Being a finalist for the Pulitzer Prize for Fiction is just one of many good ways to get your writing noticed. Luckily for Jonathan Franzen, his National Book Award-winning novel The Corrections has been picked up by the capable folks at HBO. Now, screenwriter Noah Baumbach (Greenberg) and producer Scott Rudin (The Social Network) have some equally capable actors to work with. Dianne Wiest (In Treatment) has landed the female lead of Enid Lambert and may star opposite Chris Cooper (Adaptation) who is in negotiations to play her husband, Albert.
The Corrections is a sprawling satire of a conservative Midwestern couple suffering from “empty nest syndrome,” among other things. The novel wanders through time, highlighting each of the family members’ successes and mistakes until finally converging at a point where they all begin to correct the individual courses of their lives. Hit the jump for more on The Corrections.
Casting news for The Corrections comes courtesy of THR. Rudin, who optioned the film rights for Paramount back in 2001, will executive produce The Corrections series if HBO officially orders the pilot. Franzen will join Baumbach as writers and executive producers on the project; Baumbach is expected to direct.
Wiest, who can currently be seen in David Frankel’s The Big Year, had previously spent two seasons on HBO’s In Treatment. Oscar-winner Chris Cooper will appear on screen in James Bobin’s The Muppets later this fall. Check out the synopsis for The Corrections below via Amazon.
THE CORRECTIONS is a grandly entertaining novel for the new century-a comic, tragic masterpiece about a family breaking down in an age of easy fixes.
After almost fifty years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson’s disease, and their children have long since flown the family nest to the catastrophes of their own lives. The oldest, Gary, a once-stable portfolio manager and family man, is trying to convince his wife and himself, despite clear signs to the contrary, that he is not clinically depressed. The middle child, Chip, has lost his seemingly secure academic job and is failing spectacularly at his new line of work. And Denise, the youngest, has escaped a disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man-or so her mother fears. Desperate for some pleasure to look forward to, Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.
Stretching from the Midwest at midcentury to the Wall Street and Eastern Europe of today, THE CORRECTIONS brings an old-fashioned world of civic virtue and sexual inhibitions into violent collision with the era of home surveillance, hands-off parenting, do-it-yourself mental healthcare, and globalized greed. Richly realistic, darkly hilarious, deeply humane, it confirms Jonathan Franzen as one of our most brilliant interpreters of American society and the American soul.