Yesterday, we reported on the strong documentary line-up for the 2011 Toronto International Film Festival. Today, we have the first images from four of the documentaries: Wim Wenders’ first 3D film Pina, Nick Broomfield’s Sarah Palin – You Betcha!, Jonathan Demme’s I’m Carolyn Parker: The Good, the Mad, and the Beautiful, and Werner Herzog’s Into the Abyss.
Hit the jump to check out the images along with a synopsis for each film. The 2011 Toronto International Film Festival runs from September 8 – 18th.
German master filmmaker Wim Wenders shoots in 3D to capture the brilliantly inventive dance world of Pina Bausch and her company, Tanztheater Wuppertal. Excerpts from many of her most famous pieces are shot outside in the streets and parks of Wuppertal capturing the drama and power of her repertoire.
Sarah Palin – You Betcha!
Nick Broomfield’s quest for the real Sarah Palin involves battling the icy snows of Alaska in mid-winter to speak to the school friends, family, and Republican colleagues that in previous days gave their heart, soul and belief to the charismatic, charming, intoxicating ex-hockey mom. But it’s not all plain sailing. People are frightened to talk; Wasilla makes Twin Peaks look like a walk in the park. It’s a devout evangelical community – 76 churches with a population of only 6 thousand, and the Crystal meth capital of Alaska. Broomfield brings his celebrated wit and determination to cracking her story.
I’m Carolyn Parker: The Good, the Mad, and the Beautiful
Carolyn Parker was the last to leave her neighbourhood when a mandatory evacuation order was decreed as Hurricane Katrina approached New Orleans in the summer of 2005, and was the first resident to return to her now flood-devastated community. Mrs. Parker takes us deep inside her personal biography as a child born in the 1940s, raised in segregated New Orleans‟ Lower 9th Ward, who became a teenager joining the front lines in the Civil Rights movement of the 1960s, and later became one of the most outspoken voices in the fight for every New Orleanian’s right to return home after the devastation of the floods that followed Katrina.
Into the Abyss
Exploring a triple homicide case in Texas, Werner Herzog (Cave of Forgotten Dreams, Grizzly Man) probes the psyches of those involved, including the 28-year-old death row inmate scheduled to die within eight days of appearing on-screen. Herzog’s inquiries unveil layers of humanity against an American Gothic landscape. As he’s so often done before, the director makes an enlightening trip out of ominous territory.