A Fantastic Fear of Everything is the first effort from Pinewood Films’ initiative to finance low-budget independent British films. They are off to a good start—at least in terms of the interests of this site—by kicking things off with a Simon Pegg vehicle. Pegg plays Jack, a children’s author turned crime novelist obsessed with Victorian serial killers: “When Jack is thrown a life-line by his long-suffering agent and a mysterious Hollywood executive takes a sudden and inexplicable interest in his script, what should be his ‘big break’ rapidly turns into his ‘big breakdown’.” Tonight we have our first look at Pegg’s wild-haired Jack, knife in tow.
Alan Drake, Amara Karan, Clare Higgins, Sheridan Smith also star in A Fantastic Fear of Everything. Crispian Mills and Chris Hopewell are directing from a script by Mills. The image is pretty small, but there’s a bit more torso to see after the jump. As added incentive, we’ve included a lengthy synopsis.
From the looks of it, the role will show us a side of Pegg we’ve never seen before. Even if I’m basing that solely on the wig, I’m excited.
Image via Bloody Disgusting. Here’s that synopsis I promised:
Jack is alone for Christmas. A former children’s author, now turned crime novelist, Jack spends his nights pacing about, entrenched in his latest script ‘Decades of Death’ with only his gruesome research into Victorian serial killers for company.
A sensitive artist, who lacks even the simple courage to buy his own toilet paper, this research into all the most notorious hackers and poisoners of the late 19th century has made him paranoid and insomniac. Jack starts carrying a carving knife around with him due to ‘an irrational fear of being murdered’ and begins to suspect everybody he meets, from the waiter in the restaurant, to the newspaper vendor, to the friendly local ASBO hoodies. But when Jack is thrown a life-line by his long-suffering agent and a mysterious Hollywood executive takes a sudden and inexplicable interest in his script, what should be his ‘big break’ rapidly turns into his ‘big breakdown’, as Jack is forced to confront his worst fears; among them, love, laundry, and, serial killers.
It’s because of his agent’s unprecedented request that he ‘look smart’ for the big meeting, that Jack’s career now rests precariously on his ability to tackle his irrational fear of launderettes. However, Jack soon has to deal with far more than the simple embarrassment of exposing his own soiled load in public. Harangued by the ghost of his ex-wife, and guided by the sage-like counsel of his psychotherapist (who once cured a girl of her phobia of open bananas), Jack makes his fateful ‘trip downtown’, taking him through the shadowy dystopia of a modern Noir London and onto the bright neon lights of the Lotus Laundromat, where his inability to operate a washing machine, (and the unfortunate fact that he’s still carrying a carving knife), triggers a series of unexpected events bringing him face to face with real danger, real crime, real fear, and even reality TV; involving an encounter with the most beautiful girl in London, a highly embarrassing personal injury, a bruising encounter with the strong arm of the law, and ultimately an unexpected fight for his life at the hands of a real serial killer…