BREAKING BAD Recap: “Crawl Space”

by     Posted: September 26th, 2011 at 10:06 am

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Last night’s episode of Breaking Bad, “Crawl Space”, finally delivered some payoff for the problems that have been simmering over the course of this, the series’ fourth season.  All season long, we’ve watched as Breaking Bad creator Vince Gilligan moved all the pieces of the puzzle into place, getting ever closer to finally dropping the “You’re Totally Screwed” hammer on Walter White, and by the end of “Crawl Space”, that hammer had Walter pinned beneath it.  What happened, and how did it play?  Find out after the jump, my fellow Breaking Bad junkies.

Throughout its run, Breaking Bad creator Vince Gilligan‘s intention has been to show us the complete transformation of Walter White not from a failed, mild-mannered chemist into a superhero, but from a mild-mannered chemist into a supervillain.  Well, as anyone who’s ever read Alan Moore’s glorious Batman  tale The Killing Joke knows, it takes just one bad day for the mild-mannered to become the super-villainous.  Walter White’s transformation has been long in the coming, the kinda thing that’s happened in inches and degrees.  But when we look back on Breaking Bad once its run ends, we’ll probably agree that “Crawl Space” is the point where Walter finally went over the edge (he even seems to have developed a Joker-style laugh by the end of the episode).

Walter White is now out of options.  He has systematically alienated and pissed off everyone around him, turned everything (and everyone) who’s good in his life into something seedy and dangerous.  Jesse Pinkman seems to have jumped ship for the greener pastures of Gus’ operation (and after surviving that debacle in Mexico with Gus and Mike, we can understand that change).  Skylar has been contaminated, having broken bad herself over the course of the season and now in way over her head with her old boss, Beneke.  Gus wants Walter dead, and if he can’t do it right now, he’s announced his intentions to do it at some point in the future.  And Hank?  Well, if he wasn’t suspicious of Walter before, we can’t help but think that he’s on the verge of making that leap.

What an amazing, disturbing episode this was.  That final sequence, with Walt laughing maniacally in the crawl space under his house while the soundtrack thrummed and buzzed and Skylar listened to Marie’s frantic call on the answering machine?  Absolutely chilling.  But we’re getting ahead of ourselves.  Let’s go through this from the beginning.

Things started off with Jesse, Gus, and Mike narrowly escaping death in Mexico after the raid on Don Eladio’s compound.  Gus—who always thinks of everything—had planned on this eventuality, and had a team of doctors standing by to help him, Mike, and Jesse (in that order: they hadn’t been paid to treat everyone at the same time, much to Jesse’s annoyance).  Once everyone was all bandaged up, Gus and Jesse headed back for the States.  Mike, on the other hand, was forced to stay behind for another week while Gus’ doctors put him back in working condition.

Meanwhile, Walt’s troubles were mounting up.  He’s running the lab by himself, overseen by Gus’ untalkative man-servant.  He’s still going out on stakeouts with Hank, doing his damndest to dissuade Hank from getting any closer to Gus’ operation.  He’s unaware that Skylar’s frantically attempting to get the $600k she gave to Beneke back.  This episode was all about Walt’s problems all revealing themselves—pretty much at the same time—so much of the episode was spent paying off problems that Gilligan and company have been moving into position all the way through season four.

Over the course of “Crawl Space”, Walt did his best to fix some of these situations, but at this point, he’s in way over his head.  When Hank tried to get Walt to drive him to the laundry—where Walt’s “superlab” is located—Walt made the unique decision to drive himself and Hank into the path of an oncoming vehicle (that’ll put a damper on your afternoon plans).  When he discovered that Jesse had cooked in the lab without him, he went to Pinkman Manor to confront him about it (only to be tazed for his troubles).  This last altercation was what led him to the desert, hands zip-tied behind him, facing down Gus for what must feel like the umpteenth time.

The scene was remarkable for any number of reasons—Giancarlo Esposito’s performance, the threats being made against Walter and his entire family (infant daughter included, because any job worth doing is a job worth doing right), Walter’s desperate outrage—but I thought the scene really sung for another reason:  take a look at that shadow that passes over the entire scene when Walt starts talking about whether or not Gus can kill him.  It’s a cloud passing overhead, but it rolls into the scene, darkening everything and seeming to go on forever, off to the horizon, until it seems to cover all of New Mexico.  The symbolism’s clear:  Walt’s troubles are now everywhere, his death written on every wall.  When this show is over and done with and we’ve all moved on to some other great, new series, I’ll still be talking about how amazing “that scene with the cloud” was in “Crawl Space”.

Now, let’s take a moment to discuss the shenanigans unfolding at Chez Beneke.  Beneke had decided that he couldn’t take Skylar’s money (gambling money is “dirty money”), and offered to give it back, but Skylar still needs him to pay the IRS to keep them out of her hair.  Beneke then reveals that, well, it’s not so much about the fact that it’s “dirty money”, it’s that it’s not enough:  even if he pays off the $617k that he owes the IRS, his life and business will still be worried.  Skylar is—understandably—pissed off about this, and demands that Beneke just write the damn check out again, this time to the government.  He refuses, and that’s when Skylar calls Saul.

Saul promises Skylar that he’ll get Beneke to sign the check, but that Beneke also won’t be hurt in the process.  And so, he sends a couple of his best henchmen (his “A-team”, as he calls it) over to Beneke’s house to get a new check signed.  Things seem to be going well—uncomfortable, but well—until Beneke suddenly stands up, makes a run for it, slips on the carpet, and slams headfirst into a wall.  The last we see of him in tonight’s episode is him on the ground, fingers twitching, and a later-in-the-episode meeting between Saul and his henchmen didn’t reveal the dude’s fate:  brain-damaged?  Dead?  Bruised and embarrassed?  I’m sure he’s fine, but we’ll have to wait to find out.  That’s not really the problem, though:  the real problem is, that money’s now on its way to the IRS, and—as we found out shortly thereafter—Walter could really use that cash.

See, after enough of these problems had piled up—and, particularly after Gus told Walt point-blank that he intended to kill Walt’s entire family if he ever came near Jesse again (and we gather that he’ll probably go ahead and try to do it, anyway)—Walt made a mad dash to the offices of “Better Call” Saul Goodman, interrupting a meeting between Saul and his henchmen (more on them in a moment).  He tells Saul that he wants the number of the guy who can make him and his family “disappear”, and Saul hands over the contact number.  Before Walt leaves, he tells Saul to call in an anonymous tip to the DEA, warning them of the impending hit on Hank.

Breaking-Bad-imageBut then Walt goes home, frantically searching for the cash-stash in the crawl space under the house.  He knows that getting the hell outta Dodge might be the only option he has left, and when he arrives, he discovers that the money’s missing.  Skylar shows up and explains that she gave it to Beneke, and that’s when Walt appears to snap:  he lets out a primal scream, clenches his fists, and then…he starts to giggle.  If you weren’t reminded of the aforementioned Killing Joke, well, you just don’t read enough Batman comics.  I’m almost positive this was a conscious decision on the part of the episode’s writers.

“Crawl Space” leaves our characters in danger, virtually every last one of them.  Hank and Marie could be in danger from Gus and his lackies.  Walt, Skylar, Walter Jr., and their baby daughter are all under threat from Gus.  Jesse’s in good with Gus now, but that doesn’t mean that he’s not still at risk…and what if Walt decides he’s going to start viewing Jesse as the enemy?  And what about Beneke?  He’s now in the thick of this, and what’s gonna happen to him?  There are only two episodes left this season, and it’s looking like the season finale is going to lead into a fifth season that’s a little lighter in the casting department:  I’m confident that all of these people won’t survive for next year’s (final) round of episodes.

A final note:  my apologies for getting this one out a little later than usual.  I’m balls-deep in Fantastic Fest right now, and had to catch the episode this morning (I was in Take Shelter when this aired last night).  Next week, we’ll be back on time and ready to do battle.  While you’re waiting on that writeup, let us know what you thought of “Crawl Space” in the comments section below, folks!

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Comments:
  • Mike

    For me tonight’s episode officially placed Breaking Bad in “the best show ever made” category. Hell it places it in the “best thing ever filmed” category. From the insanely cool and symbolic lighting of the desert seen to the absolutely classic, and soon to be iconic, ending…Jeez. Never has the show felt so monumental as it did during the final sequence last night.

    • MC ATTAck

      I was clapping those moments! Also when Saul wants to say goodbye to Walt with a handshake!

    • Mary in Dallas

      Well put, Mike. So many episodes of BB are like splendid little movies in their own right, and this was right up there with the best of the other episodes (“Two Minutes” being one that immediately comes to mind).

  • KraDon

    That great slow pull from Walt lying in what looks like a symbolic coffin. Walt has evolved into an unlikeable character but there is still humanity in him yet. At least compared to the pitch black soul of Gus the Drug Lord Extraodinaire: “I will kill your infant child.” Greatest show on TV this year. Probably the only great thing on TV or movie for the whole year.

  • Mike F.

    It was truly scary in that last scene. Marie calls Skylar but I can hardly focus on the call because Cranston absolutely makes me shit my pants with his insane, blood curdling, laugh. At this point the show has risen above any piece of entertainment I’ve ever watched, honestly. Whether it’s a show, movie, whatever, nothing has matched the experience I’ve had with this show. I feel a connection with these characters I have rarely felt with any other piece of filmmaking. This comes from someone that is studying to be a filmmaking/scriptwriter one day. I mean, that shot with the camera rising out of the crawl space to the ceiling, INCREDIBLE. Along with the desert scene, those two scene will go down as two of the greatest scenes in the series. So glad to have caught on to the show being that I was late to join until this year when I watched them all. LONG LIVE BREAKING BAD

    • Mary in Dallas

      I heartily agree, Mike F. The cinematography in this show is truly phenomenal.

      And I think Emmy voters are going to have a tough choice next year for Best Support Actor/Drama between Aaron Paul and Giancarlo Esposito.

  • Mike F.

    It was truly scary in that last scene. Marie calls Skylar but I can hardly focus on the call because Cranston absolutely makes me shit my pants with his insane, blood curdling, laugh. At this point the show has risen above any piece of entertainment I’ve ever watched, honestly. Whether it’s a show, movie, whatever, nothing has matched the experience I’ve had with this show. I feel a connection with these characters I have rarely felt with any other piece of filmmaking. This comes from someone that is studying to be a filmmaking/scriptwriter one day. I mean, that shot with the camera rising out of the crawl space to the ceiling, INCREDIBLE. Along with the desert scene, those two scene will go down as two of the greatest scenes in the series. So glad to have caught on to the show being that I was late to join until this year when I watched them all. LONG LIVE BREAKING BAD

  • rob

    thanks for the review.

    I loved how crazy he went at the end. I really hope Skyl;ar dies like departed style.
    she is in an elevator door pops open ‘BANG’. Bitch Dead no more.
    cant wait to see what walt does does he go after gus?

    • Mandy

      No Rob, I’d rather see her die “Seven” style. I can hear Walter saying “AWWW WHATS IN THE BOX!!???” ;)

  • rob

    Oh yea the cloud in the desert was the coolest thing i have ever saw. It took so long to pass but it was moving really fast,but the other clouds weren’t moving.

  • Rohan

    And you think Beneke’s not dead yet? My bet’s on him being dead. It’s interesting that they haven’t shown that but Camera crawls on his hand movements and Soul’s line about a good news and a bad news says it all. Ted Beneke’s dead.

  • KraDon

    I also like to point out how Hank is back on bed again, and surrounded by sympathetic families & friends. Every time he gets shot, run down, wrecked to pieces, he is turned into an accidental hero. Wait a minute, Hank is the “accidental” hero throughout the show. Just like Walt Jr is “the lame” son to Jesse’s “cool” surrogate son. WW doesn’t only stand for Walter White, it may stand for Willie Wonka, you know, another great “chemist”. Gotta love the puns in this show.
    Also: Is Benerke supposed to reference Bernanke, Federal Reserve Chairman?

  • Brian

    Did anyone else catch the similarities between Edgar Alan Poe’s “Tell Tale Heart” & the final scene? Underneath the floorboards, the father figure lay, essentially put there by the son (Jesse). Listen to the music during that scene, it’s a similar to a heartbeat.

    Also, interesting bit of visual symbolism, possibly foreshadowing, one of the bags Walt was laying on was red & positioned behind his head in a way that made it look like his had been shot in the head & was laying in a pool of blood.

    • Justin

      I was thinking the same exact thing regarding telltale heart and I have a feeling that the writers are actually craftfully using many of these references and that it isn’t just crazed fans associating similarities. I didn’t notice the red, I will have to go back to see that.. I’m just wondering at this point if were are being purposely steered towards what we believe would be obvious only to be surprised again… the writers of this show are the best and making me completely unable to see where they are going next…. I love it!

  • Daniel

    Ted Beneke is dead-the Oranges gave it away-Godfather symbolism 101

  • SWatt

    What an episode. TV has never been so good! I am glad you mentioned the dark cloud in the scene with Walter & Gus. That looming cloud was foreboding.
    I agree with Rohan. Beneke is dead. One of the “A-team” told Saul it was an “act of God”. Saul was also worried about telling Skylar about it when Walt barged into his office. Before Saul knew why Walt barged in he said something like, “How do you know already?” This adds a layer to the plot because the IRS wouldn’t investigate a dead man. Also the irony of how he died by tripping on the rug (that he had tripped on earlier in the episode) and hitting his head.
    Another thing I thought was worth pointing out is that Gus told Walt in the desert that he was supposed to take care of Hank and since Walt failed to do so he had to do it himself. Then Gus said if Walt interfered he would kill Walt’s entire family including the infant daughter. That’s why when the phone rang and it was Marie telling Skylar about the hit on Hank we (the audience) knew that they were all f*cked.

  • Silverhawkey

    Walter should kill Jesse if want his life back, maybe he should do that i think…..

  • Jake

    I wouldn’t be surprised if Walt kills Jesse at this point. Sure Walt caused some problems for Gus, but he’ll make a hell of a lot more money for Gus if he’s the only chemist working for gus, “What do you do if you get a bad barrel of precursor, HOW WOULD YOU EVEN KNOW if you got a bad barrel!?”

    That seems to be the only option for him at this point, that or getting Jesse to bail his ass out (which, c’mon, BB always takes the darker route)

    It’s hard to say. Sure Jesse is an emmy-winning character, but there’s only one season left. anything’s possible

  • Micah

    I think Walt calling the DEA is what will ultimately save him. Gus has no chance of getting anywhere near Hank now. His only option is to threaten Walt’s family if Walt doesn’t take care of Hank. Walt is the only person who can get close to him now. Walt must again do what he has to do for his family, by killing his extended family.

  • junierizzle

    The last few minutes were amazing. It was scary and magical the way everything came together like that.
    I hope this show finally wins Best Drama next year. I love Mad Men as much as the next guy but Mad Men has never had a moment as riveting as last night’s Breaking Bad.

  • ryan

    am i the only one who couldn’t stop laughing at beneke basically killing himself? i feel bad but come what kind of idiot does that?

  • sarahboo

    What about the climax of “The Bridge on the River Kwai” playing on the nursing home television while Gus is gloating about taking out the cartel?

    Reminds me of the lesson in mirror images of chemicals, designed the same, but acting differently, that Walt teaches his science class in the pilot episode of “Breaking Bad.”

  • J DOllA

    Most likely Walt’s family gets wiped out. It would be very poetic, Shakespearean even. He started cooking meth for their security after he is gone, but instead it ends up killing them and he is left alone. Maybe with Jesse who comes to help him out after he finds out that Gus wiped out Walt’s family. So then Walt becomes the remorseless Villain as without his family he has nothing to lose.

    • MC ATTAck

      I like your take. Lets kill Skyler!

      • Maximus

        The way I see it the only thing keeping Walter from his final transformation into the “supervillian”, if that is where the show is ultimately heading, is his family. This gives me the sinking feeling in my stomach that Walter Jr. or Skylar will be killed. If I had to make a bet, I’d say Walter Jr. At the end of this episode, Walter did start to slip, but unlike The Killing Joke (which I did think of when I saw the episode), Walter stopped laughing eventually. He was thinking of his family, the last barrier holding him back. In The Killing Joke, the Joker loses his family. In The Killing Joke, the Joker keeps laughing. And laughing, and laughing, and laughing.

        Also, this episode puts a dent in my theory that Gus is a former CIA agent. Gus was definitely acting like a gangster when he threw his victory in his enemy’s face. Why would Gus leave him alive though? Why not kill him and have done with it? To let him suffer? Never give your enemy a chance to strike back, even if he is a cripple. Gus may still be former CIA and gone rogue, but I kinda liked the thought of him secretly working for the US.

        When they were out in the desert, Gus’s men were out of focus. I couldn’t tell if the white guy with them was Jessie or a recouperated Mike. Any thoughts?

        I think Walter is going to lose his family at the end of this season, and the fifth season his going to be his own personal war, much like Gus’s with the Cartel, on everyone involved and anyone in his way. And he’ll probably be laughing while he does it.

  • peapod

    for some reason i can never see walt killing jesse until now!. i think walt will finally kick arse take out gus and leave jesse begging for his life and will leave it on a cliffhanger til next season.

    sublime tv has to be up there with sopranos, the wire and so many amazing tv shows

  • swans183

    Beneke tripping, Walt spilling out of the laundry crate, and the whole scene with “the A-Team” were all classic Breaking Bad humor. Shame it turned so bad so quickly, I was hoping the show would be getting it’s sense of humor back!

  • Kamaitachi

    Maybe another Joker reference was when Gus was gloating to Hector and he kept saying “Look at me”. The tone almost reminded me of the Joker in the Dark Knight

  • Seaman

    It was a chilling episode to sit through. Everything I’ve suspected (and others as well) seems to be coming true. The writing in on the wall for Walt… This show is truly stupendous but I take exception to the idea that it is the greatest show on television ever. That still belongs to `The Wire`. In fact, watching Walt in that crawl space tonight reminded me of Season 1 of the Wire where D`Angelo talks about chess and how the kingpin stays the kingpin. No matter what Walt tried, he was still a pawn in this game and Gus remains the top dog! The Wire was the best thing on TV ever…. but breaking bad comes awful close :)

  • Bigfiction

    Does anyone remember what episode it was in season 2 (I think) where there was the shot of Hank’s paperweight partially submerged in a creek in the foreground and people crossing through the dessert in the backgroun? The one the office gave him after a certain incident with Tuco. Also what is Walt driving? Does he have the Aztec repaired already after the latest crash? Because my money is on Hank having already, or least about to put a bug on it. Whether out of concern for his gambling or legit suspicion, Hank has had multiple oppunities to stick one on.

  • Jimibrowncat

    Beneke = Dead. See oranges falling on his torso this is an homage to all good gangster flicks i.e. Godfather part 1 and 2.

    My prediction is Jesse is going to gang up with Walt Mike dies and thats the reason Jesse turns on Gus lastly Saul and Walt end up with the reins of the Gus empire.

    Oh Hank and Gomee are fucked!!

    • KraDon

      But remember, when Vito Corleone gets shot in Godfather 1, he survives. Granted Vito is a wise bad-ass Don, and Beneke character is made to be a goof. But still…

  • estew

    I noticed that Gus is waering the same outfit when he confronted walt in “half-measure”, and it is the same environment. Also it seems like a reverse of living conditions. In half-measure walt is enjoying time with his family when he has to save jesse, where now jesse is enjoying time with his “family ” when he is now obligated to help walt. I think it is likely that jesse in the next few episodes will end up helping walt.

    btw, this is probably their best espiode yet.

    • KraDon

      Very nice observation!

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