burn After Reading is a hilarious romp of sorts played very, very straight, as the Coens pack this espionage story to the brim with idiots, but shoot, edit, and score it as if it’s a Michael Clayton-esque thriller. It’s a brilliant subversion of expectations, and while some certainly felt slighted by the ending, the way the story abruptly deflates is precisely the point. This is a movie that gets better and better with each watch, and though it may feel slight in the shadow of something as rich and complex as No Country, the range it displays from the Coen Brothers only solidifies them as two of America’s greatest directors of all time. – Adam Chitwood

Boyhood

Director/Writer: Richard Linklater

Cast: Ellar Coltrane, Patricia Arquette, Ethan Hawke, and Lorelai Linklater

Boyhood is a masterpiece, not just because it’s a groundbreaking piece of cinema, but because it so fully and completely captures the experience of growing up. It’s a film entirely made out of scenes that would be cut out of most family dramas. But it’s those little pieces—the conversations about nothing, the screwing around with friends—that we remember the most. Shot over 12 years with the same cast, we watch as Mason grows into the kind of man he’s going to be. It happens in fits and spurts, and not every phase sticks as Mason tries out different personalities, but it’s a wonder to behold. We also see how aging affects parents, as Arquette turns in a phenomenal Oscar-winning performance as Mason’s single mom. This is a long one, so buckle in, but it’s a film that demands to be seen. – Adam Chitwood

Tangerine

Director: Sean Baker

Writers: Sean Baker, Chris Bergoch

Cast: Kitana Kiki Rodriguez, Mya Taylor, Karren Karagulian, Mickey O’Hagan, and James Ransone

If you’re in the mood for a comedy of a different sort, or maybe just something energetic and colorful, Tangerine is a must-watch. Shot entirely on an iPhone to tremendous results, the film follows a day in the life of two transgender prostitutes on the streets of Los Angeles, as fresh-from-jail Sin-Dee Rella (Kitana Kiki Rodriguez) goes on the hunt to find the woman her boyfriend (James Ransone) has been shacking up with in her absence, all the while her quiet, aspirational friend and co-worker Alexandra (Mya Taylor) tries her best to put out the fires. It’s a hilarious, heartfelt, and surprisingly emotional little film that’s a breath of fresh air from the cliché-ridden comedies that Hollywood tends to churn out year after year. – Adam Chitwood

Blue Is the Warmest Color

Director: Abdellatif Kechiche

Writers: Abdellatif Kechiche and Ghalia Lacroix

Cast: Léa Seydoux and Adèle Exarchopoulos

While Blue Is the Warmest Color got plenty of press for its explicit sex scenes and the subsequent rift between its stars and director, the film remains an epically intimate portrait of love that is among the most engrossing and effective romances of all time. The movie tracks the life of a young woman named Adele (Adèle Exarchopoulos), who falls in love with another girl (Léa Seydoux) while in high school and develops a complex and deeply emotional relationship. This is a deeply felt love drama that, while long, feels wholly complete and personal. Exarchopoulos turns in a brilliant lead performance that deserved much more recognition upon release, and the cinematography is hauntingly beautiful. If you’re in the mood for a love story that feels real, human, and epic, go for Blue Is the Warmest Color – Adam Chitwood

Hot Fuzz

Director: Edgar Wright

Writers: Simon Pegg and Edgar Wright

Cast: Simon Pegg, Nick Frost, Jim Broadbent, Timothy Dalton, Paddy Considine, Olivia Colman, Rafe Spall

Filmmaker Edgar Wright certainly turned heads with his work on the beloved UK series Spaced and then broke out in a big way with the “zomromcom” Shaun of the Dead, but how to follow up that success? With a whip-smart twist on the action genre, of course. With Hot Fuzz, Wright captures the world of everyday police work with the same urgency and explosiveness as Michael Bay shoots his big chase sequences, resulting in a hilarious action film all its own that never delves into parody. Simon Pegg and Nick Frost are excellent as the two lead policemen, but the entire ensemble truly shines as the film moves towards a delightful turn at the top of the third act. Kick back, relax, and enjoy the fun. – Adam Chitwood

Cartel Land

Director: Matthew Heineman

While you should already want to watch Cartel Land simply because it’s nominated for a Best Documentary Feature Oscar this year, the movie is incredibly compelling regardless. The film chronicles the battle against Mexican drug cartels by two vigilante groups on opposite sides of the border: the Arizona Border Recon in the U.S., and a rebel uprising group in the Mexican state of Michoacán. What begins as a seemingly simple story of two groups ultimately fighting for the same thing slowly turns into a deeply unsettling look at the corruption that permeates throughout Mexico, and how the process of rebellion breeds its own kind of corruption and power struggles. The film features some of the most harrowing and intense scenes I’ve ever seen on film, with the electricity and plot twists of a fictional drug war thriller made all the more disturbing for the fact that this is real life. Fascinating, searing, dark, and deeply unsettling, Cartel Land is essential viewing. – Adam Chitwood

Beasts of No Nation

Director/Writer: Cary Joji Fukunaga

Cast: Abraham Attah, Idris Elba, Kurt Egyiawan, Jude Akuwudike, Emmanuel “King Kong” Nii, and Adom Quaye

Netflix’s first major foray into original film territory was an ambitious awards play, as the streaming service acquired writer/director Cary Joji Fukunaga’s passion project Beasts of No Nation after the film had been completed. The drama chronicles the journey of a young boy in an unnamed West African country who becomes a child soldier, and while the subject matter should tell you that this isn’t necessarily a “cheery” watch, it’s a tremendous and incredibly powerful piece of filmmaking. Young Abraham Attah is phenomenal as the young Agu, while Idris Elba delivers a terrifying performance as the charismatic leader Commandant. Fukunaga serves as his own cinematographer to hauntingly beautiful results, and the film culminates in a tough and thought-provoking conclusion. It’s one of the best films of 2015 that went criminally underseen, but it’s a terrific film that deserves to be experienced. – Adam Chitwood

Jiro Dreams of Sushi

Director: David Gelb

Even if you don’t like sushi, you’ll be salivating over the documentary Jiro Dreams of Sushi, which not only lovingly photographs Jiro Ono’s $500/plate delicacies, but also goes deep into his work ethic and passion. Gelb’s exploration of one man’s pursuit of total perfection, and the personal cost of that pursuit, is utterly captivating regardless of your food cravings. Gelb could have made a documentary about any person who is at the top of their field, but focusing on Jiro Ono opens up the door to not only a feast for the senses (you can almost taste the sashimi), but also a fascinating look at Japanese culture, especially with regards to Jiro’s complicated relationship with his two sons. It’s a filling documentary even if it leaves you physically hungry for such delicious-looking food. – Matt Goldberg

The Overnight

Director/Writer: Patrick Brice

Cast: Adam Scott, Taylor Schilling, Jason Schwartzman, and Judith Godrèche

If you’re in the mood for a raunchy comedy that really goes there, then The Overnight might be right up your alley. The film stars Adam Scott and Orange Is the New Black star Taylor Schilling as a somewhat conservative couple who, while at the park with their son, meet a nice and somewhat mysterious parent named Kurt (Jason Schwartzman), who invites them and their son over to his family’s house for a playdate. All is going somewhat normal until the kids are put to bed, at which point Kurt and his wife Charlotte (Judith Godrèche) pull Scott and Schilling’s characters out of their shells, taking them to sexually adventurous places with plenty of humor to boot. For anyone who’s been itching to see Scott and Schwartzman don some hilariously exaggerated prosthetic genitals, The Overnight is for you. – Adam Chitwood

Byzantium

Director: Neil Jordan

Writer: Moira Buffini

Cast: Gemma Arterton, Saoirse Ronan, Sam Riley

Netflix is a great place to enjoy a film that might’ve flown under your radar and isn’t perfect but has a number of amazing moments. That sentence describes Neil Jordan‘s visually arresting but chillily distant return to the vampire genre (Interview with the Vampire), Byzantium. Told from the viewpoint of a forever young vampire (Saoirse Ronan)—who only preys on those already at death’s door—she writes about her vampire mother (Gemma Arterton) as half tragic, half inspiring, because she’s a woman who’s never been able to evolve beyond the world’s oldest profession (selling her body), but who also chose to become a vampiric being when that was reserved solely for men. Jordan’s film is eerie, feminist, and a bit meandering. What Jordan excels at with Byzantium is elaborately displaying blood—from decapitations, waterfalls, and bandages—with a can’t-look-away voyeurism POV. Blood has never looked so enticing—nor has the vampire’s desire to feast and bathe in it—than in this film. – Brian Formo

Tucker and Dale vs. Evil

Director: Eli Craig

Writer: Eli Craig and Morgan Jurgenson

A comedic spin on the “party-going youths meet backwoods sociopaths” subgenre of horror, a la Texas Chainsaw MassacreTucker and Dale vs. Evil is a straight up comedy of errors in horror movie clothing. The film follows the titular Tucker (Alan Tudyk) and Dale (Tyler Labine), two country bumpkins best friends renovating their dilapidated remote vacation home where they encounter a group of preppy, wildly biased college kids. When Dale’s attempt at friendly conversation is perceived as a threat, it sets off a series of ever-escalating confrontations that are only as hilarious as they are deadly. As far as I’m concerned, every Alan Tudyk performance is a gift, but it’s Tyler Labine’s soft-hearted Dale who steals the show as he tries to comprehend the fresh hell he somehow wandered into. Thanks to their on-point performances and some gore gags that are equal parts gruesome and guffaw-inducing, Tucker and Dale vs. Evil is one of the most delightful horror comedies in recent memory.  – Haleigh Foutch

The Wolfpack

Director: Crystal Moselle

This utterly fascinating documentary first made waves at the 2015 Sundance Film Festival, and it’s certainly one of the most engrossing movies of the year. The film the lives of six brothers who grew up entirely within the confines of a New York City apartment, with movies serving as their only connection to the outside world. As the brothers grew restless in what was essentially a prison (with their father as the warden), they began finding a means of escape by not only watching films over and over again, but literally transcribing the screenplays and then acting out their own versions with costumes and all. The Wolfpack goes inside their NYC apartment as Moselle follows the brothers and their family, delving deeper into their passion for all things film. While the movie falls short when digging into the larger psychological issues at hand when it comes to the boys’ father, it does serve as an interesting (and, admittedly, entertaining) case study of sorts about how a human being is shaped when films are presented as “reality”. Those who grew up obsessively poring over the world of filmmaking would do well to check this one out. – Adam Chitwood

The Thin Blue Line

Director: Errol Morris

Writer: Errol Morris

You just finished Making a Murderer and you need your true crime fix. Now what? Your best bet is Errol Morris’ seminal 1988 documentary. The story focuses on wrongfully accused drifter Randall Adams, who was railroaded onto death row by false testimony and an overzealous prosecutor. The Thin Blue Line gets its edge not only from interviews with the real killer, David Harris, but also from Morris’ brilliant use of dramatization, close-ups, editing, and truly mastering the documentary form into his now unmistakable style. Making a Murderer may send you looking for more true crime, but The Thin Blue Line will also have you hungry to find another Morris film (I recommend The Fog of War and Standard Operating Procedure). – Matt Goldberg

White God

Call it Planet of the Dogs, except it’s so much more than that. This stunner, out of Hungaria, splits its action between Lili (Zsofia Psotta), an adolescent starting to feel the first pangs of, er, maturity, and Hagen, her dog, who is kicked out of her home when she’s sent to live with her cold, vicious father. Hagen’s brutal journey from a street dog to a contender in dog fights to the leader of a canine uprising parallels Lili’s first steps into adulthood, flirting with an older boy, going to booze-fueled parties, and acting out in school, and director Kornel Mundruczo gives both storylines a feverish immediacy. The reflective nature of these narratives renders White God at once a unique, emotionally effective action film with an animal-rights bend and a ferocious, sardonic satire of how women are often treated when they become mature and stop listening to adults – particularly men – so often. — Chris Cabin

Looney Tunes: Back in Action

Image via Warner Bros.

Director: Joe Dante

Writer: Larry Doyle

Cast: Brendan Fraser, Jenna Elfman, and Steve Martin

What should have been the revitalization of the Looney Tunes brand instead became a nail in its coffin with Looney Tunes: Back in Action, which is a shame. While some people continue to revere Space Jam, Joe Dante’s 2003 comedy gets much closer to the core of Tex Avery and Chuck Jones’ original vision for their wacky characters. Brendan Fraser is perfectly cast as a stuntman who, with the help of Looney Tunes characters, must stop the evil chairman (Steve Martin) of the Acme Corporation from turning mankind into monkeys. It’s bizarre, madcap, and perfectly Looney Tunes. If you love Bugs, Daffy, and the gang, you owe it to yourself to check out this underrated movie. – Matt Goldberg

Need More Recommendations?

Be sure to keep checking back as we’ll be continuing to update our recommendations for the must-see titles currently playing on Netflix. Happy viewing!

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