Michael Winterbottom‘s Face of an Angel is currently being shopped around the European Film Market at the Berlin Film Festival, and a clip from the promo reel has gone online. The film is inspired by Barbie Latza Nadeau‘s book “Angel Face: Sex, Murder and the Inside Story of Amanda Knox” and according to Variety, “uses a fictional adaptation of the tragic story of the 2007 murder case in Umbria, Italy, and ensuing media circus as a springboard for a wider investigation of society’s fascination with violence.” While the trailer seems to fall in line with this logline, the full synopsis seems to tell a much different story.
Hit the jump for more. The film stars Daniel Bruhl, Kate Beckinsale, and Cara Delevingne.
And here’s the full synopsis:
The murder of a British student in Tuscany leads to the trial and conviction of her American flat mate and Italian boyfriend in controversial circumstances.
The public interest around the case attracts once successful, but now struggling filmmaker Thomas (Bruhl), to be commissioned to write a film, “The Face of an Angel,” based on a book by Simone Ford (Beckinsale), an American journalist who covered the case. From Rome they head to Siena to research the film.
Thomas has also recently separated from his wife in a bitter divorce and left his 9-year-old daughter in Los Angeles. As his life unravels, he becomes increasingly disturbed by the dark medieval atmosphere surrounding the case and begins to fall into his own personal hell.
Just as Thomas is about to hit rock bottom, he meets British student Melanie (Delevingne), with whom he begins an innocent relationship. This is a beautiful, unrequited love where Melanie provides solace to him and acts as a guide to his own heart. Thomas starts to question what is more important to him, solving an unsolvable crime and writing the film, or returning back to the daughter he has left behind.
That sounds more like something along the lines of Adaptation. or Seven Psychopaths than a clear investigation into the case itself. While I’m absolutely fine with not delving into the sensationalistic aspects of a crime that’s treated as “news”, I think the media circus angle is far more interesting, and I hope that’s what Winterbottom pursues.