Earlier this year, Deadspin writer Barry Petchesky reported on the uplifting story of Braves catcher Evan Gattis, and said, “It probably won’t last. It’s too beautiful.” That line has stuck with me all summer. Beautiful things are temporary, but pain seemingly lasts forever. The worst memories are at best an ugly scar and usually an open wound that stings every time you touch it or even look at it. Jason Reitman’s earnest, moving drama Labor Day examines the desperation to heal and how fate can conspire to tear away what’s beautiful. It’s a snapshot of total happiness with storm clouds on the horizon. Labor Day is Reitman’s most mature film to date, and it powerfully shows how the most modest of hopes can be the ones that almost break us completely.