The road has been rough for the DC Extended Universe. Starting in 2013 with Man of Steel, the DCEU began with a mixed response that only seemed to get worse with films like Batman v Superman: Dawn of Justice and 2016's Suicide Squad. While the DCEU was certainly ambitious, bringing these gargantuan comic book heroes together on the big screen like this for the first time, this universe never had the successes, the high points, or the cohesiveness that the MCU often has. But this mixed response to the DCEU overall has made the solid movies shine, as films like Wonder Woman and The Suicide Squad hint at what this universe could've been. As the DCEU comes to a conclusion in order to restart under the guidance of James Gunn and Peter Safran (with a few characters leaking over to this new vision), let's take a look at the DCEU and rank them from worst to best.

Please note that a DCEU movie has to have some link with other DC movies, so that's why we haven't included films like Joker, The Batman, and Catwoman, even though they come from DC Comics. We've also not included Zack Snyder's Justice League because, by Snyder's own admission, the movie is not canon for the DCEU.

14 Suicide Squad

Directed by David Ayer

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‘Suicide Squad’ Review: Rotten to the Core
Strong performances can’t save this chaotic, overwrought mess.

What an absolute mess. I was so excited for Suicide Squad because it looked weird and different with a great cast and David Ayer behind the camera, but it couldn’t have turned out to be more disappointing. The film couldn’t even come up with a solid reason for why a team of superheroes would be entrusted with a mission, and the main conflict is a result of Amanda Waller being a total dummy (Viola Davis shows she can do anything by making you believe in that character even though on the page Waller is a dope). Yes, the cast is packed with colorful characters, but it doesn’t really know what to do with them.

What’s even more frustrating is that the marketing is more colorful than the movie. For a cast that’s filled with psychopaths, Suicide Squad doesn’t know if it wants to be grim and gritty or loose and zany. It falls apart on pretty much every level of filmmaking, and while you can point to a few bright spots like Will Smith and Margot Robbie’s performances, those are mired in an awful story that does a disservice to their characters.

The kicker is that I don’t think Suicide Squad is entirely a lost cause. I think there’s room in the superhero landscape for a movie that follows a team of villains, but they have to be given a much better reason for fighting (perhaps a black ops mission where they’re required to kill) and strong character arcs. I wouldn’t mind seeing this group back together again if Warner Bros. trusts a filmmaker to follow through with his or her vision as opposed to letting a trailer company cut a version of the movie and splitting the difference. —Matt Goldberg

Suicide Squad poster
Suicide Squad
PG-13
Superhero
Action
Adventure
Crime
Fantasy
Sci-Fi

A secret government agency recruits some of the most dangerous incarcerated super-villains to form a defensive task force. Their first mission: save the world from the apocalypse.

Release Date
August 5, 2016
Director
David Ayer
Cast
Will Smith , Jaime Fitzsimons , Ike Barinholtz , Margot Robbie , Christopher Dyson , Bambadjan Bamba
Runtime
123 minutes

13 Batman v Superman: Dawn of Justice (Extended Cut)

Directed by Zack Snyder

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‘Batman v Superman: Dawn of Justice’ Review: No Heroics
Zack Snyder’s superhero sequel is a bloated, convoluted mess that can’t find a soul through its overbearing darkness.

The Extended Cut (aka the “Ultimate Edition”) of Batman v Superman: Dawn of Justice is slightly better than the theatrical cut only insofar as the movie makes slightly more sense. There’s still no explanation as to what Lex would have done with Doomsday had he succeeded in killing Superman or why Bruce Wayne’s dreams can see into a possible future, but you at least get a clearer sense of what Zack Snyder was going for with his superhero smackdown.

Unfortunately, his approach essentially retreads the worst elements of his previous movies, Watchmen and Sucker Punch. Like with Sucker Punch, Snyder is both condemning and condoning his audience. He wants us to question the very nature of superheroes like Batman and Superman rather than give them our unquestioned reverence, which would be fine, except he also wants us to enjoy the mayhem those heroes unleash. When Batman beats down a warehouse full of henchmen, we’re not supposed to be aghast at his unilateral vigilantism. We’re supposed to cheer. We’re supposed to question Superman as a god-figure filled with self-doubt, but we’re also supposed to be happy when he punches Doomsday a bunch.

This kind of deconstruction is perfect for Watchmen, but it does a disservice to the characters featured in Batman v Superman. If you’re going to have Batman kill people, you need to then ask how is that true to what the character became? Yes, Batman killed in his earlier comics, but he left that behind, and it’s for the better because otherwise why would he let criminals like Joker live? Yes, Superman can feel distant from humanity, but then where does he get his desire to do good? This is Batman v Superman, not Rorschach v Dr. Manhattan, and Snyder’s desire to re-contextualize his title characters ends up doing both of them a disservice.

The failure to depict his superheroes as heroes is the main problem in Batman v Superman, but it’s far from the only one. The plot, even in the extended cut, still doesn’t make a whole lot of sense, Jesse Eisenberg’s performance as Lex seems divorced from the rest of the movie, and everything is oppressively dark from the very beginning and almost seems to luxuriate in that darkness without ever questioning how that tone serves the overall picture. —Matt Goldberg

Batman v. Superman: Dawn of Justice poster
Batman v Superman: Dawn of Justice
PG-13
Superhero
Action

Batman is manipulated by Lex Luthor to fear Superman. Superman´s existence is meanwhile dividing the world and he is framed for murder during an international crisis. The heroes clash and force the neutral Wonder Woman to reemerge.

Release Date
March 25, 2016
Director
Zack Snyder
Runtime
152 minutes

12 Justice League

Directed by Zack Snyder

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‘Justice League’ Review: Beyond Saving
There are more than a few nice moments in the superhero spectacle, but adding up to more than ‘Batman v Superman’ doesn’t make ‘Justice League’ a good movie.

Yes, it’s slightly better than Batman v Superman, and yes, given its turbulent production, it could have been much worse. But when you look at all the potential, Justice League should have been so much better. Warner Bros. had just as much time from the start of their universe (Man of Steel) as Marvel did (Iron Man), but in four years, they couldn’t crack the formula and instead created a rush job where they tried to simply pile in a bunch of new characters and hoped that audiences would get on board, or at least interested enough that they’d go see the eventual solo movies.

Arguably the most frustrating thing about Justice League is that the movie belongs to no one, and for such an important team-up, its only effects will likely impact Warner Bros. The superhero genre is strong and other studios are finding ways to push the envelope and go interesting places, but Justice League is a film striving for basic coherence rather than anything that would make it stand apart. I understand that Warner Bros. didn’t want to be left behind, but this is a gamble that didn’t really pay off even though, as you can often say DC movies, “Maybe they’ll get it right the next time.”

Justice League isn’t a total failure. Flash and Wonder Woman are good, there are glimpses of a Superman who isn’t an aloof, uncaring god-figure, and occasionally you’ll get a character beat or moment that works. But those moments are few and far between, and what remains is a slog where we have a lousy villain with basic motivations and a team with no identity. For a movie that should have been epic and possibly groundbreaking given the pedigree of the characters, Justice League just kind of exists. —Matt Goldberg

Justice League poster
Justice League
PG-13
Superhero
Action
Adventure
Fantasy
Sci-Fi

Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists the help of his new-found ally, Diana Prince, to face an even greater enemy.

Release Date
November 17, 2017
Director
Zack Snyder , Joss Whedon
Runtime
120 minutes

11 Wonder Woman 1984

Directed by Patty Jenkins

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There are things to like in Wonder Woman 1984. Pedro Pascal's Maxwell Lord is an absolute blast, and Kristen Wiig acquits herself well as Barbara Minerva/Cheetah. Also, like in the first Wonder Woman, the Diana/Steve Trevor stuff fires on all cylinders as Gal Gadot and Chris Pine have tremendous chemistry, and 1984 provides a nice inversion by having Steve awed by the world rather than Diana like in the previous movie.

But every strength in this film is smothered under an avalanche of atrocious screenwriting. This script was not ready for filming, and the result is a muddled, confusing, and limp story where every theme gets undercut and every plot point is belabored. It isn't the grim slog of Batman v Superman or the director-less franchise gruel of Suicide Squad or Justice League, but everything intended to be fun or thoughtful in Wonder Woman 1984 falls flat, especially when compared to the more assured and direct original.

For a film about the dangers of excess, Wonder Woman 1984 participates in that same excess without understanding the faults of its behavior. For a film about not taking shortcuts, it's a film where characters randomly appear because a fight scene needs to happen. It makes totally unforced errors like requiring Steve to come back by taking over some random guy's body, but doesn't feel the need to explain how a wall can magically appear in the desert. But perhaps its greatest sin is failing to center the movie on Diana and her journey, which leads to a film that feels adrift without its endearing hero. —Matt Goldberg

Wonder Woman 1984 poster
Wonder Woman 1984
PG-13
Superhero
Action
Fantasy
Adventure

Diana must contend with a work colleague, and with a businessman whose desire for extreme wealth sends the world down a path of destruction, after an ancient artifact that grants wishes goes missing.

Release Date
December 16, 2020
Director
Patty Jenkins
Runtime
151 minutes

10 Shazam! Fury of the Gods

Directed by David F. Sandberg

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Both Shazam the hero and the film series are struggling to reach their true potential.

Look, there have clearly been worse DC movies than Shazam! Fury of the Gods, without a doubt, but I don't know that there's ever been a more irritating DC hero than Zachary Levi's Shazam in Fury of the Gods. The character's dialogue boils down to exhausted pop culture references and lazy jokes that don't anywhere near Marvel's attempt at a high-school superhero in Spider-Man. It's a shame that the weakest part of Fury of the Gods is its title hero.

Fury of the Gods also has the issue of having too many characters and spreading most of them too thin. From Billy Batson's (Asher Angel) foster family, to their antagonists, the Daughters of Atlas (Helen Mirren, Lucy Liu, and Rachel Zegler). Most of these characters are relegated to a single interest or purpose—many of which are left without any real purpose or resolution—instead giving time for unfortunate jokes and Skittles commercials.

And even though Fury of the Gods can be awkwardly unfunny, and the action can be unfortunately generic, there is fun to be had here, as Jack Dylan Grazer and Adam Brody are both a lot of fun when they're on screen, and the return of Djimon Hounsou as the wizard Shazam is a joy. Fury of the Gods also sets up some interesting possibilities for Shazam going forward that could put Batson on a much more compelling path. But in a world where we're getting a new superhero movie every month or so, Fury of the Gods just feels too bland to really stand out in this landscape. —Ross Bonaime

Shazam Fury of the Gods Poster
Shazam! Fury of the Gods
Superhero

The film continues the story of teenage Billy Batson who, upon reciting the magic word "SHAZAM!" is transformed into his adult Super Hero alter ego, Shazam.

Release Date
June 2, 2023

9 Aquaman

Directed by James Wan

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The biggest problem with Aquaman is that it’s massive without being ambitious. It would be one thing if director James Wan had crammed plenty of crazy ideas into his superhero sci-fi fantasy, but the plot is painfully conventional, and the film seems desperate to steal ideas from other movies without every finding much of a personality of its own. That’s a shame because Jason Momoa is incredibly genial and charismatic, putting his own stamp on the character that makes him feel unique among superheroes.

There are the occasional fun bits like an octopus playing the drums or a giant battle with crab people, but more often than not, Aquaman goes with what’s safe and predictable, crushed under plodding exposition, clunky dialogue, and set pieces that feel desperate to keep our attention every ten minutes. Aquaman is a lot of movie, but for all of its colorful visuals, it never achieves the joy or charm it hopes to convey.

The best thing to be said about Aquaman is that all the elements are there for a better sequel. They have the right actor in Momoa, and Wan has crafted a brilliant, eye-popping world under the sea. But if the film does get a sequel, the filmmakers will need to be far more ruthless with the script (there’s no reason an Aquaman movie needs to be almost two-and-a-half hours) and go for a less staid and well-worn plot. —Matt Goldberg

Aquaman poster Amber Heard Jason Momoa
Aquaman
PG-13
Superhero
Action
Adventure
Fantasy
Sci-Fi

Arthur Curry, the human-born heir to the underwater kingdom of Atlantis, goes on a quest to prevent a war between the worlds of ocean and land.

Release Date
July 6, 2018
Director
James Wan
Runtime
140

8 Man of Steel

Directed by Zack Snyder

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MAN OF STEEL Review
Man of Steel review. Matt reviews Zack Snyder's Man of Steel starring Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, and Russell Crowe.

Like with Batman v Superman, I can see kind of what Zack Snyder was going for with Man of Steel. He didn’t want to do what Richard Donner and Bryan Singer had done with the character, and it felt like he needed to go in a more “realistic” direction while still delivering big-screen bombast that would allow him to really throw down against a worthy opponent. So technically, Man of Steel succeeds at what it attempts to do insofar as it tries to be more realistic with Clark’s abilities—likening them to a special needs child who must adapt—while also providing an epic fight against General Zod.

The problem is what surrounds these items. When it comes to Superman’s upbringing, it’s difficult to know how he gets his moral compass. Part of why the Superman story has worked for so long and connected with so many people isn’t just that he’s a guy with lots and lots of powers. It’s that he’s part of the heartland, and those “heartland values”, are imbued in him growing up to help people. But in Man of Steel, that runs up against Pa Kent’s belief that the world isn’t ready for Superman, and that it’s far better for Clark to hide his powers. While that’s an understandable desire for a parent, it doesn’t get us to why Superman helps people. The answer “Because he’s Superman,” doesn’t work if you’re trying to re-contextualize the character into a more “realistic” story.

The big fight against Zod also runs into a problem because while it’s neat to see Superman trading blows with someone who’s equally as powerful, there’s a lot of collateral damage. Even if you buy the excuse, “It’s his first day!”, that’s awfully careless for a guy who tells us that as a child he was taught to control his powers. So if Superman knows that he can wreck stuff if he’s really unleashed, shouldn’t he try to get Zod away from the city? To try and make an excuse for Superman’s actions is to ignore the obvious truth of the scene: it’s exciting to watch stuff blow up and get destroyed, but the movie didn’t think about the repercussions of these actions, so Superman looks careless.

It’s not a movie completely without merit, and I wish Snyder (or someone) had a little more time to develop Superman’s character and his place in the world before tossing him into the middle of Batman v Superman where he’s immediately tested, but we still don’t have a strong grasp on who he is as a hero.Matt Goldberg

Henry Cavill as Superman on the Man of Steel poster
Man of Steel
PG-13
Action
Adventure
Fantasy
Sci-Fi

An alien child is evacuated from his dying world and sent to Earth to live among humans. His peace is threatened when other survivors of his home planet invade Earth.

Release Date
June 12, 2013
Director
Zack Snyder
Runtime
148

7 Black Adam

Directed by Jaume Collet-Serra

After over a decade of trying to bring the title character to the screen, Black Adam isn't exactly the DCEU revolution that Dwayne Johnson thought it would be. The Jaume Collet-Serra-directed antihero story stumbles in many of the ways that these films always have: a bland villain, plenty of MacGuffins, and an occasionally convoluted story. And yet, Black Adam allows DC to play in darker themes for the first time in a way that doesn't feel like an odd choice for these characters and this world. By letting Johnson's Teth-Adam embrace his murderous, rage-filled rampages, DC can have their darkness cake and eat it too.

Black Adam works so well because of its characters. Of course, it's nearly impossible to root against Johnson, even when he's throwing enemies to their doom and zapping the flesh off their skeletons with his powers. But Black Adam also introduces a new collection of heroes that includes Hawkman (Aldis Hodge), Doctor Fate (Pierce Brosnan), Atom Smasher (Noah Centineo), and Cyclone (Quintessa Swindell). The film's dynamic between the attempts at wholesome superhero antics and the fury of Black Adam makes for a nice combination that works well as we get to know these new characters within this world, making us like both sides of this conflict immediately.

And while it's not a major part of Black Adam, it's hard not to appreciate how the film sets up the future of this usually overly-complicated universe, whether through bringing Viola Davis' Amanda Waller and Jennifer Holland's Emilia Harcourt into the mix, or setting up a massive superhuman battle for the future. Black Adam isn't necessarily the massive shift that the DCEU has needed for quite some time, but it does hint that the future could be fairly bright. —Ross Bonaime

Black Adam Poster
Black Adam
Superhero
Action
Sci-Fi

Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods--and imprisoned just as quickly--Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.

Release Date
July 27, 2022
Runtime
125 minutes

6 Shazam!

Directed by David F. Sandberg

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For the most part, David F. Sandberg’s superhero movie hits the mark, but when it misses, it misses badly.

Shazam! benefits from largely knowing exactly the kind of movie it wants to be. It's Big with superheroes. That's a simple enough premise, but director David F. Sandberg gets a lot of mileage out of it by leaning into the humor and heart of a kid who gets superpowers. The film also doesn't shy away from the irresponsibility a teenager would have by being a superhero, and naturally young Billy Batson (Asher Angel) who transforms into the adult Shazam (Zachary Levi) when he shouts "Shazam!" has some growing up to do.

The biggest fault with Shazam! largely deals with the villain, Dr. Sivana (Mark Strong). Sandberg, who has a background in horror movies, kind of overdoes it with Sivana's villainy, missing the nuance available to the character and instead just leaning into the horrors he inflicts, especially on a hapless group of executives who are at the mercy of the supervillain and his monstrous hench creatures, the Seven Deadly Sins. In these moments, the film succumbs to a darkness that doesn't fit with its upbeat tone.

Thankfully, these moments are few and far between, and Shazam! is happy to be a joyous movie where kids get to revel in the fantasy of having superpowers while still absorbing a good message about the importance of family. There may be nothing Earth-shattering in Shazam!, but it's a fun film that invites the audience to have a good time. There's nothing false about its upbeat attitude, and you can enjoy it as a light superhero romp. —Matt Goldberg

Shazam Film Poster
Shazam!
PG-13
Superhero
Action
Adventure
Fantasy
Sci-Fi

A newly fostered young boy in search of his mother instead finds unexpected super powers and soon gains a powerful enemy.

Release Date
March 29, 2019
Director
David F. Sandberg
Cast
Zachary Levi , Michelle Borth , Mark Strong , Djimon Hounsou , Adam Brody​ , Ross Butler
Runtime
132

5 The Flash

Directed by Andy Muschietti

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‘The Flash’ Review: DC Makes a Solid Multiverse Film but a Poor Time Travel Story
Andy Muschietti finally brings the lightning-fast superhero to the big screen in his own adventure, with mixed results.

After decades in development, several delays, and shifting creating teams, Barry Allen's (Ezra Miller) solo cinematic adventure mostly brings to life the promise of the highly-ambitious Flashpoint comic storyline. Director Andy Muschietti heads into this multiverse of madness with playfulness and plenty of fan service, from the return of Michael Keaton as Batman, to some truly shocking cameos in the final act. DC has never quite played with its long cinematic history in this way, and it's quite a bit of fun watching them embrace the possibilities and many different iterations of this world that have existed over the decades. However, the final act of The Flash is where the film begins to lose the point, as the film attempts to have its character learn a major lesson, while then having the character forget this again for the sake of more fan service and potentially setting up future installments. The Flash does end Allen's first solo film with promise, but at the sake of hurting the overall narrative.Ross Bonaime

The Flash Movie Poster
The Flash
PG-13
Superhero
Action
Adventure
Fantasy
Sci-Fi

Barry Allen uses his super speed to change the past, but his attempt to save his family creates a world without super heroes, forcing him to race for his life in order to save the future.

Release Date
June 16, 2023
Cast
Ezra Miller , Michael Keaton , Sasha Calle

4 Blue Beetle

Directed by Ángel Manuel Soto

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'Blue Beetle' Review: DC's Latest Trades Big Scope for Smaller Stakes
Starring Xolo Maridueña, 'Blue Beetle' overcomes its many cliches with a more limited scale and a focus on family.

After the disaster that was Shazam! Fury of the Gods and the mixed bag of The Flash, Blue Beetle is...fine! There's certainly a lot to like about Blue Beetle, with Xolo Maridueña's introduction as Jaime Reyes, Ángel Manuel Soto's neon-tinted Palmera City that has a lightness often lacking in DC films, and a focus on the family instead of the individual hero. It's wonderful to see DC playing in smaller stakes like this, but Blue Beetle still feels like an amalgamation of plenty of other superhero films we've seen before, like Peter Parker's origin as Spider-Man, and a take on the Batcave that is more pop-culture influenced than Bruce Wayne would ever allow. Yet to be fair, at this point, a DC film that plays in overdone cliches that still presents a fairly interesting narrative is kind of an improvement for the studio, unfortunately. With this origin out of the way, maybe the future of DC can give Jaime even more original opportunities to show off his skills.Ross Bonaime

Blue Beetle Poster
Blue Beetle
Superhero
Action
Adventure

An alien scarab chooses Jaime Reyes to be its symbiotic host, bestowing the recent college graduate with a suit of armor that's capable of extraordinary powers, forever changing his destiny as he becomes the superhero known as Blue Beetle.

Release Date
August 18, 2023
Director
Angel Manuel Soto
Cast
Xolo Mariduena , Susan Sarandon , Raoul Max Trujillo , Harvey Guillen , George Lopez , Elpidia Carrillo

3 Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

Directed by Cathy Yan

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The new DC superhero film has some pop and flash, but too often feels like a bunch of different plotlines smashed together.

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) isn't without its faults: it probably has too many characters, too many stories, and its style occasionally feels like it's cribbing from Deadpool. And yet, in the bland morass that is often the DCEU, Birds of Prey shines as a rare bright spot, a candy-colored film—thanks to director Cathy Yan and cinematographer Matthew Libatique—that blends comedy and action in equal measure, and in a way that DC can rarely pull off effectively (sorry Shazam! Fury of the Gods). And most importantly: it's fun! What a novel concept!

Birds of Prey is also an excellent spotlight for Margot Robbie's Harley Quinn, with a story that draws her away from the Joker, and gives her a narrative centered around a delicious breakfast sandwich. Yan brings a joy and feminity to Harley Quinn and her new gang that counterbalances the usual dour darkness of the DCEU. And what a gang this is, with Jurnee Smollett's Black Canary, Mary Elizabeth Winstead as Huntress, and the excellent Rosie Perez as Detective Renee Montoya. If that's not all, Birds of Prey even gives us villains that are both menacing and entertaining, with Ewan McGregor's gleefully evil Black Mask, and the truly disturbing Victor Zsasz, played by, of all people, Chris Messina.

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is as over-the-top and playful as that title implies, a wacky, but thrilling adventure that puts one of the best characters in the DCEU front and center. — Ross Bonaime

Birds of Prey poster
Birds of Prey
R
Superhero

After splitting with the Joker, Harley Quinn joins superheroines Black Canary, Huntress, and Renee Montoya to save a young girl from an evil crime lord.

Release Date
February 5, 2020
Director
Cathy Yan
Runtime
108

2 Wonder Woman

Directed by Patty Jenkins

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By going for a more conventional superhero story, Patty Jenkins has created one of the better movies in the genre.

The problem with DCEU movies to this point is that they keep trying to reinvent the wheel before they even know how to drive. On its surface, Wonder Woman is a fairly standard origin story, but just because it plays by familiar beats, that doesn’t mean those beats are boring or overly familiar. Director Patty Jenkins understood that just because we might know the tropes of the origin story, that doesn’t mean we know this character or what makes her unique.

Wonder Woman takes full advantage of showing not only what makes its protagonist a hero, but then proceeds to test that heroism. Wonder Woman starts out the film thinking about mankind in the abstract, and it’s only through her relationship to Steve Trevor and seeing the horrors of war that she gets a better idea of who she’s supposed to be fighting for. The film pushes her innocence to the limit by forcing her to realize that while Ares may bear some responsibility for war, mankind’s weaknesses is also a part of it, and she must decide to save us anyway.

That’s an incredibly uplifting message that’s also surprisingly mature. The movie doesn’t shy away from the horror of war nor does it exploit it for cheap thrills. It’s a delicate balancing act, but Jenkins manages the task beautifully, allowing her hero to not only shine, but also grow and evolve as an individual. The template may be familiar, but the story never takes a shortcut on Diana’s development and her heroism. What’s more, it does all of this while remaining true to her best depictions from her comics. The result is a movie that will likely be a touchstone of the superhero movie genre for generations to come. —Matt Goldberg

wonder-woman-poster
Wonder Woman
PG-13
Action
Adventure
Fantasy
Sci-Fi

When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.

Release Date
May 30, 2017
Director
Patty Jenkins
Runtime
141

1 The Suicide Squad

Directed by James Gunn

Writer-director James Gunn understood the assignment. Tasked with a sequel/reboot of the failed 2016 movie, Gunn leaned into the fact that since his characters are, by the very nature of the premise, disposable villains, took full advantage of being able to knock off characters and provide real stakes to his superhero story. It’s easy to say “This is everything the 2016 movie should have been,” but it’s important to note that while Warner Bros. clearly meddled with the 2016 movie, it’s also clear they let Gunn do his thing, so that The Suicide Squad feels like a James Gunn movie with shades of his past efforts like Guardians of the Galaxy, Super, and even Slither.

But what also makes The Suicide Squad more than a nihilistic romp is that Gunn knows how to inject heart into these darkly comic stories. While the film has a ridiculous body count and some insane gore, it also has characters you really care about and who, more importantly, care about each other. It doesn’t simply feel like a collection of superheroes, but rather that these are discarded, disposable individuals who know it and choose to embrace their outsider status to restore a sense of dignity and purpose to their lives even if they don’t mind getting their hands a little dirty to get the job done.

By understanding the characters and premise at his disposal and combining it with his own artistic sensibilities, Gunn crafted what was the best DCEU movie to date, a film that works from start to finish and leaves you wanting more of this universe and takes on these characters. Although it didn’t blow up the box office due to the pandemic and the hybrid release strategy, it feels like The Suicide Squad will have a long shelf life due to its particular brand of violent mayhem and emotional sincerity.Matt Goldberg

The Suicide Squad poster
The Suicide Squad
Action
Adventure
Fantasy

Supervillains Harley Quinn, Bloodsport, Peacemaker, and a collection of nutty cons at Belle Reve prison join the super-secret, super-shady Task Force X as they are dropped off at the remote, enemy-infused island of Corto Maltese.

Release Date
July 28, 2021
Director
James Gunn
Runtime
132