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‘Bodied’ Review: Joseph Kahn’s Celebration of Rap Battles Wants to Trigger You
Kahn’s deliriously and delightfully goofy film wants us to watch what we say by listening closer rather than shutting up.
‘The Death of Stalin’ Review: The Horror and Humor of Authoritarianism
‘Veep’ creator Armando Iannucci returns with another tale of craven and inept politicians.
‘I, Tonya’ Review: Craig Gillespie’s Tonya Harding Biopic Is Painfully Funny and Tragic
Although it sometimes can cause some tonal whiplash, ‘I, Tonya’ rewrites the narrative of the discarded athlete.
‘The Disaster Artist’ Review: ‘The Room’ Becomes a Lovable Friendship Story
James Franco’s film about the making of Tommy Wiseau’s ‘The Room’ is hilarious, but it’s also surprisingly heartwarming.
‘Lady Bird’ Review: Greta Gerwig’s Directorial Debut Is a Lovely Coming-of-Age Story
Gerwig’s movie may play by the rules of the genre, but she imbues it with warmth, humor, and emotional depth.
‘Suburbicon’ Review: George Clooney Pokes White America in the Eye
Unfortunately, he’s guilty of the same sin he’s so eager to point out.
‘Brawl in Cell Block 99’ Review: Vince Vaughn Is Locked Up and Unleashed
S. Craig Zahler’s hyper-violent new film takes its time, but packs a serious punch.
‘Battle of the Sexes’ Review: Serving up a Weak Take on Sexism
Jonathan Dayton and Valerie Faris’ film tries to be both a tale of closeted homosexuality and a story of equality, but it falls short on both accounts.
The Collider Podcast: Episode 107 – TIFF 2017
Matt and Adam talk about the highs and lows of the 2017 Toronto International Film Festival.
‘Three Billboards’ Wins Vaunted TIFF Audience Award; Midnight Madness Goes to ‘Bodied’
Could Martin McDonagh’s dark comedy find itself in the Oscar race?
Darren Aronofsky on Wanting to Give People a Different Experience with ‘mother!’
The director of what’s sure to be one of the most controversial movies of the year discusses his new punk film.
‘I, Tonya’ Director Craig Gillespie on Tackling a Story You Think You Know
He also talks about Allison Janney’s amazing performance, how they pulled off doing 270 scenes in a 31 day shoot, and Margot Robbie’s skating abilities.
‘Unicorn Store’ Review: Brie Larson’s Directorial Debut Never Finds the Right Tone | TIFF 2017
Despite an interesting premise, Larson’s feature gets stuck between whimsy and a deadpan demeanor.
‘Roman J. Israel, Esq.’ Review: Denzel Washington Tries to Make the Case for Idealism | TIFF 2017
'Nightcrawler' director Dan Gilroy’s new film has a great lead performance, but it takes tough ideas and reduces them into a simple morality play.
‘The Current War’ Review: The Fight to Power the Future Is Rarely Illuminating | TIFF 2017
Alfonso Gomez-Rejon’s film is very pretty, but painfully hollow.
‘Borg/McEnroe’ Review: You May As Well Make ‘Pong: The Movie’ | TIFF 2017
Despite Janus Metz elevating the tennis match to near mythic status, he reduces his lead characters down to cardboard cutouts.
Why TIFF Matters: A Guide to One of the Year’s Biggest Film Festivals
One of the year's biggest film festivals is almost here.
TIFF 2017 Adds 'Molly's Game', New Louis C.K. Movie, and More
The upcoming film festival will also have new films from Michel Hazanavicius and Brie Larson.
TIFF Midnight Madness Lineup Includes ‘The Disaster Artist’ and More
The festival will play host to new films from Joseph Kahn, David Bruckner, Ryuhei Kitamura, and S. Craig Zahler.