Johnny Simmons (Scott Pilgrim vs. the World) has scheduled the rest of his 2011 slate — the babyfaced 24-year-old will, like he has for most of his career, continue to play teenagers. Up first is the 21 Jump Street movie, where Simmons acts opposite Jonah Hill, Channing Tatum, Ice Cube, Scott Pilgrim co-star Brie Larson. Next, Simmons will shoot the The Perks of Being a Wallflower adaptation with Emma Watson, Logan Lerman, Nina Dobrev and Scott Pilgrim co-star Mae Whitman. Later in the year, Variety confirms Simmons is on board the naughty comedy The Hand Job with Andy Samberg, Donald Glover, Connie Britton, Alia Shawkat, Christopher Mintz-Plasse, Scott Porter, Dominic Dierkes, DC Pierson. Oh, and Scott Pilgrim co-stars Mae Whitman and Aubrey Plaza, not to mention “The Voice” of Scott Pilgrim, Bill Hader. (Can we take a brief second to re-marvel at the amazing Scott Pilgrim supporting cast? Ripples for decades! Okay, back to the piece.)
Hit the jump for more on each project.
Phil Lord and Chris Miller (Cloudy with a Chance of Meatballs) will direct 21 Jump Street based on the 1980s television series that launched the career of Johnny Depp, who will cameo in the movie. 21 Jump Street is scheduled for release March 16, 2012. The series synopsis:
The show is about a group of young cops whose youthful appearances enabled them to work undercover in both high schools and sometimes colleges to catch troubled youths. The show’s plots covered typical issues of its time, including alcoholism, hate crimes, drug abuse, gay rights, AIDS, child abuse, and sexual promiscuity. Similarly, each problem was often solved by the end of the hour long show, giving an implicit moral about the impact of a particular activity. When the show originally aired, some episodes were followed immediately by public service announcements featuring cast members. [Wikipedia]
Perks author Steve Chbosky will write and direct the adaptation. The book synopsis:
Charlie, the wallflower of the title, goes through a veritable bath of bathos in his 10th grade year, 1991. The novel is formatted as a series of letters to an unnamed “friend,” the first of which reveals the suicide of Charlie’s pal Michael. Charlie’s response–valid enough–is to cry. The crying soon gets out of hand, though–in subsequent letters, his father, his aunt, his sister and his sister’s boyfriend all become lachrymose. Charlie has the usual dire adolescent problems–sex, drugs, the thuggish football team–and they perplex him in the usual teen TV ways. Into these standard teenage issues Chbosky infuses a droning insistence on Charlie’s supersensitive disposition. Charlie’s English teacher and others have a disconcerting tendency to rhapsodize over Charlie’s giftedness, which seems to consist of Charlie’s unquestioning assimilation of the teacher’s taste in books. In the end we learn the root of Charlie’s psychological problems, and we confront, with him, the coming rigors of 11th grade, ever hopeful that he’ll find a suitable girlfriend and increase his vocabulary. [Amazon]
Maggie Carey (Funny or Die Presents…) will make her feature directorial debut on The Hand Job. Plaza stars as a valedictorian who wants to become more sexually experienced before she heads to college.
Simmons is so affable on screen, and is a fine addition to a trio of interesting projects. I hope he gets to play his own age in the near future.