Lionsgate and Roadside Attractions have released the first trailer for Girl Most Likely (previously titled Imogene). Kristen Wiig stars as Imogene, a girl who wrote a hit play when she was a child but is now a total loser. After faking a suicide attempt to win back her ex-boyfriend, Imogene is forced to move back in with her kooky mother (Annette Bening), her mom’s kooky boyfriend (Matt Dillon), and her kooky brother (Christopher Fitzgerald). While the beginning of the trailer is heavy on the “zany antics” aspect of the story, the rest teases a potentially cute mother/daughter story.
Hit the jump to watch the trailer, and click here to read Matt’s review of the film from TIFF 2012. Girl Most Likely also stars Darren Criss and opens on July 19th.
Lionsgate and Roadside Attractions have re-titled the indie comedy Imogene. The film will now be called “Girl Most Likely“. The title refers to formerly-eponymous character (played by Kristen Wiig) who wrote a hit play when she was a child but is now a total loser. After faking a suicide attempt to win back her ex-boyfriend, Imogene is forced to move back in with her kooky mother (Annette Bening), her mom’s kooky boyfriend (Matt Dillon), and her kooky brother (Christopher Fitzgerald). It’s not a good movie, and I’m surprised Lionsgate is giving it a nationwide release.
Hit the jump to check out the press release. Girl Most Likely will open on July 19, 2013.
Over the years, I’ve written at length at how far too many indie comedies mistake quirk for character. Characters feel like people. They have emotions, goals, fears, etc. A character can have quirks, but they can’t be quirks. Shari Springer Berman and Robert Pulcini‘s Imogene is yet another example of an indie comedy that derives its comedy not from clever jokes, thoughtful set-ups and payoffs, or believable characters. It attempts to get laughs from its miserable eponymous protagonist interacting with her goofy family of one-dimensional eccentrics. As much as Imogene strives to coast on the wackiness of the characters, the best jokes in this shapeless comedy come from the little off-handed moments that slip through the tortured, hollow idiosyncrasies.