A little bit of late night casting news for you to send you off with pleasant dreams:

• Shailene Woodley (The Descendants) is set to join Mysterious Skin director Gregg Araki’s next film, White Bird.
• Zoe Aggeliki (R.I.P.D.) is in contention for a role in Catching Fire, the sequel to The Hunger Games starring Jennifer Lawrence.

Hit the jump for more on both projects.

Opening tomorrow, in limited release, is director Oren Moverman‘s (The Messenger) fantastic new movie, Rampart.  Led by a brillaint Woody Harrelson, Rampart is about a corrupt cop whose past is finally catching up with him in the wake of a department-wide corruption scandal.  The film also stars Sigourney Weaver, Robin Wright, Steve Buscemi, Cynthia Nixon, Ben Foster, Anne Heche, Ice Cube, and Ned Beatty.

Recently, I got to speak with Harrelson. We talked about how he got involved in the project, what is was like to try and stick to the script while also finding the truth in the moment, what did he think of the film when he first saw it, filming on location in Los Angeles during the day, karaoke (he sings some Queen), and whether or not he can still dunk a basketball.  In addition, Harrelson talked about The Hunger Games and Martin McDonagh‘s Seven Psychopaths.  Hit the jump to watch.

Four-time Oscar-nominee Gary Ross’ (Pleasantville) The Hunger Games will hit theaters on March 23rd, 2012.  Lionsgate announced that it plans to roll out the film adaptation of Suzanne Collins’ best-selling novel (the first in a trilogy) on a weekend that, at present time, contains no competition for the high-profile project.  The film will most likely begin shooting later this year, either towards the end of spring or beginning of summer.

For those unfamiliar with the source material, Collins’ The Hunger Games is set in a post-apocalyptic America and follows the trials of 16-year-old protagonist Katniss Everdeen.  Per Heat Vision, Katniss “must participate in a fight-to-the-death annual event called the Hunger Games.”  While I haven’t read the book trilogy, Ross’ Pleasantville is one of my all-time favorite films and, as a result, each of his projects from here-on-out gets complimentary box-office dollars on my behalf.  For more on the project, hit the jump for a synopsis of the original novel.