Timothy Olyphant Interviewed Ė ĎCatch and Releaseí
Posted by Frosty
Usually I wait until the week of release to post my junket coverage of a film, but due to Sundance, Iím throwing up all my Catch and Release stuff tonight.
Arriving next week is the debut film from Susannah Grant. While she has never directed a feature film, she has written a bunch of them like Erin Brockovich, In Her Shoes and Charlotte's Web. And while debut films can sometimes be a bit shaky, thankfully Catch and Release is a winner. Itís not too sentimental, itís not too cheesy, it feels like these are real people who are dealing with real problems.
The film takes place in Boulder, Colorado and it's centered on Jennifer Garnerís character. She plays a woman who is about to get married and has her life completely figured out when her fiancť dies unexpectedly. The film is a mixture of her dealing with the loss and trying to move on, and at the same time discovering some significant secrets about her fiancť. But she doesnít have to go at it alone. She has some great friends, and they are played by Kevin Smith, Sam Jaeger and Timothy Olyphant.
I have to be honest; I was really looking forward to attending these roundtables for this film as Iím a pretty big fan of all the people involved. I loved Alias, I loved Deadwood, and while I donít love all of Kevin Smithís films, Iíve seen all of them and a few of them mean a great deal to me. So getting to participate in this junket was even worth missing some playoff football.
Anyway, Iíve been a fan of Timothy Olyphant since I saw him in the movie Go. He played the drug dealer Todd. Since then heís been in a lot of movies but most people know him as Sheriff Seth Bullock on the recently cancelled Deadwood.
So when the roundtables started I actually got the first question and of course it was about Deadwood. But donít think thatís all we covered. Many questions were asked and of course the other big subject was his involvement in new Die Hard film. In case you didnít know, he plays the main villain.
But Tim has also been rumored as the star of the movie Hitman, which is the movie based on the popular video game of the same name. He answers what is up with that as well as covering many other subjects.
You can either read the interview below or listen to it. If you want to listen then click here. Itís a MP3 and it has no copy protection so you can easily throw it on an iPod or portable MP3 player.
Can you talk about ďDeadwoodĒ and rumors of the two, two hour movies?
Timothy: I know what you know. I read the trades now because I want to know whatís happening. Iíve heard theyíre gonna do them. Thatís all I can tell you. I couldnít be more proud of that show and my involvement in it. It was one of the greatest experiences creatively and personally. Just recently, the fact that the Screen Actorís Guild gave us that ensemble nomination, the most lovely thing about that was the excuse to call all those folks up. McShane called me in the morning. I talked to Dayton Callie. Later that afternoon, I talked to Anna (Gunn). It was just great to be able to pick up the phone and hear those peopleís voices again. And David Milch, I try to think positively that I might have soaked a little bit of that up, that I might somehow take some of that brilliance with me to other jobs. It was unbelievable what it was like. Unbelievable in that, consistently, every day I showed up on that set he did something that I was just wowed by, that I didnít see coming. The one hesitation I had, the idea of doing a series was Ďhow long will it go and when will it get boring? At what point will it no longer have much to offer?í And, that point never came. It was really quite something.
Would you want to do the longer films?
Timothy: I think itís quite pointless to entertain that idea because, until there is something in front of me to make a decision about, I think that itís better, for my mind-set, that Iím moving forward. I think, until that phone call comes, itís sort of pointless to get too hung up on that.
You are working a lot lately.
Timothy: I feel very blessed and fortunate. The fact is, over a number of years now, Iíve been able to work rather consistently and also, Iíve been lucky to be able to play quite a diverse group of characters. The fact that that continues really means the world to me because itís whatís fun about the profession; going from one thing to the next and being able to do things that I find surprising, that I find, humm, itís not something that I thought might have been in the repertoire kind of thing. It makes the job so much fun. I think, at the same time, higher profile jobs and I imagine, my private life gets a little less private when you do something. I hope Iím at a place in my life where thatís not too disruptive.
Was it easy to say yes to Die Hard?
Timothy: Yeah, it was easy. That offer can in and it seemed like a no-brainer. One, you know what youíre signing up for and itís probably gonna be a good time. And, Iíve never played that substantial a role in such a classic, great American popcorn movie. Then, it becomes a personal thing. It shoots here in L.A. I literally work for just a few weeks; seems like fun.
How does the delay in releasing this film effect you?
Timothy: Catch and previously unreleased? [laughter]. I imagine thereís some sort of ripple effect career-wise. Movies come out and raise a certain amount of interest and stuff but, for the most part, Iíve gone about my professional life and it feels more or less the same. At the end of the day, if thereís any type of anxiousness for it to get out there, part of the thing about this kind of a job is youíre telling a story and you want an audience. Thatís the only thing. You kind of look forward to it but itís not theater. The beauty of theater is that intimacy and that thing of I do this and you respond and weíre all kind of taking part in this. The only disappointment of anything being held for a long time is youíre waiting for that thing to bounce back.
How different is your villain character in Die Hard from Alan Rickmanís in the first Die Hard who was so in your face?
Timothy: His is gonna be much better. Thatís a little guess. It really is quite different. I just started this week so weíre kind of feeling it out. But, itís a cyber-terrorist plot based on this article that was in Wired magazine a few years ago saying that as horrific and sad as it was seeing a building come down, the real threat to the country was cyber-terrorism; if somebody were to hack into that infra-structure, they could cripple the country in a matter of days. This character is a guy who used to work for the government and warned them of this possibility and is now carrying it out. So, in its own right, itís a different character, a different villain. Thereís something that feels a little bit more unstable about a person who would do that kind of a thing. The ouch doesnít really match the pinch. It was a guy whose career was ruined and is now saying ĎI told you soí.
Have you been blown up or beat up yet?
Timothy: Not yet. But, I have a sneaky suspicion.
And youíre with Kevin Smith again.
Timothy: Yeah. I went first day and thereís Kevin. Disappointed.. no!
I hear he writes his own dialogue.
Timothy: He was throwing things out there on Die Hard and not just for his character. Kevinís funny.
How is it to interact with him? Youíre a more straightforward actor.
Timothy: I try not to interact with him too much because it ends up on a blog. And, how do you know if Iím straightforward or not straightforward.
Because of the way you speak and the way you approach your roles. And because the director told us that Kevin was this way in this movie. But whatís it like being around someone like that?
Timothy: Itís all the same. I really think itís all the same. At the end of the day, you read enough to know that everybodyís going about it in their own ways but it comes down to youíre doing some very simple actions that help the story. My jobís the same. I have a sense, hopefully, of what the sceneís about and what Iím trying to do and, other than that, you make yourself available to what is going on around you. Itís like a boxing metaphor. You have a sense of what youíre trying to accomplish but, once you get in the ring, you donít want to be so stuck in that because, if the other guys does something that you werenít expecting, it might be a good idea to come up with another plan. I think thatís all it is. I donít find working with Kevin any different than working with anybody else. In a way, all it does is force you to listen more because you donít know what heís going to say. And thatís not a bad thing.
Was working with Jennifer different than you expected?
Timothy: No. Iíve known her for a long time. I knew her years ago in New York when she and I were both just first starting and it was very refreshing to see that, more or less, she was the same girl I knew then. Sheís just a lovely person. Sheís a real pro. She knows everybodyís name. Sheís on time. Sheís one of those people that, despite being a major star, sheís one of the guys. And I really appreciate that a great deal because, for me, this was an opportunity to play a role Iíd not played with a big star and she made me feel very relaxed and at home.
What was the attraction to this role for you?
Timothy: Well, that was part of it, an opportunity to play a leading man, a romantic lead. But, it was also an opportunity to play a great character. As more opportunities come to me, anyone that goes to movies or watches television knows that oftentimes, the lead roles are the most boring. You try to find the ones that are as fun or as rich as possible. Susannah writes really, really well. It was a fun character because, any of these roles, the comedic ones or Bullock (his character Seth Bullock on ďDeadwoodĒ) or whatever, if you can find something that allows the character to be surprising, where you donít quite see the moment coming, or youíre not quite sure what the character is going to do next, for a conventional leading man role, this had a lot of those moments.
Whatís going on with Hitman.
Timothy: I donít know.
Are you still attached to it?
Timothy: I donít think Iíve ever been officially attached to it contrary to the internet. It sounds fun. It sounds pretty cool. Iíve seen the pictures. Iíve never played the game but it looks cool. Lord knows what Iíd look like when this hair comes off. Itís a major concern.
Thereís not a good history of video games being successful movies.
Timothy: Thatís a good point. I think you start with the script and ask yourself who is going to tell that story and, if Iím not mistaken youíve got Luc Besson right now whose done very good movies in that genre; La Femme Nikita. I remember walking around for weeks just saying ĎLa Femme Nikitaí. That was just such a good movie. Gosh, that was great and then The Professionals, I just watched The Professionals again two weeks ago. Itís a good movie. I havenít seen the long version. I hear thatís unbelievable where he goes and kills people with her? I havenít seen it. Itís such a great sweet story. You know what I mean? Itís a metaphor for parenthood in this warped way. Youíre trying to teach your children how to survive without you. Itís really quite something.
So theyíve approached you but you havenít officially signed on?
Timothy: Thereís been conversation.
What else is coming up for you? Do you know what youíre doing after Die Hard?
Timothy: No. I donítí know what Iím doing after that.
Is it different for you working with someone who is both a writer and director?
Timothy: No. Itís always great when thereís clearly one person in charge. Itís fantastic. Arguably, David Milch was both writer and director. It doesnít mean anything if the writer and the director are the same person and that person sucks. But, itís always great to have one person tell you a story.
Something about being a competitive actor, having been a swimmer in competition.
Timothy: I remember when I first started coming to grips with the fact that, unlike swimming, the fastest person didnít always win. That was a tricky thing to wrap your head around. In sport, the winner is clearly the winner and in this job, in terms of getting jobs, you can be the guy that they said blew everybody away but not the one that weíre going with. People are opening and closing doors and thatís out of your control. Thatís a lesson in life. You canít do anything about it so you have to disregard it and move on.
In particular scenes?
Timothy: In scenes, particularly Iíve not thought about it. I enjoy the job a great deal. One of the things I enjoy about it is that collaborative experience so to speak. I enjoy the relationships. I enjoy the creative atmosphere that is sort of social in a way. Iíve been listening to David Lynch and the ideas are everywhere. Thereís something fun about being on a set and not just the relationship with the director and other actors, but the crew and all of it. Itís true. The ideas are everywhere. There are things informing you all the time. There are things to work off of all the time. I remember one of my first good experiences on a film set. I had done some plays and television and I did this one small part in a movie and I just couldnít figure out what was fun about it. The experiences were very vapid and not inspiring at all but I did this one day on A Life Less Ordinary with Holly Hunter and we were in the middle of a take on her coverage and a breeze kicked up and she stopped and turned her face into the breeze and her hair blew back and I thought, Ďis she ruining her take? This is the craziest thing everí. Then it occurred to me that she was just working off of what she was given and she was just dialed into the experience and the moment and it was the first time that I thought, Ďahha. You can go on a film set and you can aspire to do something really creativeí. It was the first time that nothing about it was manufactured. It was really quite beautiful. She seemed totally unaware of herself. Thatís where you want to be.
What can you tell us about the Kimberly Peirce film?
Timothy: Itís called Stop Loss with Ryan Phillippe and Channing Tatum and itís about these soldiers that come back and think theyíre finished with their tour of duty and theyíre called back to the crisis in the Middle East. I play a Lieutenant Colonel who is essentially the guy who is saying Ďlook, youíve got to go back and thereís nothing we can do about ití. Iím sort of his last effortÖoh, he goes to a senator after me to try to fight it.. Ryan.
How did you get involved with the radio show on 103.1?
Timothy: I was a big fan of that station. Itís one of the great radio stations here in L.A. I had some friends in common. I went in to do some publicity for ďDeadwoodĒ and thought Iíd love to do something on the show. The next day I called in the sports and that was seven months ago.
Do you write all your stuff?
Timothy: I just read the paper [laughs]. I wake up in the morning and lay out the sports page in front of me and pick up the phone. I call them or they call me and I tell them whatís in front of me. And, other than that I could also just tell them that my brother scored a 270 this weekend at the golf course. Itís great. I really enjoy doing it. Joe Escalante is a class act.
Iím a big fan so itís been great. Itís Indie 103.1 itís an alternative rock/punk station. I do sports and David Lynch does the weather and Iím not joking. Itís Monday through Friday. Itís online.
I canít imagine David Lynch committing to any kind of weather thing.
Timothy: He does it every day on his website and so, itís an extension of what heís been doing for I think two years now. Every day, he gets up and does the weather for Los Angeles. I really think thereís real genius to it. I think what heís doing is quite interesting. Big fan.
Your character is a big city guy visiting a smaller town. Are you a big city guy or small town guy?
Timothy: I never really thought about it. My wife and I have lived everywhere from a little tiny beach town to New York and L.A. and we look back and realize, Ďyou know, we were always pretty happyí so you just create your own community. Iíve been really lucky that way.
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