Stanley Tucci and Chris Cooper Join Robert Redford’s THE COMPANY YOU KEEP

     September 13, 2011


Robert Redford has assembled quite the cast for his next directorial effort, and he’s just added two more terrific thesps to the roster: Stanley Tucci and Chris Cooper. The Company You Keep. The film is based on the novel of the same name by Neal Gordon, and centers on a former Weather Underground militant who goes on the run after an ambitious young journalist exposes his true identity. Redford will play the militant, while Shia LaBeouf is set as the young reporter.

Screen Daily (via The Playlist) reports that Tucci will play LaBeouf’s editor, while Cooper will take on the role of Redford’s brother who is forced to take his niece in when Redford’s character goes into hiding. In addition to Redford and LaBeouf, the cast now includes Susan Sarandon, Nick Nolte, Brit Marling, Julie Christie and Richard Jenkins. Filming is set to begin soon in Vancouver. Hit the jump to read a synopsis of Gordon’s novel.

the-company-you-keep-book-coverHere’s the synopsis for The Company You Keep:

The revolutionary politics of the 1960s haunt the complacent domesticity of the 1990s in this engrossing, if sometimes muddled, melodrama of ideas. When limousine-leftist lawyer and single dad Jim Grant is unmasked as Jason Sinai, an ex-Weather Underground militant wanted for a deadly bank robbery, he abandons his daughter and goes on the lam. As he evades a manhunt and seeks out old comrades, the author introduces a sprawling cast of drug dealers, bomb-planting radicals turned leftist academics, Vietnam vets, FBI agents and Republicans who collectively ponder the legacy of the ’60s. Gordon (Sacrifice of Isaac) skillfully combines a tense fugitive procedural, full of intriguing lore about false identities and techniques for losing a tail, with a nuanced exploration of boomer nostalgia and regret. Alas, there are a few too many long-winded, semicoherent debates about the radical excesses of the era that inadvertently evoke marijuana-fueled dormitory bull sessions. Through these exchanges (and a little sexual healing), ideological opposites come together over a facile anti-politics of “national reconciliation.” Gordon’s rueful radicals, having finally outgrown their adolescent outrage over parental hypocrisy, decide that personal loyalty and raising children trump all belief systems and that “none of the principles matter” any longer. Some who lived through the 1960s may take offense at this caricature, but other boomer readers may find the mix of countercultural and familial schmaltz a gratifying validation of their life cycle. In either case, it will get them talking. [Amazon]

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