In past years for my “Best of” list, I’ve been able to provide fun categories like “Best Kill” and “Best Quotes”, but sadly, that won’t be happening this year. I keep notes throughout the year, but in July, my hard drive crashed, and because I am a foolish person, I didn’t back up the notes to a separate drive. However, I do have enough information to do the traditional categories as well as Breakthrough Performance, “A Very Good Year”, Best Villain, Best Surprises, Biggest Disappointments, and a new category, “Best Movie You Probably Missed This Year.” One final note: unlike previous years, the film had to come out in 2012; festival-only flicks don’t count, so that’s why there’s no love for The Place Beyond the Pines on this year’s list.
Hit the jump to check out my miscellaneous “Best of 2012″ picks. Be sure to keep checking back this week as we’ll be running Top 10 lists from Adam, Dave, and me.
Director Kathryn Bigelow’s drama Zero Dark Thirty continues its dominant critics awards path, as it has picked up two more Best Picture wins from the New York Film Critics Online and Boston Society of Film Critics groups, adding to its previous wins from the New York Film Critics Circle and National Board of Review. Bigelow also won Best Director from both organizations, while Daniel Day-Lewis took home Best Actor for Lincoln. Emmanuelle Riva won Best Actress from New York and Boston, while she shared the award in a tie with Jennifer Lawrence for Silver Linings Playbook in the Los Angeles Film Critics Association.
Los Angeles broke from the mold a bit by naming director Michael Haneke‘s devastating French-language film Amour the Best Film of the year. They also awarded Paul Thomas Anderson Best Director for The Master and Beasts of the Southern Wild’s Dwight Henry the Best Supporting Actor honor in a couple of pleasant surprises. Hit the jump for the full list of winners from all three critics groups.
2012 has been a hell of a year for film, but one of the most emotional theatrical experiences of the past 12 months has to be director Behn Zeitlin’s indie Beasts of the Southern Wild. The majestic story soars on the heels of a powerhouse performance from 6-year-old Quvenzhané Wallis, but the film’s original score almost acts as its own character in the film. Zeitlin composed the music alongside Dan Romer, and the resulting score is a beautifully layered, chill-inducing work that’s essential to the film’s success.
Beasts has been garnering its fair share of awards buzz this month, landing on the National Board of Review’s Top 10 films of the year list. While it’s certainly a contender for a Best Picture nomination at the upcoming Oscars, the film might have a decent shot at winning the trophy for Best Original Score. With that in mind, a video has landed online in which Zeitlin and Romer discuss and demonstrate how the film’s score was composed and recorded. Hit the jump to watch.