Kevin Smith talks STAR TREK and WATCHMEN
Posted by Frosty
Earlier today I attended the press day for Kevin Smithís new movie Zack and Miri Make a Porno. In the coming days Iíll have transcripts with most of the cast, but I had to post whatís below immediately.
As most everyone knows, Kevin Smith has seen both Watchmen and Star Trek.
So when I got to speak with him as part of a roundtable interview today, needless to say I asked a number of questions on both films. While I was slightly nervous he wasnít going to talk about either film with usÖthankfully, he told us a lot without ruining anything. So if youíre nervous about spoilers and are trying to avoid them, this is relatively safe.
The quick summary is....he seemed to have really loved both films and what he says only made me more excited for next year.
Finally, if youíd like to listen to the audio of the interview click here. Also, here are some movie clips from Zack and Miri and some behind the scenes footage.
Q: Right now, you have, I believe, seen the two biggest films of 2009.
KS: Watchmen and Star Trek Ė theyíre awesome. Both are fantastic.
Q: Some have been saying the ending is slightly different.
KS: Itís a little different. While it is a slight departure, it actually makes sense in the context of the story because it brings the characters back into it. It kind of makes the movie more about them by the end of it because of the switch they made. I would never say that Alan Moore fucked it up or something. I love the ending of the Watchmen comic book, but I think this ending works just as well.
Q: Dark Knight, itís been argued, could be up for a Best Picture and a lot of other awards. Do you think Watchmen is on par with that? That it could be an awards kind of film?
KS: I feel like Watchmen, when I saw it Ė and Iíve seen it twice nowó
Q: I hate you.
KS: Yeah, sorry. I saw it once when they had out of something like 500 visual FX shots, they only had 10% done. Next time I saw it, I think they had 15% done. Thatís the one think I havenít really said. I watched that movie without all the FX shots done. Through most of the movie, Billy Crudup Ė even as Dr. Manhattan Ė looks like Billy Crudup. And still that movie works like gangbusters, even though itís not completely fleshed out and finished visually speaking with the digital FX. That being said, when I watched the movie, the biggest impression I walked away with was, This could totally be Pulp Fiction to some degree. For the mainstream audience, when Pulp Fiction came along, they said, Okay, I know crime thrillers. I know the genre, kind of. But this is a movie that spins it with this left of center view. With Watchmen, youíve got people very familiar with the comic-book format of the movie, but it takes this left of center view of it. People who love the comic book are definitely going to go in droves, but I think theyíre going to get a lot of people who would never see this movie Ė based on the buzz factor. Itís the goods, man. Itís a really smart, intelligent film. Itís just like reading the book, but a movie.
Q: When Dark Knight Returns and Watchmen came out in the 80s, they were so cool and so post-modern that it was hard to do comics after them. Are these movies setting up that same situation?
KS: I think what it does is forces studios to be more honest and hone closer to the source material because the three movies that came out this summer: Iron Man looks and feels like Iron Man; Dark Knight looks like Batman, feels like Batman. Incredible Hulk, the same thing. Bryan Singer did it very well with the X-Men movies, too. Theyíve proven now you donít have to take this vast departure, you donít have to change their outfits, you donít have to change the villains to make them more believable or realistic. So I think it raises the bar, but I donít think it means no comic-book movie is watchable after Dark Knight. If I stood by that logic, Iíd never watch another movie after Godfather. They might not all be Dark Knight, but theyíre going to try harder and make stuff more in keeping with the source material Ė which I would appreciate.
Q: Why does Star Trek work?
KS: Star Trek works in a way where youíre sitting there going, I canít believe this works. I remember when they announced it, I felt like look, itís one thing to introduce a whole new cast of characters. Itís another thing if youíre going to take the original characters, have other people play them, and do a Muppet Babies version of Star Trek. But it fucking works like gangbusters. The credit goes to JJ and his writers, but definitely to the cast. They pull it off. Chris Pine, who plays Captain Kirk in the movie, does not do a William Shatner impression, but, at the same time, heís unmistakably Captain Kirk. He just brings all the brio, the gusto, everything about Kirk except Shatnerís deliver to bear on the character. It doesnít disavow anything thatís gone before. It lives side by side with everything thatís gone before in Star Trek lore, in the movies, and the TV show. He did a great, great job. Itís totally a fun movie.
Q: How was Simon Pegg as Scotty?
KS: Simon Pegg was good. I donít want to spoil too much because they made me sign an NDA as well. But heís not right front and center right away. He comes into the movie later. Iím not going to compare it to Blues Brothers, but itís definitely a bringing the band back together even though theyíve never been together movie. So the characters come in slowly. Slowly they bring in character by character. And Scottyís the last one they bring in. But heís pitch perfect.
Q: Howís his accent?
KS: Heís pitch perfect. He sounds just like him.
Q: What environment did you watch it in? Was it a screening room?
KS: It was Paramount, on the lot, and JJ had pulled together a family and friends screening just to throw it up there and see how it played. Thatís another movie where heís like, We donít even have a tenth of our FX shots done. Some places your mind has to fill it in. But it still works even though all the FX shots arenít done.
Q: Do you, as a fan, debate not seeing it in that condition?
KS: No, no, shit no. Iíve got to see it. I remember, we were at San Diego Comic-Con and thatís where I met Zack Snyder for the first time. He invited me. He was like, you gotta come over and watch the movie. And I was like, Oh, I gotta! You canít keep me out of that screening room. He was like, It ainít finished. I was like, Dude, I donít care. The fanboy in me needs me to see it. Iíve been around the block long enough to fill in the blocks in terms of whatís missing. Or this is a wire-frame FX shot thatís going to be a very smoothed out, flesh FX shot when itís done.