Now playing in New York and L.A. is director Steve McQueen’s incredible drama 12 Years a Slave. Based on Solomon Northup’s autobiography of the same name, the true story chronicles his twelve-year journey as an educated and married free man from New York who was abducted in 1841 and forced into slavery for over a decade. The film is absolutely one of the best of the year and features powerful performances by the whole cast, especially Chiwetel Ejiofor, Michael Fassbender, and Lupita Nyong’O, and it will be a major player in this year’s awards race. For more on the film, read Matt’s review.
Recently I got the chance to visit composer Hans Zimmer in his recording studio. During our wide-ranging conversation, he talked about his fantastic work on 12 Years a Slave, his initial reluctance to join the project, how McQueen gave him excellent direction while working on the music, and his overall approach to the score. Zimmer also talked about his “very traditional” work on the fantasy Winter’s Tale, how he thinks of Ridley Scott’s Hannibal as the last great romantic love story he worked on, and more. Hit the jump to watch.
- If you missed what Zimmer had to say about his work on The Amazing Spider-Man 2, click here.
- If you missed what he had to say about returning for the Man of Steel sequel and Ben Affleck as Batman, click here.
- If you missed what he had to say about Christopher Nolan’s Interstellar score and the influence of The Dark Knight Trilogy on blockbuster filmmaking, click here.
- If you missed what he had to say about working with Tony Scott, click here.
Hans Zimmer Time Index:
- :29 – Says he and Steve McQueen had a conversation about collaborating a year before McQueen started making 12 Years a Slave. Zimmer felt he wasn’t “the guy” for it, so it took some persuading from McQueen for him to sign on.
- 1:40 – Talks about the similarities between McQueen and Tony Scott in that he would follow both to the ends of the Earth.
- 2:28 – Says 12 Years a Slave was one of the best experiences he ever had. Tells a story about McQueen directing a piece of music.
- 3:15 – Talks about the importance of the film and how it feels relevant despite its period setting.
- 5:35 – His approach to the music of the film. Says he never wanted it to be cruel or manipulative, but instead wanted to it be translucent and benign.
- 7:20 – Talks about foreign directors tackling difficult issues, like Spielberg with Schindler’s List, and the response to the film at TIFF.
- 9:19 – Winter’s Tale. Says he’s in the middle of scoring the film right now. Calls it a great romantic love story.
- 10:20 – Says he thinks the last great romantic love story he did was Ridley Scott’s Hannibal, which he thinks of as a romantic comedy.
- 12:31 – Back to Winter’s Tale. Says it’s an incredibly traditional score with proper tunes, proper melodies, and proper orchestration.