Nicolas Winding Refn (Bronson) has earned the status as an exciting filmmaker to look out for, and he rounded up a terrific cast for his Hollywood debut in Ryan Gosling, Carey Mulligan, Christina Hendricks, Bryan Cranston, Ron Perlman, Oscar Isaac, and Albert Brooks. (I am encouraged that the script by Hossein Amini (Killshot) convinced Brooks to shoot his live-action feature since 2003.) The logline is promising, too — a novel yet natural entry point into the action genre: a Hollywood stunt driver (Gosling) moonlights as a getaway driver.
Drive will premiere at the Cannes Film Festival later this month in advance of a September 16 release. The Cannes promotional material gave us our first look at the film with a two-minute clip. The new Drive press kit assembled for the festival provides a new poster, a longer synopsis, and a bunch of new images. Look for the poster, synopsis, and images after the break.
Here’s the full synopsis:
Driver (RYAN GOSLING) is a stunt driver by day and a getaway driver by night. Doesn’t matter what job he does, Driver is most comfortable behind the wheel of a car. Shannon (BRYAN CRANSTON) is part mentor, part manager for Driver. Since he knows what a great talent Driver is behind the wheel, he either peddles him to film and television directors in the entertainment business or thieves who need an accomplished getaway driver, taking a cut for his own pockets. Always looking to make a buck, Shannon’s current plan is funding a stock car that Driver can race on the professional circuit. Since Bernie Rose (ALBERT BROOKS) is the wealthiest guy he knows, even if the sources of his money are questionable, Shannon proposes he be their investor. After seeing Driver in action at the speedway, Bernie Rose insists Nino (RON PERLMAN) partners with them as well. Primarily a loner and ambivalent about the deals Shannon makes for him, Driver’s world changes the day he shares an elevator ride at his apartment building with Irene (CAREY MULLIGAN). When he sees her again at the grocery store with her young son, Benicio (KADEN LEOS), he is transfixed, and willingly offers help when they are stranded in the parking lot because Irene’s car won’t start. Soon Driver settles into a routine of driving Irene to her waitress job and watching Benicio, entangled in their lives while her car is fixed. This interlude in Driver’s life abruptly stops when Standard (OSCAR ISAAC), Irene’s husband, is let out early from prison for good behavior. Even though nothing has happened between Driver and Irene, Standard is threatened by another man’s presence in his family’s life. Driver backs off, respectful of Irene’s desire to keep her family together, but when he finds Standard bloodied and lying in the garage with a scared Benicio standing next to his father, Driver is embroiled even further in Irene’s life. Then trouble begins…
You can download the full press kit at the official Cannes site — it provides a detailed timeline of how Refn and each of the actors came on board.
Because of the layout of the press kit, some of the images below are obscured by graphic design. The slight inconvenience is more than made up for in image quality and quantity.
Click on any image for the larger version.