latest
‘Freaks’ Review: High Concept and Heart Collide for Explosive Results
Emile Hirsch and Lexy Kolker lead a riveting ride of family drama and mind-bending sci-fi thrill.
'Teen Spirit' Review: Elle Fanning Elevates Max Minghella's Solid Directorial Debut
Fanning plays a shy but ambitious waitress who dreams of becoming a singer and finds help from an unlikely source.
‘If Beale Street Could Talk’ Review: A Story Lost Between Love and Hate
Barry Jenkins’ craftsmanship continues to be undeniable, but his latest film lacks the energy and cohesion of ‘Moonlight’.
‘Widows’ Review: A Masterful, Crowdpleasing Heist Thriller
'12 Years a Slave' director Steve McQueen returns with a film of a very different sort.
‘Can You Ever Forgive Me?’ Review: Melissa McCarthy Is No Fake
The actress delivers the best performance of her career in the true-story drama.
'Halloween' Review: 40 Years Later the Franchise Is Back to Form
A near perfect blend of craft, character growth and nostalgia.
‘First Man’ Review: The Danger Is in the Details
Damien Chazelle’s film doesn’t provide much insight into the person of Neil Armstrong, but as a mission movie, it puts you inside the space program like never before.
‘22 July’ Review: Paul Greengrass Shows Powerful Resilience in the Face of Far-Right Terror
Unlike his past films that have dealt with terror attacks, ‘22 July’ is about the aftermath and the importance of democracy against the forces of extremism.
‘A Star Is Born’ Review: Bradley Cooper’s Directorial Debut Burns Brightly
Cooper has made a remarkably self-assured feature debut anchored by an outstanding lead performance from Lady Gaga.
'The Sisters Brothers' Review: A Sad, Weird, Wonderful Western
Joaquin Phoenix and John C. Reilly star as a pair of hitmen on the hunt for a prospector in the 1800s.
‘The Old Man & the Gun’ Review: Robert Redford Shines in Romance and Robbery
David Lowery’s latest feature is a sweet, charming, low-key meditation on doing what you love no matter the cost.
The Collider.com Podcast: Episode 161 – TIFF 2018 Recap
Matt and Adam look back at the highs and lows of the 2018 Toronto International Film Festival.
‘Assassination Nation’ Review: A Flawed but Empowering Bloodbath | TIFF 2018
Odessa Young and Hari Nef are standouts in this violent, highly stylized commentary on hypocrisy, sexualization, the modern mob mentality and much more.
'The Wind' Review: American Frontier Nightmare with a Powerhouse Lead Performance | TIFF 2018
Director Emma Tammi brings demons to the prairie.
‘What They Had’ Review: Three Generations of Heart and Family Drama | TIFF 2018
A familiar family drama, but one loaded with heart and well-earned tears.
‘White Boy Rick’ Review: White Boy’s Burden | TIFF 2018
In which Yann Demange’s movie is shocked and saddened that a white kid would be subject to the harsh realities of inner city life.
‘Colette’ Review: Keira Knightley Is Radiant as Feminist Icon | TIFF 2018
Ready to brush this one off as any old period piece? Think again.
‘American Dharma’ Review: Steve Bannon Is a Deeply Unimpressive Person | TIFF 2018
Errol Morris shows why you should never make a documentary out of fear.
‘The Front Runner’ Review: How Journalism Became the Monster We Needed | TIFF 2018
Jason Reitman’s movie works best when it’s about the shifting nature of journalism, and less so when it’s about Gary Hart’s indignation.
‘The Predator’ Review: The Hunt Is on and It's a Messy Mixed Bag | TIFF 2018
A Shane Black Predator movie sounded like a downright brilliant pairing. But in the end, it's a film that just teases what could have been.