In this weekend’s Bullet To The Head, Sarah Shahi (Fairly Legal) and Sung Kang (The Fast and Furious: Tokyo Drift) co-star opposite Sylvester Stallone as his daughter and ‘partner’ respectively, the twosome forming an unlikely romance much to Sly’s chagrin. After Taylor Kwon’s (Kang) corrupt police partner is murdered, he teams up with the betrayed hit-man responsible (Stallone) to uncover who put the hit on in the first place. As the duo get closer to those responsible (Christian Slater, Jason Momoa, Adewale Akinnuoye-Agbaje), the villains attempt to get some leverage of their own turning their sights onto Sly’s estranged daughter Lisa (Shahi).

In the following interview with Shahi and Kang, the twosome talk working opposite Stallone, what drew them to the project and breaking conventional stereotypes. In addition, Kang discusses his ‘tragic’ Fast and Furious character Han and what to expect in Furious Six. For the full interview, hit the jump.

Dwayne Johnson loves tweeting information to his fans, like set photos from his movies or hinting that Osama Bin Laden is dead.  Today, he has tweeted the first image from his upcoming film, Fast Six.  The image doesn’t show anything major.  It’s just Johnson and co-star Gina Carano (Haywire) standing around and being bad-asses.  If you wanted to see a blend of friendliness and the ability to beat the life out of you, this is the picture for you.

Hit the jump to check out the full image.  The movie also stars Vin Diesel, Paul Walker, Jordana Brewster, Tyrese Gibson, Michelle Rodriguez, Joe Taslim, and Luke Evans.  Not much is known about the film other than it involves dueling heist teams.  Fast Six opens May 24, 2013.

Peter Segal (Get Smart) is reportedly in talks to direct Vin Diesel (The Fast and the Furious) in the action film, The Machine for MGM.  At the moment, Segal is currently attached to Warner Bros. pictures Grudge Match and the adaptation of the manga, Bleach, so this more than likely won’t be his next feature.  Segal is producing Bleach and may end up directing the picture, while he is attached to direct the Grudge Match, about a boxing rematch between aging fighters. Diesel, meanwhile, is currently in post-production on The Untitled Chronicles of Riddick Sequel, which we can expect to see sometime early next year.  Hit the jump for more information on his involvement in The Machine, as well as the picture’s plot synopsis.

Thought last weekend, when the comedy Think Like A Man took first place from the heavily-favored The Lucky One, was a surprise? Then check out this weekend’s estimates. Not only has Think Like A Man defied all expectations by holding the top spot for a second week; it did so by beating the heavily-favored rom-com The Five-Year Engagement from super-producer Judd Apatow. Could it be that post-racial America has finally arrived? Or is everyone just saving their money to see The Avengers? You be the judge.

After surprising us on Friday with its first-place debut, Think Like A Man has surprised again with its estimated $33 million haul from 2,015 locations.  That is the best per-screen average of the week (wide releases) and it nearly doubles expectations for the comedy. In second place, The Lucky One earned a solid $22.8 million and then there’s The Hunger Games… not sick of hearing about that one yet, are you?

At the TNT portion of the TCA Winter Press Tour, actress Jordana Brewster was in attendance to talk about her role in the summer series Dallas. While we will run that portion of the interview closer to the series premiere, we did want to post what she had to say about the Fast & Furious franchise and why she thinks it’s so enduring with fans, her hopes that she will be able to schedule it with her new TV show, how motherhood will affect her character, and that she is looking forward to working with Michelle Rodriguez again in Fast Six. Check out what she had to say after the jump.

As the 84th Academy Awards move closer, we’re starting to get a better sense of how things will pan out. We recently shared the 39 songs that will contend for the Best Original Song category, and now the Academy has announced the 97 original scores eligible for the Best Original Score award. AMPAS is notoriously picky when it comes to eligibility in this category, and as we feared the scores for both Drive and Attack the Block have been deemed ineligible. Also disappointing is the ineligibility of Alexandre Desplat’s mesmerizing score for The Tree of Life.

While it’s upsetting to see some of the year’s best work side-lined, there’s plenty to be happy about. I was a huge fan of Howard Shore’s work in Hugo and Trent Reznor and Atticus Ross’s score for The Girl with the Dragon Tattoo, as well as The Chemical Brothers’ brilliant work in the criminally underseen Hanna. Hit the jump for the full list, as well as who I think will make the cut.

Two weeks ago we brought you the news that Justin Lin would not be helming a Terminator reboot in the immediate future due to a scheduling conflict with The Fast and the Furious 6 (Fast Six?). While that remains the case, Lin has certainly been vocal in his reverence for both franchises. After the runaway success of Fast Five (which has currently brought in over $616 million), Lin plans to finish up his involvement with that franchise in two more installments before moving on to the Terminator reboot:

“Creatively, I’ve had to put some stuff on hold and walk away from some projects that I’d really love to do, but this is an opportunity for me and for us to close out the franchise the right way. It comes with a price but it’s something that I look forward to.”

I’ll translate that into: I can make a boat-load of money on this sure thing first before taking chances with a problem-riddled franchise. Hit the jump for more quotes from Lin.

Justin Lin’s Fast Five is preposterously entertaining in all the right ways. Modern cinema likes to couch its action movies these days in special effects and the sci-fi and fantasy genres so much that a film about a heist and people driving cars really fast comes across as a breath of fresh air. Vin Diesel, Paul Walker and Dwayne “The Rock” Johnson star in the fifth entry in the Fast and Furious franchise, this time taking place in Rio where Brian O’Connor (Walker) and Dominic Toretto (Diesel) go head to head with evil crime boss (Joaquim de Almeida) and have to assemble a team out of the actors who’ve previously appeared in the franchise. Our review of the Blu-ray of Fast Five follows after the jump.

In case you haven’t had your fill of Justin Lin stories for the week, we’ve got one more for you. Yesterday we reported that Fast Six will be the director’s next film, and he’s no longer attached to direct the Highlander reboot. Today word comes that he’s already got the final scene from Fast Six done. Before he was even finished with Fast Five, the director storyboarded, pre-vised and cut the 12-minute final sequence for the next installment in the Fast and Furious franchise. Hit the jump to see what he had to say.

Shortly before Transformers: Dark of the Moon was released, I got the chance to speak with Tyrese Gibson on the phone.  Since I hadn’t yet seen the film, I couldn’t ask specific questions about the plot or his character.  However, since I was able to visit the editing room earlier this year, where I also saw about 15 minutes of the film before its release, I knew enough about the story and the insane Chicago action sequence that we had plenty to discuss.  In addition, Gibson talked about Fast Five and Fast Six, filming Transformers in 3D, if he has the desire to direct, how he ended up writing a bestselling book (How to Get Out of Your Own Way), his new album Open Invitation, Twitter, and a lot more.  Hit the jump for the audio and transcript.

Universal has just announced the next Fast and the Furious movie will hit theaters May 24, 2013 (which is Memorial Day weekend). You might remember that Universal showed a Fast and Furious 6 promo poster at the Licensing Expo in Las Vegas last week, so the 2013 release date was already known.  What we didn’t know was the date.

According to the studio, Neal H. Moritz and Vin Diesel return to produce, and director Justin Lin is again helming the franchise.  According to Variety, Vin Diesel, Paul Walker and Dwayne Johnson will all be back and we already knew Fast Five screenwriter Chris Morgan was writing the 6th installment.  With Fast Five set to cross $600 million at the worldwide box office in the next few days, it’s no surprise Universal wants the next installment in less than two years.  Since Fast Five did a great job at reinventing the franchise, I’m ready for the next installment.  What about you?

As the only new release of June’s first frame, X-Men: First Class easily claimed the top spot with an estimated $56 million from 3,641 locations.  While that is nowhere near what the last three X-films earned in their debuts, let’s face it, First Class was never playing in their league.

We all know that this hasn’t been the best year for movies at the domestic box office.  Only a handful of weekends have come out ahead of 2010 in terms of profit.  Luckily, this Memorial Day Weekend was one of them.  Traditionally one of the most profitable of Hollywood’s entire year, this year’s holiday more than measured up.  First, The Hangover Part II crushed the All-Time opening for a comedy.  Then estimates put the combined profits of the domestic box office at nearly 50% above last year’s four-day holiday frame and 10% above 2007’s profits (the year which held the all-time record).  Here’s how the top ten looks, including revised estimates for the three-day weekend:

It looks like it will be Thor again, by default, on top of this weekend’s domestic box office.  Though the summer movie season kicked off last weekend (two weeks ago if you count the giant debut of Fast Five), uncharacteristically low-profile debuts will help the God of Thunder retain his box office throne with a projected $32 million.  Thor earned an estimated $9.1 million on Friday: down 65% from his May 6^th debut. Bridesmaids, the female-skewing, R-rated comedy from producer Judd Apatow, came in second on Friday, bringing in an estimated $7.8 million from 2,918 locations and a projected $20 million for the weekend.  The weekend’s second new release, Sony/Screen Gems’ Priest, placed fourth.  The 3D adaptation of the sci-fi/horror graphic novel earned an estimated $5.6 million from 2,864 locations and is on track to earn $14 million over the weekend.  That’s pretty low for a 3D fanboy pic, but it is actually more than the studio expected.  Details tomorrow.