With director James McTeigueâs (V for Vendetta, Ninja Assassin) The Raven opening April 27, earlier today I got to speak with Luke Evans by phone since he's busy shooting Peter Jackson's The Hobbit movies in New Zealand. If youâre not familiar with The Raven, the story takes place in 1840s Baltimore where a series of grisly murders appear to have been inspired by the works of Edgar Allan Poe (played by John Cusack). Poe and a detective (Evans) must team up to find the killer before he takes out the woman Poe loves (Alice Eve). The film also stars Oliver Jackson-Cohen, and Brendan Gleeson.  For more on the film, hereâs the trailer and 40 images.While I'll have the full interview with Evans online next week, I wanted to share what he said about The Hobbit today. As most of you know, Jackson is shooting the films digitally on the RED EPIC in 3D and he's pushing the boundaries of cinema forward by filming 48fps (frames per second) instead of the normal 24fps. What that means is, you'll see very little motion blur when the camera moves or during the action scenes. I've seen 48fps and 60fps first hand and it's like you're looking through a window without any glass. It's incredible. For more on 48fps, here's Jackson's recent video blog. Anyway, Evans talks about his reaction to this new way of filming and what it means to be involved in the films. Hit the jump for more.Collider: You mentioned at the beginning when we first started talking that youâre in New Zealand. I have to say that Lord of the Rings are some of my favorite films of all time, and I am so, so excited to see Peter Jacksonâs take on The Hobbit. I definitely would love to ask how itâs going for you and how exciting itâs been for you to be involved in such a production?Evans: Itâs been immensely exciting. It feels like all the work Iâve done so far has been building up to this job and to work with The Master himself on a project which has been his baby sinceâ¦a long time ago. I feel very lucky to be here, you know. Iâm watching this being made, and then watching Pete do his thing. Because you only have to read any articles about the boys who were in the first three movies and how they talked about the experience being in New Zealand and working with Pete and the long period of time that you spent here. I was just very jealous of them, in a healthy way, but it was always something I was envious of. And now Iâm here, and now Iâm actually one of those boys. Iâll always remember this as one of those experiences in my life. Itâs been fantastic, absolutely fantastic. Yes, weâre here âtill July, so Iâve still got a few months left, some insane, tense months as well. So, yeah, itâs been great.When did you arrive in New Zealand? Because I know youâre in both parts, was this one of these things where youâre committing to being there for eight months, have you been able to leave? Whatâs this production schedule like?Evans: Iâve been here since last August; I arrived August the 1st last year. But, you know, on a movie of this scale there is a lot of down time, so Iâve had chances to go home a couple of times. But this block, Iâve been here since February and Iâm here âtill the end, so this is the longest stretch for me.Iâm going to ask you a nerdy question: One of the thing Iâm so excited about is that Peter Jackson is shooting The Hobbit movies on the Red Epic, with the 48 frames a second, rather then the 24.Evans: Yeah. Iâm not sure if youâre a film nerd like me.Evans: Itâs the first time itâs ever been done. Even if youâre not a nerd you can absolutely see the difference, itâs extraordinary. Have you been looking at any of the playback on any of the monitors? Because one of the things I think casual fans will not realize what 48 frames a second does is reduces the motion blur. Have you seen any of the action without the motion blur and what does it look like through your eyes?Evans: Yeah, Iâve seen myself in action and itâs incredible. It really is. Itâs the closest to your own eye speed that weâve ever seen on screen. And it takes a while, when you first put the glasses on, to just appreciate what it actually is thatâs going on. Because youâre eyes are not deceiving you, there is no blur, itâs absolutely so effective. Especially for the lack of blur, which is something that weâve always had to deal with in shooting in 3D, and now we donât. So, yeah, weâre making history with technology as well as with film.