Jonny Greenwood‘s score for There Will Be Blood was one of the many reasons the film was amazing. It pulled just enough from period-era music so as not be jarring, but it was offbeat enough to be completely unnerving. Now, Cigarettes and Red Vines is reporting that Greenwood is re-teaming with director Paul Thomas Anderson to score The Master (still an unofficial title). Oliver Weindling, founder of British record label Babel, tweeted said “Zed-U recorded part of soundtrack for Jonny Greenwood of Radiohead last week. Film (by Paul Thomas Anderson) to appear in 2013.” Zed-U are a British jazz trio and you can listen to some of their music after the jump.
For those who aren’t familiar with The Master, the story centers on a World War II veteran (Philip Seymour Hoffman) who returns home and creates his own religion after witnessing the horrors of war. At one point, The Master reportedly had a very strong parallel to Scientology founder L. Ron Hubbard, but it’s unknown how much of the script has changed since then. The Master co-stars Joaquin Phoenix, Amy Adams, Laura Dern, Jesse Plemons, and David Warshovsky. Let’s take a moment to be grateful that this once-dead project is now in post-production with a late 2012 U.S. release on the horizon (the 2013 date is when the movie will probably hit the U.K.)
Here’s the synopsis for The Master:
Written and directed by Academy Award nominee Paul Thomas Anderson (the acclaimed director of, There Will Be Blood, Magnolia and Boogie Nights), this story stars Academy Award winner Philip Seymour Hoffman (Capote) and Academy Award-nominee Joaquin Phoenix (Walk the Line). Set in America in the years following World War II, a charismatic intellectual (Hoffman) launches a faith-based organization and taps a young drifter (Phoenix) as his right-hand man. But as the faith begins to gain a fervent following, the onetime vagabond finds himself questioning the belief system he has embraced, and his mentor. A truly one-of-a-kind drama, which promises magnetic virtuoso performances, the film marks the fifth collaboration between Anderson and Hoffman, following Hard Eight, Boogie Nights, Magnolia, and Punch Drunk Love.