4 New Images from SAVING MR. BANKS Featuring Tom Hanks, Emma Thompson, and Jason Schwarztman

     September 30, 2013

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Disney has released a few new images from director John Lee Hancock’s (The Blind Side) upcoming film Saving Mr. Banks.  The pic focuses on Walt Disney’s (Tom Hanks) twenty-year pursuit of the film rights to author P.L. Travers’ (Emma Thompson) novel Mary Poppins and the rocky relationship that formed between the two.  All eyes are on this one as a potential crowd-pleasing Oscar contender, and the first trailer definitely teased a pair of excellent performances from Hanks and Thompson.  In these new images, we also get a look at Jason Schwartzman and B.J. Novak as brothers Richard and Robert Sherman, who composed the score and songs for the eventual Mary Poppins film.

Hit the jump to take a look at the images.  The film also stars Paul Giamatti, Bradley Whitford, Annie Rose Buckley, Ruth Wilson, Rachel Griffiths, Kathy Baker, and Colin FarrellSaving Mr. Banks will premiere at AFI Fest in November and opens in theaters on December 20th.

Click to enlarge.

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Here’s the official synopsis for Saving Mr. Banks:

When Travers travels from London to Hollywood in 1961 to finally discuss Disney’s desire to bring her beloved character to the motion picture screen (a quest he began in the 1940s as a promise to his two daughters), Disney meets a prim, uncompromising sexagenarian not only suspect of the impresario’s concept for the film, but a woman struggling with her own past.  During her stay in California, Travers’ reflects back on her childhood in 1906 Australia, a trying time for her family which not only molded her aspirations to write, but one that also inspired the characters in her 1934 book.

None more so than the one person whom she loved and admired more than any other—her caring father, Travers

Goff, a tormented banker who, before his untimely death that same year, instills the youngster with both affection and enlightenment (and would be the muse for the story’s patriarch, Mr. Banks, the sole character that the famous nanny comes to aide).  While reluctant to grant Disney the film rights, Travers comes to realize that the acclaimed Hollywood storyteller has his own motives for wanting to make the film—which, like the author, hints at the relationship he shared with his own father in the early 20th Century Midwest.

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