The Best Sci-Fi Movies on Netflix Right Now

Last Updated: August 16th

Science-fiction is arguably the best genre in the entire cinematic arena. It’s an incredibly flexible and encompassing field that allows writers, filmmakers, and actors to show off their creativity without being hampered by the confines of other genres. All sci-fi films can have elements of action, drama, romance, adventure, and mystery (with the best ones having a mixture of sub-genres) without blurring the lines; the same cannot always be said the other way around. In essence, science-fiction is a genre that offers something for everyone.

With that in mind, we’ve gone through the available sci-fi films that are currently streaming on Netflix to provide you with a range of movies for a variety of tastes. If you’re looking for something family-friendly to watch with the kids, or something action-packed to share with friends, or something unusual that you’ve never even heard of before, we’ve got you covered. We’ll update this list on the regular, so be sure to check back in as we rotate through the sci-fi films streaming on Netflix now!

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Ex Machina

Director: Alex Garland

Writer: Alex Garland

Cast: Alicia Vikander, Oscar Isaac, Domhnall Gleeson, Sonoya Mizuno

Alex Garland‘s Ex Machina may have one an Oscar for its visual effects work–which is deservingly spectacular–but there’s a lot more going on beneath the surface in this new sci-fi classic. Destined to be revisited for years to come, Garland’s tightly focused tale centers on a contemporary love triangle between a curious programmer, a highly advanced and convincing A.I. creation, and her gifted but eccentric creator.

Like the best sci-fi stories, Ex Machina keeps you guessing until the very end as to just what’s going on. And once that end hits, and hit you it will, we’re left to wonder, ponder, and discuss what could possibly happen next. This movie is right up there with Her and Solaris when it comes to exploring the relationship between humans and highly advanced “Others”, be their artificially intelligent creations of our own minds and by our own hands, or wholly alien intelligences for which we have no precedent. Truly remarkable stuff on display here, so move it up on your watchlist if you haven’t already! - Dave Trumbore

Prodigy

Directors: Alex HaugheyBrian Vidal

Writers: Alex HaugheyBrian Vidal

Cast: Richard NeilSavannah LilesJolene Andersen, Emilio Palame

Prodigy is an interesting entry on this list because it’s “the little indie that could.” I had a chance to check it out earlier this year, and now, you get to do the same thanks to Netflix’s pick-up. (It’ll arrive on the streaming platform on August 22nd, but unfortunately there’s no wish-list link available just yet.) If you’re interested in exploring a subversive take on the current contemporary superhero trend, or are a fan of stories like X-MenFirestarter, or Stranger Things, you’ll want to add this one to the queue.

The premise of the feature directorial debut from co-writers/co-directors Haughey and Vidal is a familiar one: An unnaturally powerful young girl is held captive by government officials as scientists treat her as a research subject to discover the secret to her abilities. But they’ve yet to crack the highly intelligent, dangerous, and abrasively antagonistic child, so they bring in a psychologist who specializes in treating children. The way everything ultimately plays out may seem predetermined, but Prodigy will keep you guessing. And despite it’s indie appearance, its strong focus on character is a major part of its appeal. - Dave Trumbore

Star Wars: The Last Jedi

Directors: Rian Johnson

Writers: Rian Johnson

Cast: Daisy RidleyJohn BoyegaMark Hamill, Carrie Fisher, Adam Driver, Oscar Isaac, Domhnall Gleeson, Kelly Marie Tran, Laura Dern, Benicio Del Toro, Frank Oz, Gwendoline Christie, Anthony Daniels, Lupita Nyong’o

The debate over whether Star Wars is sci-fi or space fantasy will continue as long as there are Star Wars movies, and the only debate that might go on just as long is the one arguing the merits of Star Wars: The Last Jedi. So whatever side of the divide you land on, love it or hate it, The Last Jedi is now on Netflix for your streaming enjoyment. Revisit it and rekindle those conversations all over again!

Rian Johnson’s Star Wars: Episode VIII continues the chronicles of Luke Skywalker, though that storyline is just about at its end. Instead, newcomers Rey, Finn, Poe Dameron, and Rose Tico will carry the torch from Luke, Leia, and Han, just as Kylo Ren follows in the very evil footsteps of the likes of Darth Vader and Supreme Leader Snoke. This controversial installment feels like a shift in generations on more than just a narrative standpoint; it also features a strong Disney stamp as the franchise moves on from the characters and creations of George Lucas and into the future. There are plenty more Star Wars movies and TV shows in the years ahead, but Star Wars: The Last Jedi will long be remembered as a franchise turning point, for better or worse. What side are you on? - Dave Trumbore

Jurassic Park

Director: Steven Spielberg

Writers: Michael Crichton, David Koepp

Cast: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Samuel L. Jackson, Wayne Knight, Bob Peck, BD Wong, Martin Ferrero, Joseph Mazzello, Ariana Richards

Jurassic Park is one of the best science-fiction movies ever created, hands down. It’s a sci-fi film that actually centers the entirety of the plot and its conflict around scientific concepts and technology, something that’s ironically a rarity in most movies and TV shows in the genre. And while the fun of the film is the phenomenon of seeing massive prehistoric beasts walk the Earth once more, the lesson here is that our own technological achievements and advancements shouldn’t outpace the moral compass which guides whether or not we actually use them.

That’s an aspect of Jurassic Park that’s been lost in every other film in the franchise. The global box office hits in the newly revamped Jurassic World sub-franchise made a weak effort at revisiting this idea but ultimately ended up with big dumb movies that make us sorely feel the loss of author Michael Crichton. Luckily, the king of the Jurassic Park movies, the 1993 original, still reigns supreme, and it’s streaming on Netflix now! - Dave Trumbore

Moon

Image via Sony Pictures Classics

Director: Duncan Jones

Writers: Duncan Jones, Nathan Parker

Cast: Sam Rockwell, Kevin Spacey, Dominique McElligott, Kaya Scodelario, Benedict Wong

The following excerpt comes from The 37 Best R-Rated Sci-Fi Movies, Ranked list.

Duncan Jones‘ 2008 directorial debut Moon is an instant sci-fi classic. Physically contained but conceptually grand, the film follows Sam Rockwell as an astronaut working alone on the moon who stumbles onto a dreadful truth that calls his whole reality into question. That’s about as vague as plot summaries get, but to reveal any more is to ruin the countless surprises that lie ahead, as each new reveal redefines your concept of the film and its stakes. Jones has plenty to say about corporate ruthlessness in his tale of the lonely moon man, but if Moon‘s concepts are impressive, it’s the character drama that cements the film as an all-timer. Aside from some faces on the video screens and a lovable low-tech robot voiced by Kevin Spacey, Rockwell carries the entire film on his back with a remarkable performance. The film demands extreme nuance and screen presence from its star, and Rockwell delivers at every turn, keeping the audience on track with the twisty plot without ever having to spell it out for them. Moon is a fearlessly smart film that has faith you’ll keep up, and the rewards are only greater for it. –Haleigh Foutch

Cloud Atlas

Image via Warner Bros.

Directors: Lilly Wachowski, Lana Wachowski, Tom Tykwer

Writers: David Mitchell (Novel), Lilly Wachowski, Lana Wachowski, Tom Tykwer, Chris Lindsay

Cast: Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Keith David, Hugh Grant, Susan Sarandon, Xun Zhou, David Gyasi

If you’ve got three hours to spare, an open mind, and a love of multi-layered thoughtful sci-fi, Cloud Atlas is a nice way to pass the time. The Wachowskis rarely do anything halfway, so the fact that their sprawling adaptation of Mitchell’s equally sprawling tome covers six eras and the variety of colorful characters that live within them shouldn’t surprise you too awful much.

And honestly, Cloud Atlas is worth watching if only to see stars Hanks, Berry, and their supporting cast turn in multiple performances while drawing from the entire spectrum of the human experience. Even if you’ve seen it before, the epic cinematic exploration of personalities and possibilities offers up a lot to chew on: How does our actions or inactions shape the future for those around us and those we’ll never meet? Is there something greater that ties our fates together in ways we may never understand? Is life in the far-flung future going to be remotely recognizable to life as we know it, or will it be an alien, incomprehensible thing? And just how will the defining traits of humanity change in the years, centuries, and millennia to come? We, today, will never know, but Cloud Atlas allows us to imagine. - Dave Trumbore

Rogue One: A Star Wars Story

Directors: Gareth Edwards

Writers: Chris Weitz, Tony Gilroy

Cast: Felicity Jones, Diego Luna, Riz Ahmed, Ben Mendelsohn, Donnie Yen, Alan Tudyk, Wen Jiang, Forest Whitaker, Mads Mikkelsen

The first of Disney’s planned anthology films, Rogue One: A Star Wars Story travels back to a time between the original trilogy and the much-maligned prequel trilogy to tell a tale of rebellion. Nestled between the rise of the Empire as we know it and the improbable destruction of their space-based super-weapon is this contained story about a group of anti-heroes and their risky mission to obtain the Death Star blueprints. It’s this key piece of information that allows the rebellion to not only kick off in earnest but to thrive for generations.

Rogue One is part heist film and part war movie, as if Ocean’s Eleven and The Dirty Dozen came together in what’s arguably the best space drama ever to unfold. Edwards’ tale doesn’t succeed fully in either regard, but it does offer up plenty of fan service for the Star Wars faithful who want to see connective tissue strung together between existing films. It introduces a handful of colorful characters, including some referenced outside of the cinematic universe, but ultimately only uses them for this solitary film since the rebellion’s greatest victory also comes with their greatest sacrifices. - Dave Trumbore

Okja

Director: Bong Joon Ho

Writers: Bong Joon Ho, Jon Ronson

Cast: Ahn Seo-Hyun, Tilda Swinton, Steven Yeun, Jake Gyllenhaal, Paul Dano, Giancarlo Esposito, Lily Collins

One of the highest-profile movies to hit Netflix but bypass a traditional theatrical rollout was Okja, Bong Joon Ho‘s follow up to 2013’s Snowpiercer. It’s an eviscerating takedown of both the modern agricultural industry and the intertwined science of genetic engineering. The story takes the science to extreme and, at times, ridiculous proportions and makes no attempt to portray beneficial real-world achievements in an equal light. However, the moral of the story is hard to miss: Humans who play God soon lose their very humanity.

Okja follows the title character, a genetically engineered super-animal raised naturally/organically in South Korea by caretaker Mija. Since Okja is the choicest of the bred animals, multinational conglomerate Mirando Corporation seeks to take back their property and study it exhaustively in order to recoup their investment and improve their stock, both agriculturally and financially. Mija does everything in her power to bring her friend back home, though animal rights activists, hired corporate muscle, and even the media will complicate matters. It’s a tough watch at times, especially for those on the front lines of the fight for animal welfare, but it’s a lesson worth repeating just the same. - Dave Trumbore

Turbo Kid

Director: François Simard, Anouk Whissell, Yoann-Karl Whissell

Writer: François Simard, Anouk Whissell, Yoann-Karl Whissell

Cast: Munro Chambers, Laurence Leboeuf, Michael Ironside, Edwin Wright, Aaron Jeffrey, François Simard, Anouk Whissell, 

Turbo Kid – This 2015 action comedy that pays homage to ‘70s, ‘80s, and ‘90s culture looks and feels like it could have been pulled from any one of those decades. This dystopian adventure centering on a young comic book fan living in a post-apocalyptic wasteland of an alternate Earth in 1997 was one of the great surprises of the year, one which the SXSW Film Festival rewarded with the Audience Award. It’s a classic boy-meets-girl, girl-saves-boy, boy-and-girl-defeat-a-tyrannical-overlord kind of story … oh and there’s a badass arm-wrestling cowboy for good measure.

Turbo Kid falls in line with modern films like Kung Fury in its unabashed love for pop culture and nostalgia while simultaneously feeling like it was lifted from the pages of a comic book or the frames of a video game. It’s just plain fun; gory, over-the-top, low-budget fun. Check this one out if that sounds like your idea of a good time. – Dave Trumbore

*batteries not included

Director: Matthew Robbins

Writers: Mick Garris, Brad Bird, Matthew Robbins, Brent Maddock, S.S. Wilson

Cast: Hume Cronyn, Jessica Tandy, Frank McRae, Elizabeth Peña

One of the criminally underrated and oft-forgotten Amblin Entertainment classics of the 80s, *batteries not included was a family-friendly film that ran into the box office buzzsaw of such films as Eddie Murphy Raw, Three Men and a Baby, Throw Momma from the Train, and Wall Street. It was a rough time for cute little metallic UFOs that could easily be mistaken for hamburgers. Strangely enough, this film feels like it would be better received by modern audiences than it was in 1987.

As a kid, I remember this movie for its cool flying robots and its crazy old lady; 30 years later, I’m struck by the movie’s depiction of gentrification, class warfare, and the very real issues of mental illness. At its heart, *batteries not included is about romantic relationships: there’s love story between a long-married husband and wife who are dealing with the death of a son, a collapsing home/business, and increasingly difficult medical issues; a burgeoning romance between a single mother and a starving artist; and a newly created family of little “fix-it” robots learning to live alongside humans. The hook is that these little saucer-shaped critters can fix just about anything and everything, mechanical or emotional, as it turns out. They help the humans in the story put their lives and livelihoods back together. It’s a great watch, even if it’s fairly simplistic in its portrayal of hope and help. But honestly, we could all use a little extra helping of each now and then.

As some bonus trivia, two time Oscar-winner Brad Bird ended up getting his first share of a screenwriting credit on this film after working on a pair of episodes for Spielberg’s Amazing Stories series. That should be reason enough to give it a go. – Dave Trumbore

The Road

Director: John Hillcoat

Writers: Cormac McCarthy, Joe Penhall

Cast: Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron, Robert Duvall, Guy Pearce, Michael Kenneth Williams, and Garret Dillahunt

Not all post-apocalyptic tales have to do with world-ending epidemics or a plague of the living dead. In fact, Cormac McCarthy‘s source novel makes the dying world, a world covered in ash after some unnamed extinction-level event, all the more believable and all the more terrifying. The Road in question is traveled, ever southward, by Viggo Mortensen and then-relative newcomer Kodi Smit-McPhee, known only as the Man and the Boy. They leave behind the life they knew, one in which only desolation, starvation, and unhappiness remained, for a chance at a better lot. Along the way, they’re beset by thieves, murderers, cannibals, and a nagging illness that will ultimately claim one of their lives. It’s a harrowing tale to be sure, but perhaps surprisingly, also a hopeful one. - Dave Trumbore

Armageddon

Director: Michael Bay

Writers: Jonathan Hensleigh, J.J. Abrams, Tony Gilroy, Shane Salerno, Robert Roy Pool

Cast: Bruce Willis, Billy Bob Thornton, Ben Affleck, Liv Tyler, Will Patton, Steve Buscemi, William Fichtner, Owen Wilson, Michael Clarke Duncan, Peter Stormare, Ken Hudson Campbell, Jessica Steen, Keith David, Jason Isaacs, Chris Ellis

The year was 1998 and we were perilously close to all perishing in the assured destruction caused by Y2K, so the threat of the world-ending asteroid at the center of Bay’s Armageddon didn’t seem all that far-fetched. It’s another apocalyptic film, but about as far from the aforementioned Melancholia as you can get. (I’d love to see the Venn diagram of Michael Bay and Lars von Trier fans.)

The premise of this action-packed, spectacle-filled epic is decided blue-collar: When NASA determines that an asteroid big enough to cause an extinction-level event is bound to collide with Earth, they recruit a team of roughneck (and rough-around-the-edges) oil rig veterans. The team trains together alongside the more high-brow NASA scientists and eventually makes their way to the space rock with the intent of blowing it to hell by drilling down into it and detonating nuclear bombs within it. 100% Michael Bay. With a little bit of romance and a lot of explosions, Armageddon remains a fun watch almost 20 years later. -Dave Trumbore

Embers

Director: Claire Carré

Writers: Charles Spano, Claire Carré

Cast: Jason Ritter, Iva Gocheva, Greta Fernández

Claire Carré’s debut feature Embers is an aching and ambitious gem whose grandiose scale defies its universal central theme. Connecting five seemingly disparate storylines taking place after an unknown plague wipes out humanity’s ability to establish long-term memory, Embers drops the viewer into a world both hauntingly alike and deftly alien to the world of our own, envisioning a technological climate just a few decades removed from our present

At the center of the film lies a poignant romance between a wandering couple (Jason Ritter and Iva Gocheva), doomed to wake up each morning as strangers, bearing small Memento-esque markers meant to help them learn their love for each other even as their minds remain empty. It’s an ambitious an aching take on the often overused post-apocalyptic dystopian premise, and it makes for a satisfyingly cerebral, if slight, genre exploration. - Aubrey Page

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