House executive producer Katie Jacobs has signed on to direct an adaptation of Kevin Michael Connolly’s memoir Double Take for Michael London’s Groundswell Productions. Per Deadline, Groundswell is currently shopping the project to potential writers. Connolly is a photographer and former champion skier and skateboarder who has had his work exhibited at the Smithsonian. Making these accomplishments all the more impressive is the fact that he was born without legs. In addition to Double Take, Jacobs is also attached to direct an adaptation of Sheila Weller’s 2008 singer-songwriter novel Girls Like Us which is being adapted by John Sayles (Lone Star).
For more on the project, hit the jump to check out a synopsis for Connolly’s memoir.
Here’s a synopsis/brief review for Double Take: A Memoir [from Amazon]:
Photographer, champion skier and skateboarder Connolly has been stared at his entire 23-year life. Not because he’s handsome, talented and athletic (all true), but because he has no legs. He was born without them, but born into a family that he describes as loving, loyal and matter-of-fact. Connolly writes that his father and grandfather—inspired by several seasons of MacGyver—engineered numerous devices to help the growing boy manage everyday tasks, from using light switches to pitching in on chores, and he was well prepared for his first day of school because his mother led countless What would you do if…? conversations.
Connolly appears to be an intelligent, fairly unflappable adult with a healthy sense of humility and humor. He’s a good storyteller, too, whether describing his first high school wrestling match, the path from novice to champion skier or what it’s like to travel around the world on a skateboard. Connolly also shares his memories of an important, defining moment: when he decided to use photography to gaze back at the people who stared at him. Each photo was a miniature catharsis, he writes, adding, Finally, I was able to find my own use for that stare, and it felt good. His photos, 19 of which serve as chapter dividers, became part of The Rolling Exhibition, which was shown worldwide, including at the Smithsonian. The images are beautiful, revealing and stimulating—just like his narrative.