[This is a re-post of my review from the 2012 Toronto International Film Festival. Disconnect opens today in limited release.]
Modern technology has radically changed the way we interact socially. Go stand in a line, and I guarantee at least a few people will have whipped out their smartphones and are happily ignoring the world around them. We don’t call anymore; we text as if that were the same as a discussion. As author, psychologist, and MIT professor Sherry Turkle recently noted in a New York Times editorial this past April, “we have sacrificed conversation for mere connection.” Henry Alex Rubin‘s Disconnect ignores this contemporary issue, and sacrifices worthwhile social commentary for mere cautionary tales. Disconnect has all the dramatic weight of a driver’s education video, but then pads its thin plots with three loosely-connected narratives, two of which feature character actions so ludicrous that the movie becomes almost completely disconnected from reality.