Academy Rescinds Best Original Song Nomination for ALONE YET NOT ALONE Citing Insider Campaigning

by     Posted 84 days ago

2014-oscars-alone-yet-not-alone-slice

In an odd bit of pre-Oscars drama, one of the Academy’s nominations has been rescinded citing insider campaigning.  Now before you point fingers in the direction of the closest Weinstein, let me tell you that the nomination that has been yanked out of contention is the Best Original Song nod for Alone Yet Not Alone’s title song.  Bruce Broughton, a former Academy member who wrote the music for the song, made the mistake of emailing Academy members to bring his song to their attention.  That little bit of insider campaigning explains how this little-talked-about picture landed a nomination, and why it’s been pulled (which might end up bringing more attention to the film anyway).

Hit the jump for the full press release explaining the mess.

TOP 5: 2014 Oscar Nods, ANT-MAN and DOCTOR STRANGE, JACK RYAN, DOOMED! THE UNTOLD STORY OF ROGER CORMAN’S “THE FANTASTIC FOUR”, Sundance 2014

by     Posted 95 days ago

collider-top-5-slice

Every so often a film comes along that plays pitch perfect to your sensibilities and hits you with such pinpoint accuracy that it reaffirms your love of the medium. That’s what Spike Jonze‘s Her did for me last weekend. It’s the type of movie I wish I had the talent to make and, at the same time, one that I’m thankful anyone had the talent and passion to make. It’s a film that says so much about our desire to connect, to love and to feel loved, that evaluating it piece by piece (acting, editing, sound, cinematography, mise-en-scène, etc.) almost cheapens its value as a whole. Above all, though, it refuses to be just one thing and therein lies its greatest achievement. It’s comedy soaked in melancholy, drama with hints of playfulness, quirk wrapped in genuine romance, and heartbreaking sincerity set within the most plastic of relationships. Her is an instant classic.

In case my subtlety has left you uncertain about my feelings on Her, feel free to e-mail me at colliderjason@gmail.com and I’ll try to be more on the nose about how damn great it is. In the meantime, this week’s Top 5 features the newly announced 2014 Oscar nominations, Marvel casting news/rumors regarding Ant-Man and Doctor Strange, Jack Ryan: Shadow Recruit interviews with Chris Pine and more, the trailer for the seemingly interesting doc DOOMED! The Untold Story of Roger Corman’s “The Fantastic Four”, and all of our Sundance 2014 coverage to date. Click on to find a brief recap and link to each of the above.

2014 Oscar Nominations Announced; AMERICAN HUSTLE and GRAVITY Lead with 10 Nominations Each [Updated with Commentary]

by     Posted 97 days ago

2014-oscars-slice

The nominations for the 86th Academy Awards have been announced. American Hustle and Gravity lead with 10 nominations each, while 12 Years a Slave isn’t too far behind with 9 nominations.  Looking over my predictions, there weren’t actually too many surprises this morning–at least no genuine “snubs” on the scale of Ben Affleck and Kathryn Bigelow last year.  Leonardo DiCaprio and Christian Bale made the Best Actor cut over Robert Redford and Tom HanksHer, Dallas Buyers Club, and Philomena all got Best Picture nominations over Saving Mr. Banks, and Sally Hawkins landed a Best Supporting Actress nomination for her work in Blue Jasmine, seemingly taking Oprah Winfrey‘s spot from Lee Daniels’ The Butler.  Also, the Academy apparently did not take a liking to Saving Mr. Banks, as the film missed out on a Best Picture nomination and a Best Actress nomination for Emma Thompson.

Hit the jump to take a look at the full nominations list.  The 86th Oscars will be broadcast March 2nd on ABC. [Update: I've added my commentary on some of the categories after the jump.]

Adam Predicts the 2014 Oscar Nominees

by     Posted 99 days ago

2014-oscars-slice

Well, folks, the time has finally come.  I’ve been covering this year’s awards season since last fall when we launched our awards column Oscar Beat, and after running through the ups and downs of the season thus far, it’s now time to predict which films, performances, screenplays, and other cinematic achievements from 2013 the Academy will choose to single out.  I feel very confident about some of my choices while others feel like more of a crapshoot.  One thing’s for sure: this has been quite an interesting season thus far, and there’s still no consensus with regards to some of the big winners.

Hit the jump as I take a stab at predicting the 2014 Oscar nominees.  The nominations will be announced at 5:30am PST on January 16th.

TOP 5: JACK RYAN: SHADOW RECRUIT Set Visit, Marvel One-Shot ALL HAIL THE KING, MUPPETS MOST WANTED Set Visit, BATMAN VS. SUPERMAN, Oscar Beat

by     Posted 102 days ago

collider-top-5-slice

Available via Netflix Watch Instantly as of late December, last weekend I finally got the chance to check out writer/director Joe Swanberg‘s romantic comedy Drinking Buddies. I should disclaim that it’s near impossible for me to be objective when talking about Swanberg given that he’s a fellow Southern Illinois University alum and few things make me prouder than a Saluki film student enjoying success in the industry. That out of the way, I enjoyed the heck out of Drinking Buddies. Much has been made of the film’s stellar cast and I won’t try and dispute those claims at all. As someone who has never watched a minute of Fox’s New Girl, I loved Jake Johnson‘s turn in the pic and I bought he and Olivia Wilde‘s romantic chemistry hook, line, and sinker. As for Anna Kendrick and Ron Livingston? Lets just say that I love each of them in almost everything and this is no exception. All in all, Buddies is a funny, sweet, realistic teetering on the verge of understated look at the universal concept of being just friends.

Instant stream recommendations aside, this week’s Top 5 includes our Jack Ryan: Shadow Recruit set visit coverage, the first look at the Marvel One-Shot All Hail the King starring Ben Kingsley, a set visit recap for Muppets Most Wanted, some villain rumors surrounding Batman vs. Superman, and Adam’s latest installment of Oscar Beat that breaks down the guild nods and what they could mean for Oscar season. Like you might expect, a brief recap and link to each of the above can be found after the jump.

Oscar Beat: The Guilds Have Spoken, So Where Does This Leave Us for Oscar?

by     Posted 106 days ago

oscars-best-picture-gravity-12-years-a-slave-slice

We’re very, very close to the nominations announcement for the 86th Academy Awards, and now that the various guilds—the Screen Actors Guild, the Producers Guild, the Writers Guild, and the Directors Guild—have announced their nominees, we have a pretty clear picture of what we might expect with regards to Oscar.  As I’ve said before, one of the biggest predictors of how the Academy will vote comes with the guilds, since the guild membership has a strong crossover with Academy membership.  With just over a week to go before the Oscar nominations are announced, now feels like a good time to take a glance at the current landscape to see what films are shaping up to be Oscar favorites, and which films might miss this cut.

Hit the jump to read this latest installment of Oscar Beat in which I take a closer look at this morning’s DGA nominations, offer an overview of which films have landed the most nods from the various guilds, and what that means for Oscar.

2014 Writers Guild Nominations Include HER, DALLAS BUYERS CLUB, WOLF OF WALL STREET, and LONE SURVIVOR

by     Posted 110 days ago

her-joaquin-phoenix-slice

The Oscar precursors are in full swing.  Yesterday we got a look at the nominations for the Producers Guild Awards—a solid predictor for the Best Picture Oscar category—and today the Writers Guild of America has unveiled its nominations for the 2014 awards.  The Best Original Screenplay nominees include Nebraska, Her, and American Hustle, while the Best Adapted category is filled out by the likes of Before Midnight, Captain Phillips, and The Wolf of Wall Street.  The major surprise in today’s WGA announcements is the inclusion of Peter Berg’s Lone Survivor script for Best Adapted Screenplay and the befuddling absence of Joel and Ethan Coen’s Inside Llewyn Davis for Original Screenplay.

Hit the jump for more, including the full list of WGA nominations and my analysis with regards to what this means for Oscar.  The 2014 WGA Awards will be held on February 1st.

Oscar Beat: Analyzing What the Producers Guild Awards Nominations Mean for Oscar

by     Posted 111 days ago

dallas-buyers-club-matthew-mcconaughey-slice

When it comes to predicting the Oscars, there are a number of factors to take into account.  The early critics awards carry some weight, as does a film’s overall box office performance, but the most significant gauge with regards to Oscar voting comes with the guild awards.  The four major guilds—producers, directors, writers, and actors—have a large amount of crossover with Academy membership, which means that many of the same people that are voting for the Oscars are also voting in the PGA, DGA, WGA, and SAG awards.  Earlier today we got our first look at the Producers Guild of America nominations, and there were a couple of minor surprises mixed in with the usual suspects.

In this edition of Collider’s awards column, Oscar Beat, I’ll be analyzing what this year’s PGA nominations mean with regards to the upcoming 86th Academy Awards race.  Read on after the jump.

For Your Consideration: This Year’s Oscar-Worthy, Overlooked Films, Performances, and Screenplays

by     Posted 118 days ago

simon-pegg-brie-larson-ryan-gosling-slice

As part of Collider’s new column, Oscar Beat, I’ve been covering the in’s and the out’s of this year’s awards race for the past few months.  While there are plenty of excellent films contending for a number of different awards, there are also a number of films that, for one reason or another, don’t fit the “Oscar mold” but deserve recognition all the same.  The Academy is loathe to recognize any kind of comedic work despite the fact that the “Best Actor” or “Best Picture” categories lack disclaimers that would disqualify genres other than drama, and smaller pictures have a hard time drumming up support against the studio-backed fare.

After the jump, I run down a number of films, performances, and screenplays from 2013 that are deserving of awards attention despite failing to drum up serious support.

Ghosts of Oscars Past: How Do the Last 10 Best Picture Winners Hold Up?

by     Posted 119 days ago

oscars-crash-slumdog-millionaire-departed-slice

We’re in the thick of awards season now, when the top contenders in each race are vying for frontrunner status as we move closer to the Oscar nominations announcement.  However, while everyone is focused on the race at hand, we thought we’d take a look at the last decade of Best Picture winners to see if they’ve stood the test of time.  Is the “best” film of 2005 still considered one of the best films of the past ten years?  Hit the jump as we take a trip down memory lane for this special edition of Oscar Beat, Ghosts of Oscars Past.

Oscar Beat: Best Picture – 12 YEARS A SLAVE, GRAVITY, and Everything In Between

by     Posted 122 days ago

oscars-best-picture-gravity-12-years-a-slave-slice

We launched our awards column Oscar Beat earlier this fall, and over the past month or so we’ve been taking an in-depth look at some of the individual Oscar races: Best Actor, Best Actress, Best Director, Best Supporting Actor, and Best Supporting Actress.  With the holidays approaching and the Oscar nominations poised to be announced in just under a month, now feels like a good time to survey the Best Picture category.  The critics continue to weigh in, and while 12 Years a Slave currently leads with the most “Best Film” wins, the results have surprisingly been a bit all over the place as Gravity, Her, and American Hustle received top honors as well.

Hit the jump to read on as I take a look at the current state of the Best Picture race in this edition of Oscar Beat.

9 Films in Contention for Best Foreign Language Oscar Including THE HUNT, THE GRANDMASTER, and BROKEN CIRCLE BREAKDOWN

by     Posted 124 days ago

mads-mikkelsen-the-hunt-slice

The Academy of Motion Picture Arts & Sciences today unveiled its list of the nine films that are eligible for the Best Foreign Language Oscar.  The films include Wong Kar-wai’s Hong Kong entry The Grandmaster, the Belgian film The Broken Circle Breakdown, and Denmark’s The Hunt starring Mads Mikkelsen. We already knew that Palme d’Or winner Blue Is the Warmest Color would be deemed ineligible given that it wasn’t released in France until after the theatrical run deadline, but one of the most glaring omissions is A Separation director Asghar Farhadi’s new film The Past.  There was some controversy surrounding the pic given that it’s officially Iran’s entry even though the film’s primary spoken language is French.

Also absent is Saudi Arabia’s well-received Wadjda.  That film marked the country’s very first entry in the Oscar race, directed by a woman (Haifaa Al-Mansour) no less.  Alas, trying to make sense of the Best Foreign Language category year after year, given the Academy’s strict and strange rules, is a fruitless endeavor.  Hit the jump to see the full list of contenders.

See Ellen DeGeneres Dance Through the Warner Bros. Backlot in 2014 Oscars Promo Directed by Paul Feig

by     Posted 125 days ago

oscars ellen degeneres

The Oscars have released a neat promo for the 2014 awards ceremony.  Host Ellen DeGeneres suits up in a bow tie and sneakers, then dances through the Warner Bros. backlot lipsynching Fitz and The Tantrums’ “The Walker” as dozens of tuxedoed backup dancers join her in a choreographed routine.  The spot was directed by Paul Feig (The Heat)—I just now realized how much I want Feig to direct an old-fashioned musical.

Watch the promo after the jump.  The Oscars air Sunday, March 2, 2014 on ABC.

75 Songs Eligible for Best Original Song Oscar Including Tracks from FROZEN, THE GREAT GATSBY, and ANCHORMAN 2

by     Posted 128 days ago

2014-oscars-slice

After unveiling the list of scores that will be competing for the Best Original Score Oscar last week, the Academy of Motion Picture Arts & Sciences has now unveiled the list of 75 songs that are in contention for Best Original Song.  The fantastic “Let It Go” from Frozen is already an early favorite, and five songs are eligible from Baz Luhrmann’s music-heavy The Great Gatsby including “Young and Beautiful” by Lana del Rey and “Over the Love” by Florence and the Machine.  As for pleasant surprises, it would be most excellent to see the emotional rap “So You Know What It’s Like” from Short Term 12 land a nomination.  Upcoming films that have eligible original songs include “Doby” from Anchorman 2: The Legend Continues and “The Moon Song” from Her.

Hit the jump to check out the full list of songs eligible for the Best Original Song Oscar.  The 86th Academy Award nominations will be announced on January 16th, followed by the Oscar ceremony on March 2nd.

Oscar Beat: Best Supporting Actor – Is Jared Leto on His Way to an Oscar Win?

by     Posted 130 days ago

oscars-leto-fassbender-hill-slice

As we continue our in-depth look at the coming awards season, it’s now time to delve in the Best Supporting Actor race.  It’s a tough category this year, with a number of impressive turns from a variety of actors.  The two big standouts emerged at the Toronto Film Festival this past September with Jared Leto earning extremely high praise for his turn as a transsexual opposite Mattthew McConaughey in Dallas Buyers Club, and Michael Fassbender turning heads as a ruthless slave owner in the highly emotional 12 Years a Slave.  But there are plenty of other contenders as well, with both Jonah Hill and James Franco firmly in the race for a pair of more comic performances.

Hit the jump to read the latest edition of Oscar Beat, in which we examine the Best Supporting Actor category.

Copyright ©2005 - 2014. All Rights Reserved. Built by topLingo

Click Here