Hereâs what you need to know about these interviews from Surfâs Up. They were done awhile ago, before todayâs official announcement that Shia is in Indiana Jones IV. Back when we did the interviews it was just a rumor and as you can read in the interview he denies it. Iâm sure back then he was cast and was just under orders to say nothing.
So to get you ready for the interview, here is what I posted when I did an article recently about the film.
What is Surfâs Up?
Itâs a CGI animated penguin movie that Sony is putting out this summer. Now Iâm sure a lot of you are thinking another penguin movieâ¦didnât we just see Happy Feet? The answer is while it is another penguin movie itâs nothing like Happy Feet, or for that matter, anything thatâs been done before in animation.
When filmmakers make an animated movie they follow certain rules. The biggest one is to never have two actors recording their lines in the same room. They always record each voice actor separately, and sometimes two people who are acting in the same scene never meet until the day theyâre doing press for the final product. It ends up that the editor of the film has to find a way to get an emotional performance out of the voice tracks, which can be quite a challenge.
What the filmmakers of Surfâs Up did was highly unconventional. Instead of having each actor record their lines separately, they would get everyone in a scene together and have them record their lines at the same time. What would happen is people would go over each otherâs voices and the end result was a much more organic scene, one that sounded real.
Now with certain animated films this might not work. But Surfâs Up could allow this process due to what the film is about. The film is done like you are watching a documentary. You have characters talking to the camera, getting interviewed, itâs unlike anything Iâve seen from a big budget CGI film and Iâll say it looked great.
For the first time when watching an animated movie I thought the characters sounded real. The way they recorded the voices absolutely added to the actorâs ability to craft a performance.
Also when I interviewed the directors they said that tons of the movie was improvised and they would only tell the actors the outline of the scene, allowing them to bring their own ideas to the characters they were portraying.
One of the great stories they told was when Shia LaBeouf was supposed to be at the recording session with the people who played his parents and family. It ended up he was a bit late but the rest were already in the booth recording. When he arrived they sent him in and told the actors to act like his character was late for an interview that they were all supposed to do in their family home and what would they say to him. That scene was one they showed us when we saw some footage and itâs one that absolutely used the way they recorded the movie as an asset. You had voices over one another, yelling, it felt like a real scene rather than an animated one.
While we only got to see about fifteen minutes of the film I was really impressed with not only the animation but the way they are going to tell the story. Having the frame act as a camera is a great stylistic choice and itâs also quite original. Also some of the shots went in and out of focus as the person who was supposed to be filming was running to try and catch up with a character. Another great shot was when Shia LaBeoufâs character was on a surf board and the camera was mounted on the board with him so it couldnât move but sometimes water would splash on the frame. It was a little touch but it worked quite well.
Sony has posted a trailer for Surfâs Up and it shows what Iâm talking about with the camera and how theyâre going to tell the story.
Now about those interviewsâ¦.
If youâd like to listen to the Jeff Bridges and Shia LaBeouf interview click here.
I also have two interviews that I wonât be transcribing but you can listen to them as MP3âs. The first is with the Chris Buck & Ash Brennan (the Directors), Chris Jenkins (Producer) and the second is with Mario Cantone & Diedrich Bader. Each of them plays a character in the movie.
And without and more words from me, here is Jeff and Shia.
Someone mentions
JEFF: They told me, it was a dirty trick, he said, âWeâre all shaving our heads,â and thenâ¦
SHIA: I like the look a lot.
JEFF (to me) Now is that real or an attachment? (Heâs talking about my beard)
Frosty: Itâs a
Is that (the baldness) for Iron Man?
JEFF: Yes.
Q: They told us that you came in first and you came with a little different pitched voice, and they were like no, we want your voice.
JEFF: (in a high pitched voice) Actually this is my real voice. (he laughs) I donât know, I never heard that story. I donât know, a different pitched voice, I figured it would just be normal. I donât know, I didnât know that no, I just thought play it as real, and one of the things that was appealing about the whole project to me was this kind of documentary quality, this Spinal-Tap kind of take on it all, playing it pretty serious and find the humor in that.
Q: Shia, how did you get involved?
SHIA: I started hearing some of the castings that they were throwing around, Jeff was always first choice and Iâve always wanted to work with him, so that was a huge appeal, and then you meet Chris and Ash and they start letting you loose and you realize how much free-flow thought you can put into it. Itâs always fun to have that much control, you know. Plus it was a new concept, it was this hybrid version of animation that had never been done before, itâs good to be a part of new things, itâs stretching the art form a bit, so you want to be part of those types of things.
Q: How free were both of you to go off on the script?
SHIA: Freedom
JEFF: Oh yeah, they always encouraged that. They would have a script that kind of gave you the bones of the scene, but they were always calling on me, âUse your imagination and bring whatever you have to bring.â Thatâs always the most fun, but you know when youâre on a regular movie when youâre called upon to â youâre going to have to rise to the occasion, sometimes they donât have the scene and you just have to do it.
Q: Shia in the acting world, who was your Big Z when you were little?
SHIA: Dustin Hoffman, then I found Gary Oldman, and there are a lot of them. Who your Big Z (to Jeff)?
JEFF: My Big Z, well, Robert Ryan, I got to work with him. You know who Robert Ryan is?
SHIA: No.
JEFF: Heâs a really interesting actor, he always kind of stood alone for me, didnât really seem like an actor. I think he got into acting quite late, maybe in his late thirties of forties.
SHIA: Was he in westerns?
JEFF: He did some westerns I did The Iceman Cometh with him. I had most of me scenes with him they were long 20 minute scenes.
Q: What did you admire about him?
JEFF: I remember one time we were at a table and we were sitting there getting ready for one of our long scenes and he had his hands like this on the table and he was like this, and the guys said, âOkay, weâre ready now Bob,â and he put his hands down and I see these two big pools of sweat on his hands, and I said, âBob, youâre frightened after all these years?â And he said, âIâd really be scared if I wasnât scared.â And he taught me that fear thing is something thatâs always with you and youâve got to kind of befriend that, and thatâs your buddy, so that calmed me down quite a bit.
Q: Was it cool to be able to work together in the booth on this â thatâs very unusual.
JEFF: (to Shia) Billy Budd was another great movie. You remember Billy Budd, Terence Stamp â yeah, Billy Budd, check that out.
Q: Were you surprised that you were even able to overlap your dialogue?
JEFF: No, they encouraged that.
SHIA: Thatâs part of that different style though the cadence is different in this animation as opposed to something like any other animation youâve ever seen.
Q: Did either of you get a little worried when you heard about Happy Feet?
SHIA: This is four years of fruition to get here, it wasnât as though we â yeah, you get worried but then you see how successful it is, itâs almost uplifting, you go, âOh, okay,â it was happenstance that all these movies conversion happened all at once, it wasnât as though we were copycatting, itâs impossible in animation, because it takes so long to make these things and bring them to where they are.
JEFF: When it came out, it was not exactly fear but Iâd go, âOhhhhh.â Because thereâs an element that kind of horse races and stuff to making the movies, and you want your horse to do as well as it can, and like Shia was saying, maybe itâs good news for us, maybe itâs bad news, I donât know, but there will be that day when, âAnd theyâre coming up the stretch,â youâre routing for your guy.
Q: Thereâs a very funny line that Cody says, âI donât sing and dance.â
SHIA: Yeah, we added that after.
Q: Itâs also like you have an established superstar going for you already with the penguins.
JEFF: Oh thatâs good, yeah, alright, I like that.
SHIA: Surfing movies are big now.
Q: Youâve been staying really busy for the last couple of years, what makes you choose one project over another? Youâre not a struggling actor
SHIA: Yeah, thank God. These are just things that excite me and make you want to show up, and itâs a lot of work to make these movies, itâs not just show up and put some pretty make upon and letâs have a good time always. Sometimes itâs a struggle, movies like Transformers or Iron Man are not easy to make, theyâre really difficult, and if I could have been in Iron Man I would have been in that too.
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Q: How did Indiana Jones come up?
SHIA: Again, thatâs just a rumor.
Q: Itâs in Variety.
SHIA: But again, itâs a rumor and I know that when I have a job I sign contracts and I talk to directors and I havenât had any of that happen, so until that happens Iâm out of work. Iâm looking into a whole bunch of different things, and if that happens of course Iâm on board, itâs a dream job, but itâs a rumor right now and a dream.
Q: He even has a fedora (Jeff puts his hat on Shiaâs head). You were about Jeffâs age when he got started in acting, did you get any advice or gave any advice about being a young actor.
SHIA: I think I was too nervous to ever ask, I was just too nervous to ever ask, itâs a tough thing to be like, hey, weâre equals, why donât you tell me how you did it, it doesnât feel that way ever, still, so to ask for advice in a situation that â I just donât feel like Iâm going through the same thing, or Iâm at any kind of â so we didnât have those talks, we talked about his ukulele, we talked about Montana and we talked about penguins and weâd come up with little things to say â
JEFF: Music
SHIA: Music, we talked a lot about music.
JEFF: I though it was â I related to Shia just the way he approached the work is kind of very much the way my father taught us how to approach it. He worked with a lot of joy and has a lot of fun, and thatâs kind of contagious, and it kind of gets back and forth in that it creates that kind of cool friction to make the fire, and thatâs how I like to work. Itâs interesting, you work with so many different approaches to it, you work with actors who donât go that way at all, you get called by the characterâs name, different ways to go, but Shia kind of reminded me of how I like to do it.
Q: So Jeff I guess youâre not going to do a picture book on this movie?
JEFF: No, I kind of fazed out of that a little bit, Iâm doing some on Iron Man, maybe Iâll do some more.
Q: Do you consider this character the âDudeâ of penguins?
JEFF: Yeah, you could say that possibly, I donât know, they both surf, theyâre kind of laid back guys, the penguin is into clams the Dude does weed.
Q: The penguinâs into clams?
JEFF: Oh you didnât see that scene.
Q: What attracted you to Iron Man, to be in the film, and Shia, what has been a surprise about Transfomers?
JEFF: Well, itâs the group was a big draw, the fact that we had Robert Downing Jr., Gwyneth Paltrow and Terrence Howard, and our leader is Jon Favreau, Iâm a big fan of Swingers which he wrote, and so it was great to have a director whoâs a writer, so in a tough spot he could work it out. And the story of Iron Man, itâs interesting, itâs not your typical superhero where heâs got some kind of super power necessarily, Jon wants to ground it as much in reality as possible. Itâs about dealing with weapons manufacturers and the politics of the world, and so forth, itâs kind of interesting, so I got hooked. I do my best to try not to engage in a movie, because as Shia says, theyâre hard to do and once you commit to it all these other doors close, you do this then you canât do all these others and you donât even know what those other things are yet, but they could be great. It was an interesting group of people to work with, that was probably the big draw for me.
Q: What do you play in it?
JEFF: I play Robert Downey Jr.âs mentor, Obadiah Stane
Q: Whatâs going to surprise us on Transformers?
SHIA: Iâll just tell you this, we went to go get our MPAA rating and itâs a movie thatâs for the masses, you know, and so they show the movie and we get a rated R rating because of intensity, not because of curse words or nudity, but because of shear intensity, itâs aneurysm inducing. And so Spielberg fought the good fight and weâre back at PG-13, but just the fact that they put us there, itâs so intense, man, and thereâs not a lot of breathers, itâs just whooooo, and youâve never seen any animation like this, ILM, and the people that talk to ILM say that this is the most intense graphics theyâve ever done in the history of their company. ILM has done some pretty magical, wild things, just Megatronâs arm has fifteen thousand moving pieces that all converge like a Rubikâs cube. Michael Bay with these chase scenes, itâs like just the chase scenes alone are insane, but then you have two forty-foot tall machines on the 405 freeway boxing, itâs like, itâs just nuts. The biggest surprises will be visual, only because itâs never been done like that and it will be fun to see what happens.
Q: Lorenzo said they are going to start moving forward with
SHIA: Are they? Wow, did he really? Wow, I didnât think Keanu would want to jump back on, Keanu went through a lot of shit on that movie. Wow, yeah sure, Iâm game if they do it, but I havenât heard anything so maybe not.
Q: You might also be very busy with something else.
SHIA: Or maybe not.
Q: When would we hear something about the movie with the hat and the whip?
SHIA: Look, when I hear something Iâll tell everybody, I canât keep secrets very well. Literally, itâs an internet rumor thatâs turned into this insane thing and its fun to watch everyone talk about it, but again I donât have the part or a deal or anything set. Sure, Iâll tell you when I hear.