RSS
 
  May 23, 2012 
 
Collider’s RSS Feed – VERY IMPORTANT
A new Collider is launching...
Review: TERMINATOR SALVATION
Matt can't find the humanity in this war against the machines
You'll Get Your First Look at James Cameron's AVATAR in Front of TRANSFORMERS: REVENGE OF THE FALLEN
But I have my doubts...
Clips from Accidentally on Purpose, NCIS LA, The Good Wife, and Three Rivers
Take an early look at CBS’ fall shows
CBS Announces 2009-2010 Primetime Schedule
The network add four series and moves The Mentalist to Thursdays
The first reviews of Quentin Tarantino's INGLOURIOUS BASTERDS
Apparently it's 'too talky'; have these critics seen a Tarantino movie before?
Three Clips from INGLOURIOUS BASTERDS - UPDATED with a 4th Clip
Jew Rats, Interrogating Nazis, and Chatting with a Wounded Diane Kruger
Sam Worthington Interview TERMINATOR SALVATION
He talks about everything – from making Terminator to James Cameron’s Avatar
Christian Bale Interview TERMINATOR SALVATION
He talks about making Terminator, Public Enemies, and how he’s training for his next film
Steven Soderbergh Interview – THE GIRLFRIEND EXPERIENCE
He talks about making Girlfriend Experience and a little bit on Moneyball
Dan Aykroyd Says GHOSTBUSTERS 3 Could Start Filming This Winter
Starting up a 'new generation' of ghostbusters
New Trailer: 9
An awesome-looking animated film that isn't from Pixar
First Look At ABC's FLASH FORWARD and V
Two of the network's upcoming sci-fi drama series
NBC Announces 2009-2010 Primetime Schedule
And Chuck is back…but not until February
ABC UNVEILS 2009-10 PRIMETIME SCHEDULE
V is back
TWILIGHT NEW MOON Teaser Movie Poster
Bella, Edward and Jacob…
 
ARCHIVE - ENTERTAINMENT NEWS
The New Paramount Gets Newer
7/12/2005
Posted by
Collider Staff
     

Posted by Mr. Beaks

If you had the over on how long Robert G. Friedman would last past the outset of the Brad Grey era at Paramount, you just won big.

For a while, it was beginning to look like the embattled COO might've somehow found a home at "The New Paramount", but, according to the below press release, 'twas WAR OF THE WORLDS that stayed Friedman's departure.  Now that the Spielberg/Cruise collaboration has opened and performed either to or below expectations depending on whom you ask, it now appears safe to let the industry know that, yes, Big Shot Rob will soon be heading out the Melrose Gate for good.

Here's the official announcement:

ROBERT G. FRIEDMAN STEPS DOWN AS CHIEF OPERATING OFFICER

AND VICE CHAIRMAN OF MOTION PICTURE GROUP OF PARAMOUNT PICTURES

July 12, 2005  – Los Angeles, CA – Robert G. Friedman will be stepping down from his post as Chief Operating Officer and Vice Chairman of the Motion Picture Group of Paramount Pictures to pursue other interests, it was announced today by Paramount Chairman and CEO Brad Grey.

Friedman, who served as Vice Chairman of the Paramount Motion Picture Group since 1997 when he joined the studio, was subsequently named Chief Operating Officer in 2002. His responsibilities included oversight of all domestic and international marketing, publicity, and distribution operations at Paramount, as well as Paramount Home Entertainment and specialty division Paramount Classics.

"Rob has made many valuable contributions to Paramount's history. When he told me several months ago that he wanted to move on, I asked him to stay on and open "WAR OF THE WORLDS," he agreed, created a fantastic campaign, and the movie was Paramount's best opening ever.  We thank him for his many years of dedication and hard work here at the studio and wish him the very best," said Grey.

“I have had a great experience here at Paramount, but I told Brad a few months ago that it was time for me to find new challenges. It has been gratifying to be a part of some of the studio’s greatest successes and I am proud of the team I have built here.  I am confident that I am leaving the company in very good hands,” said Friedman.

Friedman will stay at Paramount through the release of two upcoming titles, "HUSTLE & FLOW," and "THE BAD NEWS BEARS."  He will serve as a consultant on the remaining titles on the 2005 slate.

Friedman was involved in the domestic marketing and distribution of "TITANIC," the highest grossing film in history, as well as such Paramount hits as "LAURA CROFT: TOMB RAIDER," "WHAT WOMEN WANT," "MISSION: IMPOSSIBLE 2," and "SAVE THE LAST DANCE."  His departure comes on the heels of a string of successful openings: "LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS," "COACH CARTER," "SAHARA, " "THE LONGEST YARD," and "WAR OF THE WORLDS."   He spearheaded the creation of the studio’s Classics division that has released critical favorites such as "YOU CAN COUNT ON ME," "VIRGIN SUICIDES," and recently "MAD HOT BALLROOM."  He testified on behalf of Paramount at the Federal Trade Commission hearings in Washington on the marketing of violence to children and helped design the industry’s guidelines. 

Friedman began his career in the mailroom at Warner Bros., where he worked his way up through the ranks for over 25 years there.  He was responsible for many successful campaigns, including the "BATMAN," series, the "LETHAL WEAPON" films, "THE BRIDGES OF MADISON COUNTY," and the Oscar-winning "DRIVING MISS DAISY," "CHARIOTS OF FIRE," and "UNFORGIVEN." He left as President of Worldwide Marketing in 1997.