Remake of Rodgers & Hammerstein Musical SOUTH PACIFIC in the Works

by     Posted: July 8th, 2010 at 3:14 pm

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I kinda figured that, with its teenage-centric plot, West Side Story would be the first classic Broadway musical to get the remake treatment.  But it looks like South Pacific will beat it to the punch.   Ileen Maisel (The Golden Compass) and Bob Balaban (Gosford Park) will adapt James Michener’s Pulitzer Prize-winning novel Tales of the South Pacific with the help of the Rodgers & Hammerstein songs from the 1947 stage hit.  The show spawned 1958′s top-grossing film, and is currently in the midst of a Tony-winning Broadway revival.  Hit the jump for details on the producers’ approach to the material.

south_pacific_1947_film_posterBalban informed Variety:

“Our movie will be a tougher, more realistic retelling of the same classic story of two very different people whose love for each other transcends their enormous cultural differences.  We think there’s a whole new audience just waiting to fall in love with its magical score, epic romance and exotic locale.”

I don’t know that “tougher” or “realistic” are words you necessarily want to use for a medium whose primary allure is escapism.  But South Pacific is a classic, immensely successful at pretty much every stage of life over the last half-century.  I imagine this iteration won’t be any different.

But seriously, I wake up each day a little more surprised that nobody has announced a West Side Story remake yet.

Here’s a synopsis of Michener’s novel:

Enter the exotic world of the South Pacific, meet the men and women caught up in the drama of a big war. The young Marine who falls madly in love with a beautiful Tonkinese girl. Nurse Nellie and her French planter, Emile De Becque. The soldiers, sailors, and nurses playing at war and waiting for love in a tropic paradise.

I’ll leave you with a bouncy number from the 1958 film, “Happy Talk.”




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Comments:
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  • knowyourstuff

    As someone who not only makes their living in musical theater, but who loves it's history, allow me to point out how wrong statements such as

    “I don’t know that “tougher” or “realistic” are words you necessarily want to use for a medium whose primary allure is escapism.”

    this are misinformed and ignorant. Granted, it's roots in burlesque and vaudeville lend to such misconceptions, as do most shows currently running on broadway, but neither of these are indicative. Musicals such as “South Pacific” are exactly the types of pieces that prove the contrary. Imagine yourself in 1950's racist America seeing a musical that put such topics on display and ridiculed them in the mainstream. The show caused an enormous amount of national controversy. Take “Oklahoma,” everyone assumes it's a happy story about some folks down on the farm, but is it really? The character of Judd is addicted to porn and plans on kidnapping and raping Laurie, as a result Curly attempts to kill Judd through suggested suicide. Purely escapist entertainment? I'm not going to continue to preach here, but before you speak so disrespectfully of an art form, educate yourself as to it's history and it's varying forms and incarnations.

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