- 1980: The 1980s are usually typified by the decade’s more unfortunate trends, from the neon-spandex wardrobes to overtly shallow synth pop and hair metal to, well, Reagan. Freaks & Geeks never goes for the easy joke, never settles for the broad view of the decade. Rather, the show is built on personal memories, breaking away from headline stories of the 1980s to find a unique view of life, and popular culture. It’s essential that when Bill Haverchuck (Martin Starr) wants to have fun, he sits and watches Garry Shandling’s television stand-up material. He doesn’t watch Comic Relief, George Carlin, or Robin Williams, but rather one of those great moments of TV that, at the time, you really had to be there to know about.
- The Cast: Considering the vagaries of popular culture, it’s not entirely likely that Franco, Cardellini, Segal, Busy Phillips, and Seth Rogen will have big careers after this. In fact, the only actor here that seems to have a lock on a long future in comedy is John Francis Daley, who plays Sam, but all of them deserve fruitful careers. The focus of the performances are not hitting the plot points of each episode, or even the overarching story, but rather in the nuances of delivery and gestures. The look on Lindsay’s face when Nick substitutes a night of fooling around with an overblown declaration of love says all you need to know about how long their courtship will last, and the show consistently communicates emotions in similarly subtle yet poignant ways.
- Judd Apatow & The Writers: Visually, the show is par for the course, with some occasionally really perceptive long takes and strong editing. The show’s reputation, however, lies with its writers, of which Feig is only one out of 11. Judd Apatow, who has cut a swath through modern television as of late with writer-producer credits on The Critic, The Larry Sanders Show, and The Ben Stiller Show, flanks him most evidently; he also directed a few episodes of the series. Apatow and Feig worked together on 1995’s Heavy Weights, and though they both seemed doomed when it comes to motion pictures, they have a sense of humor that fits perfectly with the television comedy format. And they’re backed by up-and-comers such as Mike White (Dawson’s Creek), Jeff Judah (Late Show with David Letterman), and Bob Nickman (Roseanne), three writers that are skilled at creating guffaws and howlers of all stripes.
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